When her husband died two years ago, her pleas for further investigation into his suspicious death fell on deaf ears. In desperate need of a fresh start, Kaine purchases an old house sight unseen in her grandfather's Wisconsin hometown. But one look at the eerie, abandoned house immediately leaves her questioning her rash decision. And when the house's dark history comes back with a vengeance, Kaine is forced to face the terrifying realization she has nowhere left to hide. A century earlier, the house on Foster Hill holds nothing but painful memories for Ivy Thorpe. When an unidentified woman is found dead on the property, Ivy is compelled to discover her identity. Ivy's search leads her into dangerous waters and, even as she works together with a man from her past, can she unravel the mystery before any other lives—including her own—are lost?

     Joe never wanted to come back to Arnhill. After the way things ended with his old gang—the betrayal, the suicide—and what happened when his sister went missing, the last thing he wanted to do was return to his hometown. But Joe doesn’t have a choice, not after a chilling email surfaces in his inbox: I know what happened to your sister. It’s happening again . . . Lying his way into a teaching job at his former high school is the easy part. Facing off with onetime friends who aren’t too happy to have him back in town—while avoiding the enemies he’s made in the years since—is tougher. But the hardest part of all will be returning to the abandoned mine where his life changed forever, and finally confronting the horrifying truth about Arnhill, his sister, and himself. Because for Joe, the worst moment of his life wasn’t the day his sister went missing. It was the day she came back.

    She keeps to herself, begrudgingly socializes, and spends much of her time watching old Twin Peaks and X-Files DVDs. But when Vincent Pryce, Boston’s most eccentric billionaire, dies—leaving behind an epic treasure hunt through the city, with clues inspired by his hero, Edgar Allan Poe—Tuesday’s adventure finally begins.Puzzle-loving Tuesday searches for clue after clue, joined by a ragtag crew: a wisecracking friend, an adoring teen neighbor, and a handsome, cagey young heir. The hunt tests their mettle, and with other teams from around the city also vying for the promised prize—a share of Pryce’s immense wealth—they must move quickly. Pryce’s clues can't be cracked with sharp wit alone; the searchers must summon the courage to face painful ghosts from their pasts (some more vivid than others) and discover their most guarded desires and dreams.A deliciously funny ode to imagination, overflowing with love letters to art, from The Westing Game to Madonna to the Knights of the Round Table, Tuesday Mooney Talks to Ghosts is the perfect read for thrill seekers, wanderers, word lovers, and anyone looking for an escape to the extraordinary.

    Inside the peculiar case, he discovers a journal, written by the renowned Robert Louis Stevenson, which divulges ominous particulars about his creation of The Strange Case of Dr. Jekyll and Mr. Hyde. It also promises to reveal a terrible secret—the identity of Jack the Ripper.Unfortunately, the journal—whose macabre tale unfolds in an alternating narrative with Rafe’s—isn’t the only relic in the trunk, and Rafe isn’t the only one to purloin a souvenir. A mysterious flask containing the last drops of the grisly potion that inspired Jekyll and Hyde and spawned London’s most infamous killer has gone missing. And it has definitely fallen into the wrong hands.

    Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, an adult Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma. With little to lose and still grieving after a personal tragedy, Clare returns to her roots to uncover the darkness responsible for Abby’s accident.

    Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    It's not. Quentin's podcast, Closure, focuses on a series of murders in the 1970s, committed by teen couple April Cooper and Gabriel LeRoy. It seems that Quentin has reason to believe Robin's own mother may be intimately connected with the killings.Robin thinks Quentin’s claim is absolutely absurd. But is it? The more she researches the Cooper/LeRoy murders herself, the more disturbed she becomes by what she finds. Living just a few blocks from her, Robin’s beloved parents are the one absolute she’s always been able to rely upon, especially now amid rising doubts about her husband and frequent threats from internet trolls. She knows her mother better than anyone—or so she believes. But all that changes when, in an apparent home invasion, Robin's father is killed and her mother's life hangs in the balance.Told through the eyes of Robin, podcaster Quentin, and a series of letters written by fifteen-year-old April Cooper at the time of the killings, Never Look Back asks the question:How well do we really know our parents, our partners—and ourselves?

    When the youngest grows gravely ill, their mother leaves with the child to get help from a nearby town. And they never return.As months pass, hope vanishes. Supplies are low. Livestock are dying. A brutal winter is bearing down. Then comes the stranger. He claims to be looking for the girls’ mother, and he’s not leaving without them.To escape, Wren and her sister must break the rule they’ve grown up with: never go beyond the forest.Past the thicket of dread, they come upon a house on the other side of the pines. This is where Wren and Sage must confront something more chilling than the unknowable. They’ll discover what’s been hidden from them, what they’re running from, and the secrets that have left them in the dark their entire lives.

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.

    The detective assigned to the case, Conor Reid, swore to protect the sisters from then on.Beth moved on, throwing herself fully into the art world, running the family gallery, and raising a beautiful daughter with her husband Pete. Kate, instead, retreated into herself and took to the skies as a pilot, always on the run. When Beth is found strangled in her home, and Moonlight goes missing again, Detective Reid can’t help but feel a sense of déjà vu.Reid immediately suspects Beth’s husband, whose affair is a poorly kept secret. He has an airtight alibi—but he also has a motive, and the evidence seems to point to him. Kate and Reid, along with the sisters’ closest childhood friends, struggle to make sense of Beth’s death, but they only find more questions: Who else would have wanted Beth dead? What’s the significance of Moonlight?Twenty years ago, Reid vowed to protect Beth and Kate—and he’s failed. Now solving the case is turning into an obsession . . .

    There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life? Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.

    But Dr Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the same disease in the cliffs beneath his new Cornish home. While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.Forty years later, Hester Why arrives at Morvoren House to take up a position as nurse to the now partially paralysed and almost entirely mute Miss Pinecroft. Hester has fled to Cornwall to try and escape her past, but surrounded by superstitious staff enacting bizarre rituals, she soon discovers that her new home may be just as dangerous as her last.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    You can't keep the secret.You can't tell the truth.You can't escape the past...Marianne was seventeen when she fled her home in Nusstead – leaving behind her family, her boyfriend, Jesse, and the body they buried. Now, thirty years later, forced to return to in order to help care for her sick mother, she can feel the past closing around her. And Jesse, who never forgave her for leaving in the first place, is finally threatening to expose the truth.Marianne will do anything to protect the life she's built, the husband and daughter who must never know what happened all those years ago. Even if it means turning to her worst enemy for help... But Marianne may not know the whole story – and she isn't the only one with secrets they'd kill to keep.