A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    Kane's first play Blasted caused major controversy, furore and acclaim amongst critics and throughout the theatre world

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    The Great Families of the nobility cling to the myths of their golden age while the city's technology wanes.When a fever strikes, and the Eminence dies, seventeen-year-old Tagaret is pushed to represent his Family in the competition for Heir to the Throne. To win would give him the power to rescue his mother from his abusive father, and marry the girl he loves.But the struggle for power distorts everything in this highly stratified society, and the fever is still loose among the inbred, susceptible nobles. Tagaret's sociopathic younger brother, Nekantor, is obsessed with their family's success. Nekantor is willing to exploit Tagaret, his mother, and her new servant Aloran to defeat their opponents.Can he be stopped? Should he be stopped? And will they recognize themselves after the struggle has changed them?

    But being an air force cadet isn’t the only new thing she’s dealing with—she can’t get her best friend out of her mind.After some not-so-mixed signals, Alexis bounds off to the academy, ready to start her life anew, until she catches the eye of an upper-class cadet on the first day. Cadet Teason is hot, strong, and attentive toward Alexis. Only problem is… Cadet Teason is a woman. Battling whether or not to confront her lesbian identity, Alexis must traverse the unspoken fears plaguing those who are gay in the military. But the fears of being kicked out are not strong enough to restrain her passion any longer.She Can’t Tell is a coming of age new adult lesbian romance set in the Air Force Academy. As Alexis keeps her eye (and hands) on Cadet Teason and a surprise best friend, readers are taken on her path to gay pride through self-discovery, self-respect, and self-love.

    What should have been a single encounter turned into several. There was something about Prime that magnetized her to him…Egotistical, vain, and pompous, but confident, beautiful, charming, and eccentric. Prime didn’t have to exert his dominance for her to know who he was. Her submission to his energy came naturally. He was what she needed. Prime was the perfect name for someone like him; it was truly befitting. He carried himself as if he was of main importance and considered himself to be the best in quality. And yes, he was at the most successful peak of his life, and he exuded great strength and maturity. Now it was time to settle and findeth a wife. Unable to change the mistakes of the past, he looked forward to another chance at love and family. He believed he found it in Dasani. She was divine and breathtaking. A chocolate goddess. A priceless piece of sculpted art. Dasani was quiet, hardworking, loving, nurturing, and a successful business owner. Prime admired her drive and passion, but he loathed the pain and hurt in her eyes. All he desired to do was be the man to remove her out of the darkness and place her in the light where she belonged. She was what he wanted. Sometimes, what we want, and need isn’t what’s best for us; nor is it best for the people in our lives that depend on us. After Prime learns that he and Dasani share a mutual loved one in their lives, Prime must make a choice: Dasani or the “loved” one. But Prime is used to having his way, and not having Dasani will be a problem. Will he be able to abandon the idea of love in order to salvage the broken relationship that stands in their way, or will he forfeit the opportunity to make amends and hold on to his Dasani?

    Sweeping all major theater awards, including the 1996 Pulitzer Prize for drama, as well as four 1996 Tony Awards including Best Musical, Best Book, and Best Score for a Musical, Rent captures the heart and spirit of a generation, refleting it onstage through the emotion of its stirring words and music, and the energy of its young cast. Now, for the first time, Rent comes to life on the page -- through vivid color photographs, the full libretto, and an utterly compelling behind-the-scenes oral history of the show's creation. Here is the exclusive and absolutely complete companion to Rent, told in the voices of the extraordinary talent behind its success: the actors, the director, the producers, and the librettist and composer himself, Jonathan Larson, whose sudden death, on the eve of the first performance, has made Rent's life-affirming message all the more poignant.

    Jo's greatest fear is that her illegitimate baby might be mentally deficient like her own father. To soothe, clean and cook for her is Geof, an effeminate art student, with whom she makes a temporary home. Bruised by insensitivity and rejection, the boy and girl find a very real comfort in each other.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    They are Frances, a painfully sweet but sheltered fundamentalist; Mindy, the cheerful, wise-cracking lesbian sister of the groom; Georgeanne, whose heartbreak over her own failed marriage triggers outrageous behavior; Meredith, the bride's younger sister whose precocious rebelliousness masks a dark secret; and Trisha, a jaded beauty whose die-hard cynicism about men is called into question when she meets Tripp, a charming bad-boy usher to whom there is more than meets the eye. As the afternoon wears on, these five very different women joyously discover a common bond in this wickedly funny, irreverent and touching celebration of the women's spirit.

    His images are beautiful and exact, but until now no translator had ever been able to make his characters speak unaffectedly on the American stage. Michael Dewell of the National Repertory Theatre and Carmen Zapata of the Bilingual Foundation of the Arts have created these versions expressly for the stage. The result, both performable and readable, has been thoroughly revised for this edition, which is introduced by Christopher Maurer, general editor of the Complete Poetical Works of García Lorca.

    When she was twelve her father was brutally murdered by one. As far as she's concerned all vampires are monsters. And she's happy to go on thinking this way, until Jean Posey walks into her life. Rich, powerful and beautiful, she comes to Lissa's rescue when she needs her the most, always in the right place at the right time. Suddenly Lissa finds herself drawn to this mysterious vampire, and begins to question if she misjudged the race.But, like most of her kind, Jean has a dark past. There are secrets she doesn't want anyone to know, least of all Lissa. She has her reasons for trying to keep Lissa at arm's length. Unfortunately, her heart has its own ideas, and falling for the girl proves inevitable.And with that comes the certainty that Lissa will discover the truth about her and realize that Jean might just be the monster she initially thought she was. My Beautiful Sin is the first book in the Beautiful Sin Saga, a steamy paranormal lesbian romance trilogy. Book Two, Sinning Again, is OUT NOW!!

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.