Known as the “Narito Disappearances,” the crime has authorities baffled—until a confession appears on the police’s doorstep, signed by Oda Sotatsu, a thread salesman. Sotatsu is arrested, jailed, and interrogated—but he refuses to speak. Even as his parents, brother, and sister come to visit him, even as his execution looms, and even as a young woman named Jito Joo enters his cell, he maintains his vow of silence. Our narrator, a journalist named Jesse Ball, is grappling with mysteries of his own when he becomes fascinated by the case. Why did Sotatsu confess? Why won’t he speak? Who is Jito Joo? As Ball interviews Sotatsu’s family, friends, and jailers, he uncovers a complex story of heartbreak, deceit, honor, and chance. Wildly inventive and emotionally powerful, Silence Once Begun is a devastating portrayal of a justice system compromised, and evidence that Jesse Ball is a voraciously gifted novelist working at the height of his powers.

    Then one night, he stumbles upon a clip from a lost film by silent comedian Hector Mann. His interest is piqued, and he soon finds himself embarking on a journey around the world to research a book on this mysterious figure, who vanished from sight back in 1929.When the book is published the following year, a letter turns up in Zimmer’s mailbox bearing a return address from a small town in New Mexico inviting him to meet Hector. Zimmer hesitates, until one night a strange woman appears on his doorstep and makes the decision for him, changing his life forever.

    . . and his eleven-year-old neighbor is accused of the crime. Leading the defense is London solicitor Daniel Hunter, a champion of lost causes.A damaged boy from a troubled home, Daniel's young client, Sebastian, reminds Daniel of his own turbulent childhood--and of Minnie, the devoted woman whose love saved him. But one terrible act of betrayal irrevocably shattered their bond.As past and present collide, Daniel is faced with disturbing questions. Will his sympathy for Sebastian and his own memories blind him to the truth? What happened in the park--and who, ultimately, is to blame for a little boy's death? Rethinking everything he's ever believed, Daniel begins to understand what it means to be wrong . . . and to be the guilty one.

    But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened -- something that ended their friendship and changed all three boys forever.Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con who owns a corner store. And Dave is trying to hold his marriage together and keep his demons at bay -- demons that urge him to do terrible things. When Jimmy's daughter is found murdered, Sean is assigned to the case. His investigation brings him into conflict with Jimmy, who finds his old criminal impulses tempt him to solve the crime with brutal justice. And then there is Dave, who came home the night Jimmy's daughter died covered in someone else's blood.A tense and unnerving psychological thriller, Mystic River is also an epic novel of love and loyalty, faith and family, in which people irrevocably marked by the past find themselves on a collision course with the darkest truths of their own hidden selves.

    A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known.From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.Utterly true to the rhythms and patterns of life, Plainsong is a novel to care about, believe in, and learn from.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student.

    There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

    Because once you hand over your life to the dice, anything can happen. Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.

    The Emperor of Ocean Park is set in two privileged worlds: the upper crust African American society of the eastern seaboard--old families who summer on Martha's Vineyard--and the inner circle of an Ivy League law school. It tells the story of a complex family with a single, seductive link to the shadowlands of crime.The Emperor of the title, Judge Oliver Garland, has just died, suddenly. A brilliant legal mind, conservative and famously controversial, Judge Garland made more enemies than friends. Many years before, he'd earned a judge's highest prize: a Supreme Court nomination. But in a scene of bitter humiliation, televised across the country, his nomination collapsed in scandal. The humbling defeat became a private agony, one from which he never recovered.But now the Judge's death raises, even more, questions--and it seems to be leading to a second, even more, terrible scandal. Could Oliver Garland have been murdered? He has left a strange message for his son Talcott, a professor of law at a great university, entrusting him with "the arrangements"--a mysterious puzzle that only Tal can unlock, and only by unearthing the ambiguities of his father's past. When another man is found dead, and then another, Talcott--wry, straight-arrow, almost too self-aware to be a man of action--must risk his career, his marriage, and even his life, following the clues his father left him.Intricate, superbly written, often scathingly funny, The Emperor of Ocean Park is a triumphant work of fiction, packed with character and incident--a brilliantly crafted tapestry of ambition, family secrets, murder, integrity tested, and justice has gone terribly wrong.

    The story revolves around a group of college girls in the 1970s and their obsessive preoccupation with charismatic anti-establishment English professor Andre Harrow and his artist wife, Dorcas. The two stand out in their small New England college town, and they revel in their difference, which draws Andre's female students to him like bees to honey. A talented and infatuated junior, Gillian is relegated to the shadows until Andre picks her out as one of his "special" girls. What follows is a disturbing look at the power of obsession and the abuse of trust. The story, though implausible in today's world, is quite believable in its 1970s setting. It's a quick read at 128 pages but suspenseful and satisfying to the end, with Oates once again displaying her amazing flair for complex and slightly bizarre characters.

    In a novel set within the arena of volatile Japanese-American relations, business moguls compete for control of the international electronics industry.

    The doctors who worked in the Mobile Army Surgical Hospitals (MASH) during the Korean War were well trained but, like most soldiers sent to fight a war, too young for the job. In the words of the author, "a few flipped their lids, but most of them just raised hell, in a variety of ways and degrees."For fans of the movie and the series alike, here is the original version of that perfectly corrupt football game, those martini-laced mornings and sexual escapades, and that unforgettable foray into assisted if incompleted suicide--all as funny and poignant now as they were before they became a part of America's culture and heart.

    Not the bucolic Vermont back roads college sophomore Laurel Estabrook likes to bike. Not the savage assault she suffers toward the end of one of her rides. And certainly not Bobbie Crocker, the elderly man with a history of mental illness whom Laurel comes to know through her work at a Burlington homeless shelter in the years subsequent to the attack.In his moments of lucidity, the gentle, likable Bobbie alludes to his earlier life as a successful photographer. Laurel finds it hard to believe that this destitute, unstable man could once have chronicled the lives of musicians and celebrities, but a box of photographs and negatives discovered among Bobbie's meager possessions after his death lends credence to his tale. How could such an accomplished man have fallen on such hard times? Becoming obsessed with uncovering Bobbie's past, Laurel studies his photographs, tracking down every lead they provide into the mystery of his life before homelessness -- including links to the rich neighborhoods of her own Long Island childhood and to the earlier world of F. Scott Fitzgerald's The Great Gatsby, with its larger-than-life characters, elusive desires, and haunting sorrows.In a narrative of dazzling invention, literary ingenuity, and psychological complexity, Bohjalian engages issues of homelessness and mental illness by evoking the humanity that inhabits the core of both. At the same time, his tale is fast-paced and riveting -- The Double Bind combines the suspense of a thriller with the emotional depths of the most intimate drama. The breathtaking surprises of its final pages will leave readers stunned, overwhelmed by the poignancy of life's fleeting truths, as caught in Bobbie Crocker's photographs and in Laurel Estabrook's painful pursuit of Bobbie's past -- and her own. Behind The Double BindWhile Bobbie Crocker, the photographer in The Double Bind, is fictitious, the photographs that appear in the book are real. They were taken by a man named Bob "Soupy" Campbell, who, as Chris Bohaljian explains in his Author's Note, "had gone from photographing luminaries from the 1950s and 1960s to winding up at a homeless shelter in northern Vermont." Bohaljian's viewing of Campbell's work after the photographer's death provided an inspiration for The Double Bind. "We tend to stigmatize the homeless and blame them for their plight," Bohjalian writes. "We are oblivious to the fact that most had lives as serious as our own before everything fell apart. The photographs in this book are a testimony to that reality."

    David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.