A collection of eight cases, contains examples -The Bruce Partington Plans-The Dying Detective, Wisteria Lodge & The devils Foot

    illustrated, B&W

    An Indian boy by adoption, J. W. Schultz has told his paleface brothers many good Indian tales. "Apauk, Caller of Buffalo", was a lad in the land and the days of the great buffalo herds. Apauk. a Blackfoot boy. was taught when young the art of calling buffalo. A new type of the wooly, wild west Indian story appears in "Apauk, Caller of Buffalo." More thrilling than Action, the life story of the greatest of the Blackfeet medicine men, not only possesses an enthralling interest but gives the reader an authoritative historical picture of the life of the American Indian on the great western plains before the invasion of the white man. The biographer, James Wlllard Schultz, is an adopted member of the Blackfeet tribe and has lived the life of an Indian for forty years. Schultz writes: "ALTHOUGH I had known Apauk A—Flint Knife—for some time, it was not until the winter of 1879—80 that I became intimately acquainted with him. He was at that time the oldest member of the Piegan tribe of the Blackfeet Confederacy, and certainly looked it, for his once tall and powerful figure was shrunken and bent, and his skin had the appearance of wrinkled brown parchment. "In the fall of 1879, the late Joseph Kipp built a trading-post at the junction of the Judith River and Warm Spring Creek, near where the town of Lewistown, Montana, now stands, and as usual I passed the winter there with him. We had with us all the bands of the Piegans, and some of the bands of the Blood tribe, from Canada. The country was swarming with game, buffalo, elk, antelope, and deer, and the people hunted and were care-free and happy, as they had ever been up to that time. Camped beside our trading-post was old Hugh Monroe, or Rising Wolf, who had joined the Piegans in 1816, and it was through him that I came to know Apauk well enough to get the story of his remarkably adventurous and romantic youth. The two old men were great chums. Old as they were —Monroe was born in 1798, and Apauk was several years his senior—on pleasant days they mounted their horses and went hunting, and seldom failed to bring in game of some kind. And what a picturesque pair they were ! Both wore capotes ——hooded coats made from three-point Hudson Bay Company blankets—and leggins to match, and each carried an ancient Hudson Bay fuke, or flint-lock gun. They would have nothing to do with cap rifles, or the rim-fire cartridge, repeating weapons of modern make. Hundreds—yes, thousands of head of various game, many a savage grizzly, and a score or two of the enemy—— Sioux, Cree, Crow, Cheyenne, and Assiniboine, had they killed with the sputtering pieces, and they were their most cherished possessions. "Oh, that I could live over again those buffalo days! Those Winter evenings in Monroe’s or Apauk’s lodge, listening to their tales of the long ago! Nor was I the only interested listener: always there was a complete circle of guests around the cheerful fire; old men, to whom the tales brought memories of their own eventful days, and young men, who heard with intense interest of the adventures of their grandfathers, and of the “ calling of the buffalo,” which strange and wonderful method of obtaining at one swoop a whole tribe’s store of Winter food, they were never to witness. For the luring of whole herds of buffalo to their death had been Apauk’s sacred, honored, and danger-fraught avocation.

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    She began her nursing career as a tuberculosis nurse in Baltimore and then served as an army nurse in Europe during World War I. After that she traveled to Asia where she saw the effects of opium addiction. The Backwash of War (1934) was based on her diaries kept during her time at the front. La Motte speaks of her time in an army hospital in France as periods of boredom interspersed with moments of fright. The Backwash of War is an excellent memoir of war from the viewpoint of a woman army nurse.

    Generation after generation has thrilled to the story of Baba Yaga, the witch with iron teeth; the tale of the Little Daughter of the Snow, who melted for lack of love, and many others. Ransome visited Russia before the Revolution and heard these stories first-hand from the people he met there.

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    I was young, and had not the clarity of judgment that Rothenstein already had. Soames was quite five or six years older than either of us. Also--he had written a book. It was wonderful to have written a book.

    In Forsyth's company we are aware of both the glory and the gravity of what we are doing when we go to our knees in prayer." -Eugene H. Peterson P. T. Forsyth is sometimes described as an English pre-cursor to Karl Barth. He was born in 1848 to a Scottish family of humble origins and later in life attended Aberdeen University, where he graduated with first-class honours in classical literature in 1869. In 1876 he was ordained and called to minister in Shipley, Yorkshire. In his early ministry in the Congregational Church, Forsyth fought orthodoxy and sought for the right to rethink Christian theology and pursue liberal thought. In 1878, however, Forsyth experienced a conversion from, in his own words, "being a Christian to being a believer, from a lover of love to an object of grace." A profound awareness of pastoral responsibility was awakened which radically altered the the course of his ministry. His conversion thrust him from the leadership of liberalism to a recovery of the theology of grace. Quickly, he became one of the better-known figures in British Nonconformity. In 1894, he received a call to Emmanuel College in Cambridge, where he preached his famous sermon, "Holy Father" in 1896. In 1901, he accepted a position as principal of Hackney Theological College, London where he remained until he died in 1921. Over his lifetime Forsyth published 25 books and more than 260 articles. He is often credited with recovering for his generation the reality and true dimensions of the grace of God.

    Lincoln frequently published work in popular magazines like "The Saturday Evening Post."

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    Yet one will search in vain for any mention of this work in anthologies of Futurism. The novel's erasure is doubtless because it is so unlike anything else produced by Futurism (an ardent, masculine, positive and absurdly serious movement). Sam Dunn is Dead, a small masterpiece of black humor, is none of these things.Not only is Sam Dunn at once funny, despairing, cerebral and ludicrous, it also traces a history in miniature of the modern spirit. It commences with a description of its eponymous hero, a languid 1890s poet who is about to unleash a thoroughly contemporary apocalypse upon the world. Subsequent chapters could be mistaken for Dadaist or Surrealist texts (but written a decade before their time), and then the whole edifice is fatally undermined by forces that are both banal and unusual (to avoid revealing too much). Corra subsequently considered his novel a failure, but today his sensitivity to the great undertows of history seems alarmingly prescient, and neither opinion should interfere with the reader's simple enjoyment of this novel's deliriously ebullient nihilism.

    

    Includes 'The Tunnel'and 'Interim'.

    The book takes us from the period of the Battle of Clontarf in Dublin in the year 1014, when Brian Boru’s forces took on the Viking invaders, up to the time in 1949 when Ireland, then styled the 'Irish Free State’, was declared a republic. Along the way we learn of such crucial conflicts as the Battle of the Boyne, the 1798 Rebellion and, of course, the 1916 rising, which directly contributed to the setting up of an independent Irish parliament.

    The protagonist, Adrian Sorio, is a typically Powys-like hero, highly-strung with only precarious mental stability. He is in love with two women - Nance Herrick and the more unconventional Phillipa Renshaw.This was Powys second novel, published in 1916. It deploys a rich and memorable cast of characters." quoted from publisher's web site