George Bland is an aging bachelor whose existence has been virtually a mirror image of his name--up until now. For into George's life walks Katy Gibb, young, abrasively self-assured, who incites in George the most alarming feelings.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    By presenting a vision of life in which diverse aspects of experience are observed simultaneously, Huxley characterizes the symptoms of "the disease of the modern man" in the manner of a composer--themes and characters are repeated, altered slightly, and played off one another in a tone that is at once critical and sympathetic.First published in 1928, Huxley's satiric view of intellectual life in the '20s is populated with characters based on such celebrities as D.H. Lawrence, Katherine Mansfield, Nancy Cunard, and John Middleton Murry, as well as Huxley himself.

    An intimate and devastating portrait of Romania during and after the Second World War, through the prism of a moving and utterly original friendship.Shortlisted for the 2012 Orange Prize.

    Double desire.

    At Hannesford Court, it's almost as if nothing has changed.But beneath the surface, nothing is quite the same as the last time they met there. A few faces are missing, and for Tom Allen, only just out of uniform, the desirable daughter of the house suddenly seems within his reach.Then there is the story of the young woman who was found drowned in the swirling waters of the River Hann while Tom was away. Can one unexplained death be significant when so many millions have died in the trenches?

    Read on for information about the good times and the gory from the great goose fairs to the painful punishments and trickery of the ruthless royal family.

    . . and smiled to her. He had smiled to her as if they two were alone in the world and she had fallen in love with him then and there." Elfrida Jane, accustomed to the energetic life of a small-part actress, finds life at Mountain Cross very different. At first her mother’s old cliff-top house seems lonely and bleak, compared to the glitter and bustle of the theatre. But Elfrida has plenty of courage and soon settles down to enjoy herself. Then, suddenly, her peace is shattered. To the house on the cliff come unexpected visitors from the world of the theatre – a world Elfrida thought she had left behind forever... The House on the Cliff is a delightful romantic story told by an expert in the field. D. E. Stevenson was born in Edinburgh, the daughter, granddaughter and great-granddaughter of civil engineers who designed many Scottish lighthouses. Her father was a first cousin of Robert Louis Stevenson. She was educated privately and travelled widely in France and Italy with her parents. She married a major in the Highland Light Infantry and moved with the regiment from place to place gaining valuable experience of life and people. Her first really successful novel, Mrs Tim, was published in 1933.

    Two worlds are about to collide.Evie Brunton loves her job. Twice a day, she spins along the narrow lanes of Devon on her bicycle, delivering letters from a heavy post bag. When the flamboyant London artist, Bernard Cavalier, drops like a meteor into her sleepy village, everything changes. Bernard is supposed to be painting for an important exhibition, but the countryside has its own charms, in particular his young post lady…Light and witty, and full of twists and turns, The Wrong Envelope is a charming romantic comedy. It captures the spirit of another age – when letters could change lives.

    The twentieth century has become "history" at an unprecedented rate. The world of 2007 is so utterly unlike that of even 1987, much less any earlier time, that we have lost touch with our immediate past even before we have begun to make sense of it. In less than a generation, the headlong advance of globalization, with the geographical shifts of emphasis and influence it brings in its wake, has altered the structures of thought that had been essentially unchanged since the European industrial revolution. Quite literally, we don't know where we came from. The results have proved calamitous thus far, with the prospect of far worse. We have lost touch with a century of social thought and socially motivated social activism. We no longer know how to discuss such concepts and have forgotten the role once played by intellectuals in debating, transmitting, and defending the ideas that shaped their time. In Reappraisals, Tony Judt resurrects the key aspects of the world we have lost in order to remind us how important they still are to us now and to our hopes for the future. Reappraisals draws provocative connections between a dazzling range of subjects, from the history of the neglect and recovery of the Holocaust and the challenge of "evil" in the understanding of the European past to the rise and fall of the "state" in public affairs and the displacement of history by "heritage." With his trademark acuity and Žlan, Tony Judt takes us beyond what we think we know to show us how we came to know it and reveals how many aspects of our history have been sacrificed in the triumph of mythmaking over understanding, collective identity over truth, and denial over memory. His book is a road map back to the historical sense we so vitally need.

    There is an obituary for a Scottish scientist and Nobel Prize winner, written by a colleague who clearly relishes his death. Early in the century, a train in the Scottish Highlands heads down the wrong track during a winter snowstorm, and the passengers are forced to abandon the train, resulting in the death -- or is it murder? -- of one of them. An inane publisher's reader summarizes the plot of a tacky hospital romance novel, which ends in a gory murder all too reminiscent of Jack the Ripper. Even a report on a contemporary academic controversy explodes into a scandal of plagiarism, shattered reputations, paranoia, and suicide -- or is it murder made to look as such?As Palliser deftly teases out each new situation, it becomes clear that they are all variations on a single outrageous theme: a distinguished figure in some intellectual pursuit -- science, literature, academia -- becomes obsessed with the success of a rival and schemes his demise, only to botch the job out of sheer monomania. Like the scorpion that stings itself to death, each plotter becomes a victim of his own plot; each betrayer changes places with the betrayed in an intricate dance of deception, revenge, and revelation.A challenging, engrossing, utterly original work of art, Betrayals is also pure joy to read -- a book that will make you laugh out loud, turn pages madly in pursuit of the next plot twist, and above all, marvel at the supreme ingenuity of a fictional puzzle in which the unlikeliest pieces fit together perfectly.From the Hardcover edition.

    A mouse who likes her house nice and tidy has a series of unexpected and messy visitors.

    Now updated with fresh interviews including insights into lead singer Damon's new act, Gorillaz, that is sweeping awards on both sides of the Atlantic. This is the story of bitter rows with record companies, farcical feuds with Oasis, fist fights with each other, struggles with the bottle, foundering romances and a love-hate relationship with America.Drawing on the hours of exclusive interviews he has done with the band since their early days, Stuart Maconie offers a gripping insight into this intense, hedonistic quartet.

    Voices of the Old Sea describes his three successive summers in that almost medieval community where life revolved around the seasonal sardine catches, Alcade's bar, and satisfying feuds with neighboring villages. It's lucky Lewis was there when he was. Soon after, Spain was discovered by its neighbors in a more prosperous northern Europe, and the tourist tide that ensued flowed inexorably over the old ways of the town and its inhabitants.

    In this gloriously anarchic academy for young ladies we witness shootings, knifings, torture and witchcraft, as well as many maidenly arts. The subject of many evergreen films, St Trinian's is synonymous with the sort of outrageous behaviour that would make a convict blench. This book also contains a selection of Ronald Searle's work from the non-school books, including The Rake's Progress, Souls in Torment and Merry England, etc. and their publication in one volumes stakes Searle's claim to be the greatest and most influential English satirist since the war.