Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    Lovecraft)By turns bizarre, unsettling, spooky, and sublime, Ancient Sorceries and Other Weird Stories showcases nine incomparable stories from master conjuror Algernon Blackwood. Evoking the uncanny spiritual forces of Nature, Blackwood's writings all tread the nebulous borderland between fantasy, awe, wonder, and horror. Here Blackwood displays his best and most disturbing work-including the title story, the inspiration for Val Lewton's classic film Cat People; "The Willows," which Lovecraft singled out as "the single finest weird tale in literature"; "The Wendigo"; "The Insanity of Jones"; and "Sand.""Of the equality of Mr. Blackwood's genius there can be no dispute; for no one has ever approached the skill, seriousness, and minute fidelity with which he records the overtones of strangeness in ordinary things and experiences." --H.P. Lovecraft

    Arthur Machen had a profound impact upon H.P. Lovecraft and the group of stories that would later become known as the Cthulhu Mythos. This first volume of Chaosium's Arthur Machen collection begins with the chilling "The Three Impostors" in its complete form, including the rarely seen sections "The Decorative Imagination" and "The Novel of the Iron Maid." Rounding out the first volume are "The Great God Pan," "The Inmost Light," and "The Shining Pyramid," all are excellent tales.

    R. James need no introduction. They are widely considered the very best classical supernatural tales ever committed to paper, and a testimony to their quality and universal appeal is the fact that James's Collected Ghost Stories has remained in print since its first publication in 1931. James's ghost stories are a towering achievement, and they continue to dominate the genre more than a century after they first began to appear.Ash-Tree Press has published collections by many of the writers who followed James and sought to emulate him, and is now proud to have published A Pleasing Terror, which collects all of M. R. James's writings on the supernatural. In addition to the thirty-three stories from Collected Ghost Stories, this volume includes a further three stories, seven story drafts left amongst his papers, all of his introductions and prefaces to his various collections, and his article 'Stories I Have Tried to Write'. In addition, there are the texts of twelve medieval ghost stories discovered and published by James, all of his articles about the ghost story, and his writings on J. Sheridan Le Fanu.

    They are going mad and Usher asks an old friend to help them. Can Usher win the fight against madness? And will Madeline ever be well again? Edgar Allan Poe's short stories are still popular a hundred and fifty years after his death. Other titles featured here include The Barrel of Amontillado and The Murders in the Rue Morgue.

    This book incorporates many of the fascinating facts, anecdotes, and trivia about the series and delivers all-new text and photos.

    Foregoing photography's traditional role of romanticizing the Western landscape, Adams focused instead on the construction of tract and mobile homes, subdivisions, shopping centers and urban sprawl in the suburbs of Colorado Springs and the Denver area. Adams transmuted these zones with his minimalist vision of their austerity; as he has noted, "no place is boring, if you've had a good night's sleep and have a pocket full of unexposed film." Objective and direct, Adams' photographs, rendered in his signature middle-gray scale, unsentimentally depict a despoiled landscape washed in the intense Colorado sunlight. Today The New West stands alongside Walker Evans' American Photographs, Robert Frank's The Americans and Stephen Shore's Uncommon Places in the pantheon of landmark projects on American culture and society. This second reissue of the classic publication has been recreated from Adams' original prints, and will be released ahead of a major traveling exhibition that will launch in 2010. Foreword by John Szarkowski.

    Life for Sarah Willcox has not been easy since her father died. It’s the late 1920s and Sarah loves her work as an apprentice in the sheds at the Staffordshire-based pottery Frenshaws. She is able to escape her miserable home life where her hateful step-father Joe abuses her mother. But there’s no escaping it completely, as Joe also works at the pottery company. When Sarah’s talent is recognized by the master potter and owner, Daniel, she is sent to Design School where she meets wealthy Annabel and they quickly become friends. But Sarah’s life is far from settled. Beneath Daniel’s dedication to work lies a deep compassion and a long-standing interest in Sarah and her family. On her fifteenth birthday, a violent tragedy sends Sarah’s life spiraling into an entirely new direction. She escapes to live with her grandmother where she learns secrets about her past and a heritage that she never knew existed. A whole life she had never imagined opens up for her, but will it come at too high a price? The Tower Room is a thoroughly moving tale about secrets, deception and new beginnings.

    Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl’s book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature—books, reviews, exhibition catalogues, and periodicals—that have emerged in a variety of languages. New illustrations have also been included.

    Every page of Vampires features a column of commentary by the editor, expanding upon the stories and exploring the evolution of the vampire mystique in folklore, literature, and popular culture. More than 200 beautifully rendered black-and-white images of vintage engravings, film posters, and popular artifacts make this big book the "living end" of vampire fact, fiction, and lore.

    This dramatic new addition to the Courage Library of Classic Literature series is a compilation of horror classics. Bound into one handsome volume are the following delectably scary selections: Dracula by Bram Stoker, Frankenstein by Mary Shelley, The Island of Doctor Moreau by H. G. Wells, The Body Snatcher by Robert Louis Stevenson, and stories by Edgar Allan Poe, including: The Pit & The Pendulum, The Tell-tale Heart, and Murders at the Rue Morgue.

    Smith, best known for her sculptures of the human body, presents her recent photographic and multimedia work on the theme of fairy tales. The centerpiece of this book is the full-color visual essay of her renditions and investigations of the characters of Little Red Riding Hood and the Wolf, the biblical Eve juxtaposed with Snow White, and various enigmatic female puppets. Through these symbolic female figures, the artist explores themes of temptation and sexuality, attraction and danger, and the impact of knowledge. Myths, fairy tales, and childhood fantasies predominate.