He brings to life the stories behind each track, as well as Pink Floyd's groundbreaking live performances of the time.EXCERPTThe Piper at the Gates of Dawn is a wondrous creation often seen through the distorted view of later events. These things have served to overshadow the achievement of The Pink Floyd on their debut album: an outstanding group performance; a milestone in record production; and something made in much happier circumstances than I had expected to find...This is not another book about "mad Syd". This, instead, is a celebration of a moment when everything seemed possible, when creative worlds and forces converged, when an album spoke with an entirely new voice. "Such music I never dreamed of," as Rat said to Mole.

    ? Includes a CD featuring an hour of Kane?s rare interviews with the Beatles ? Features a foreword by Dick Clark

     Dean Milo was a phenomenally successful businessman who had built a tiny family business into a 50 million-a-year corporation. Along the way he had established a lengthy list of enemies that began with his immediate family and stretched throughout the social and business community. His fast-track ride to the top came to a violent halt on August 11, 1980, when Milo was found dead in his luxurious Ohio home, shot twice in the head. A blank telegram form lay nearby. Four months after his death, the investigation remained a confusing collection of non sequiturs. Clues pointed toward Milo's involvement with the Mafia, the drug world, and the gay community. His own family refused to cooperate with the authorities. And time was ticking by … In desperation, Maggie Milo turned to Texas private eye Bill Dear. This is the gripping story of the remarkable collaboration between Dear and the police detectives of Akron, Ohio, that led to eleven convictions, an Ohio record. It is also a tale of the human weakness, desperation, and overwhelming greed that led to a sudden death.

    Features quotes gathered over the years from family, friends and the artists themselves giving the reader a personal insight into their music and world. Fully illustrated throughout with black and white photographs.

    While paintings of Picasso and Jackson Pollock sell for a hundred million dollars or more, and lines from T. S. Eliot are quoted on the yearbook pages of alienated teenagers across the land, twentieth-century classical music still sends ripples of unease through audiences. At the same time, its influence can be felt everywhere. Atonal chords crop up in jazz. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalism has had a huge effect on rock, pop, and dance music from the Velvet Underground onward.The Rest Is Noise shows why twentieth-century composers felt compelled to create a famously bewildering variety of sounds, from the purest beauty to the purest noise. It tells of a remarkable array of maverick personalities who resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with sweet sounds or battered them with dissonance, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. The narrative goes from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.

    In this riveting, sharply etched study of a child in distress, the author, who is now in her late forties and a professor of clinical psychiatry, recalls how a childhood marked by family tragedy led to years of depression and the feeling that adults could not be trusted. After her mother was diagnosed with breast cancer, Cournos struggled to make herself into an adult by taking care of her younger sister and doing the housework, in hope that being good would save her mother's life. Upon her mother's death when Cournos was 11, the author and her sister went into foster care because her uncles and aunts refused to take them in. Cournos's prose captures her sense of abandonment and her ensuing emotional withdrawal. Despite many failed relationships with men, sexual passion allowed her to begin to feel again. A desire to understand her mother's death led Cournos to study medicine, during which time she began psychoanalysis, which provided her with the self-awareness she needed. Having overcome several setbacks, including a major depression, before becoming a happily married mother, Cournos is perceptive and convincing about the mark these experiences left on her. Agent, Richard Balkin.

    just after Babri Masjid. An excellent narrative, clear and thoughtful. a very unique volume that should be read by scholar and layperson alike

    In Defense of Ska is the much-needed response to years of ska-mockery. No longer do ska fans need to hide in the basement, skanking alone in their sharp suits, slim ties and porkpie hats. Now the time to take to the streets and fight music snobbery, or at least crank up the ska without being teased ruthlessly. In a mix of interviews, essays, personal stories, historical snapshots, obscure anecdotes, and think pieces, In Defense of Ska dissects, analyzes and celebrates ska in exactly the way fans have been craving for decades. This book will enlist ska-lovers as soldiers in the ska army, and challenge ska-haters’ prejudices to the core.

    In a life-story that received extensive press and ecstatic reviews as 'a classic - honest, funny and gripping', Ronan Keating tells the full story of his incredible journey. He may be only 23 but he has lived an extraordinary life so far, from playing football on a housing estate in North Dublin to headlining Madison Square Garden with Elton John. But Ronan has never forgotten it's his fans that got him there. It's an inspirational story of a boy from modest beginnings who confounded the critics and made his mark with talent, boyish good looks and, above all, an integrity that has helped him move from the teen market to a broader, adult audience. In a surprisingly honest, remarkably frank style he talks openly of his background and his beloved mother, Boyzone's extraordinary catapult to fame, his friends and band-mates and his new solo career and his wife and son. Brimming with anecdote and revelation, this is a brilliantly written book by a true star - Ronan.

    The Vinyl Dialogues offers the stories behind 31 of the top albums of the 70s, including backstories behind the albums, the songs, and the artists. It was the 1970s: Big hair, bell-bottomed pants, Elvis sideburns and puka shell necklaces. The drugs, the freedom, the Me Generation, the lime green leisure suits. And then there was the music and how it defined a generation. The birth of Philly soul, the Jersey Shore Sound and disco. It's all there in "The Vinyl Dialogues," as told by the artists who lived and made Rock and Roll history throughout the decade.Throw in a little political intrigue - The Guess Who being asked not to play its biggest hit, "American Woman," at a White House appearance and Brewer and Shipley being called political subversives and making President Nixon's infamous "enemies list" - and "The Vinyl Dialogues offers a first-hand snapshot of a country in transition, hung over from the massive cultural changes of the 1960s and ready to dress outrageously and to shake its collective booty. All seen through the eyes, recollections and perspectives of the artists who lived it and made all that great music on all those great albums.

    A dominating force. An extraordinary person.Kilian Jornet has conquered some of the toughest physical tests on the planet. He has run up and down Mt. Kilimanjaro faster than any other human being, and struck down world records in every challenge that has been proposed, all before the age of 25. Redefining what is possible, Jornet continually pushes the limits of human ability, astonishing competitors with his near-superhuman fitness and ability.Jornet adores the mountains with the same ferocity with which he runs them. In Run or Die he shares his passion, inviting readers into a fascinating world rich with the beauty of rugged trails and mountain vistas, the pulse-pounding drama of racing, and an intense love for sport and the landscapes that surround him.In turns inspiring, insightful, candid, and deeply personal, this is a book written from the heart of the world’s greatest endurance runner, for whom life presents one simple choice: Run. Or die.“Trail running’s first true breakout star…[Jornet] has yet to find a record he can’t shatter.” — Runner’s World

    Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: is Tintin literature?"

    Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for such as Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground. This special edition of Record Covers presents a selection of the best 60s to 90s rock album covers from music archivist, disc jockey, journalist, and ex-record publicity executive Michael Ochs's enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an under-appreciated art form.This edition is in English, French and German.

    Her parents came from wealthy families, and both embraced the revolutionary cause of Castro. In this sincere book, Laurence Debray tells the myth and truth of her revolutionary parents and of her own life.

    For the Stones, nothing would ever be the same again.For ten days on that tour, the Rolling Stones traveled by train and bus to play two shows a night in many of the same small town halls and theaters where they had begun their career. Performing brand new songs like "Bitch," "Brown Sugar," "Wild Horses," and "Can't You Hear Me Knockin'" from their as-yet-unreleased album Sticky Fingers live on stage for the very first time, they also played classics like "Midnight Rambler," "Honky Tonk Women," "Satisfaction," "Street Fighting Man," and Chuck Berry's "Little Queenie" and "Let It Rock."Because only one journalist—Robert Greenfield—was allowed to accompany the Stones on this tour, there has never before been a full-length account of the landmark event that marked the end of the first chapter of the Rolling Stones' extraordinary career.In a larger sense, Ain't It Time We Said Goodbye is the story of two artists on the precipice. For Mick Jagger and Ketih Richards, as well as those who traveled with them, the Rolling Stones' farewell tour of England was the end of the innocence. No laminates. No backstage passes. No security. No sound checks and no rehearsals. Just the Rolling Stones on the road playing rock 'n' roll the way it was truly meant to be seen and heard.Based on Greenfield's first-hand account as well as new interviews with many of the key players, Ain't It Time We Said Goodbye is a vibrant and thrilling look at the way it once was and would never be again in the world according to the Rolling Stones.