Covers Low Mass, Sacramentaries, other Western Rites, etc. Highlights the reforms of Popes St. Gregory the Great (590-604) and St. Pius V (1566-1572). Says neither \"reform\" produced a \"new\" liturgy.

    It is not a political, still less a personal, biography of the queen; instead it reappraises her role in government and in the nation, and explores the ways in which she exercised her power. Adept at avoiding the pitfalls of sentiment and anachronism alike, Christopher Haigh examines Elizabeth in terms of her power rather than her policies, exploring her relations with the statesmen of her time and with the key institutions of 16th century political life: the Church, the nobility, the Privy CounciL the Royal Court, Parliament, military and naval commanders, and the people of England.

    It combines authoritative research with a captivating style to bring our heritage home to us.

    First published in 1968, Jack Scarisbrick's Henry VIII is a book which focuses on the personality of this flamboyant and forceful monarch, exploring an impulsive interventionist king whose impact on the government, society and religion of England is felt more than four centuries on.

     Anne Boleyn is most likely the best-known of Henry VIII’s six wives; she is also the most controversial. History has represented Anne as either a whore or a martyr. The true story, however, is far more complex. Inside you will read about... ✓ Early Life as a Lady-in-waiting ✓ The King’s Great Matter ✓ Anne Ascends the Throne ✓ Another Birth, Another Tragedy ✓ Trial and Execution And much more! Henry VIII of England pursued Anne Boleyn for seven years while he was battling for an annulment from his first wife, Catherine of Aragon. Catherine had failed to provide Henry with a male heir to the throne, so the king looked to Catherine’s maid of honor, Anne Boleyn, to secure his Tudor lineage. When Anne also failed to give birth to a son, her fate was sealed. She was charged with multiple counts of adultery during a trial everyone agreed was a sham. Found guilty, Anne Boleyn was beheaded immediately afterward and placed in an unmarked grave. Her death served to reveal the true horror dispensed to wives who displeased their royal husbands.

    A meld of history and science, this book is a group portrait of some of the greatest minds who ever lived as they wrestled with nature’s most sweeping mysteries. The answers they uncovered still hold the key to how we understand the world.At the end of the seventeenth century—an age of religious wars, plague, and the Great Fire of London—when most people saw the world as falling apart, these earliest scientists saw a world of perfect order. They declared that, chaotic as it looked, the universe was in fact as intricate and perfectly regulated as a clock. This was the tail end of Shakespeare’s century, when the natural land the supernatural still twined around each other. Disease was a punishment ordained by God, astronomy had not yet broken free from astrology, and the sky was filled with omens. It was a time when little was known and everything was new. These brilliant, ambitious, curious men believed in angels, alchemy, and the devil, and they also believed that the universe followed precise, mathematical laws—-a contradiction that tormented them and changed the course of history.The Clockwork Universe is the fascinating and compelling story of the bewildered geniuses of the Royal Society, the men who made the modern world.

    It replaced reverence with skepticism and Strachey's wit, iconoclasm, and narrative skill liberated the biographical enterprise. His portraits of Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon changed perceptions of the Victorians for a generation. Lytton Strachey's biographical essays on four "eminent Victorians" dropped an explosive charge on Victorian England when the book was published in 1918. This edition is unique in being fully annotated and in drawing on the full range of Strachey's manuscript materials and literary remains.

    Covering two thousand years of British history, the book tells the story of Britain and her peoples from the coming of the Roman legions to the present day. Here ten distinguished contributors including Peter Salway, John Blair, John S. Morrill, and Paul Langford, offer essays on everything from the Anglo-Saxon period to the Stuarts to the Liberal Age and the twentieth century, producing a volume that is all-embracing in scope and scholarship. Edited by the distinguished historian Kenneth O. Morgan, this acclaimed history has been updated for this revised edition, and now includes a new chapter that features a chronology, genealogies of royal lines, and coverage of prime ministers. From the general reader to the serious history buff, anyone interested in any aspect of British history can satisfy their curiosity with this fact-filled volume.

    Reading it is like unravelling the bandages on a mummy to find the face of the past staring back in all its terrible and poignant humanity’ Financial TimesA groundbreaking account of what it was like to live in a Victorian body from one of our best historians.Why did the great philosophical novelist George Eliot feel so self-conscious that her right hand was larger than her left?Exactly what made Darwin grow that iconic beard in 1862, a good five years after his contemporaries had all retired their razors?Who knew Queen Victoria had a personal hygiene problem as a young woman and the crisis that followed led to a hurried commitment to marry Albert?What did John Sell Cotman, a handsome drawing room operator who painted some of the most exquisite watercolours the world has ever seen, feel about marrying a woman whose big nose made smart people snigger?How did a working-class child called Fanny Adams disintegrate into pieces in 1867 before being reassembled into a popular joke, one we still reference today, but would stop, appalled, if we knew its origins?Kathryn Hughes follows a thickened index finger or deep baritone voice into the realms of social history, medical discourse, aesthetic practise and religious observance – its language is one of admiring glances, cruel sniggers, an implacably turned back. The result is an eye-opening, deeply intelligent, groundbreaking account that brings the Victorians back to life and helps us understand how they lived their lives.

    How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

    Charles I of England was a Protestant, the fifteen-year-old French princess a Catholic. The marriage was arranged for political purposes, and it seemed a mismatch of personalities. But against the odds, the reserved king and his naively vivacious bride fell passionately in love, and for ten years England enjoyed an era of peace and prosperity. When Charles became involved in war with Puritan Scotland, popular hatred of Henrietta's Catholicism roused Parliament to fury. As the opposition party embraced new values of liberty and republicanism”the blueprint for the American War of Independence and the French Revolution”Charles's fears for his wifes safety drove him into a civil war that would cost him his crown and his head. Rejecting centuries of hostile historical tradition, prize-winning biographer Katie Whitaker uses a host of original sources”including many unpublished manuscripts and letters ”to create an intimate portrait of a remarkable marriage. 16 pages of illustrations

    A painting shows a military officer in a Dutch sitting room, talking to a laughing girl. In another, a woman at a window weighs pieces of silver. Vermeer's images captivate us with their beauty and mystery: What stories lie behind these stunningly rendered moments? As Timothy Brook shows us, these pictures, which seem so intimate, actually offer a remarkable view of a rapidly expanding world. The officer's dashing hat is made of beaver fur, which European explorers got from Native Americans in exchange for weapons. Those beaver pelts, in turn, financed the voyages of sailors seeking new routes to China. There--with silver mined in Peru--Europeans would purchase, by the thousands, the porcelains so often shown in Dutch paintings of this time. Moving outward from Vermeer's studio, Brook traces the web of trade that was spreading across the globe. The wharves of Holland, wrote a French visitor, were an inventory of the possible. Vermeer's Hat shows just how rich this inventory was, and how the urge to acquire the goods of distant lands was refashioning the world more powerfully than we have yet understood.

    Though he never left Italy, his inventions and discoveries were heralded around the world. Most sensationally, his telescopes allowed him to reveal a new reality in the heavens and to reinforce the astounding argument that the Earth moves around the Sun. For this belief, he was brought before the Holy Office of the Inquisition, accused of heresy, and forced to spend his last years under house arrest. Of Galileo's three illegitimate children, the eldest best mirrored his own brilliance, industry, and sensibility, and by virtue of these qualities became his confidante. Born Virginia in 1600, she was thirteen when Galileo placed her in a convent near him in Florence, where she took the most appropriate name of Suor Maria Celeste. Her loving support, which Galileo repaid in kind, proved to be her father's greatest source of strength throughout his most productive and tumultuous years. Her presence, through letters which Sobel has translated from their original Italian and masterfully woven into the narrative, graces her father's life now as it did then. Galileo's Daughter dramatically recolors the personality and accomplishment of a mythic figure whose seventeenth-century clash with Catholic doctrine continues to define the schism between science and religion. Moving between Galileo's grand public life and Maria Celeste's sequestered world, Sobel illuminates the Florence of the Medicis and the papal court in Rome during the pivotal era when humanity's perception of its place in the cosmos was being overturned. In that same time, while the bubonic plague wreaked its terrible devastation and the Thirty Years' War tipped fortunes across Europe, one man sought to reconcile the Heaven he revered as a good Catholic with the heavens he revealed through his telescope. With all the human drama and scientific adventure that distinguished Longitude, Galileo's Daughter is an unforgettable story.

    The man they briefed was the radical lawyer John Cooke. His Puritan conscience, political vision, and love of civil liberties gave him the courage to bring the King's trial to its dramatic conclusion: the creation of the English Republic. Cooke would pay dearly for role in the trial. Charles I was found guilty and beheaded, but eleven years later Cooke himself was arrested, tried, and brutally executed at the hands of Charles II.Geoffrey Robertson, an internationally renowned human rights lawyer, provides a vivid new reading of the tumultuous Civil War years, exposing long-hidden truths: that the King was guilty as charged, that his execution was necessary to establish the sovereignty of Parliament, that the regicide trials were rigged and their victims should be seen as national heroes.John Cooke sacrificed his own life to make tyranny a crime. His trial of Charles I, the first trial of a head of state for waging war on his own people, became a forerunner of the trials of Augusto Pinochet, Slobodan Milosevic, and Saddam Hussein. This is a superb work of history that casts a revelatory light on some of the most important issues of our time.

    James Achilles Kirkpatrick was the British Resident at the court of the Nizam of Hyderabad when in 1798 he glimpsed Kahir un-Nissa—'Most excellent among Women'—the great-niece of the Nizam's Prime Minister and a descendant of the Prophet. Kirkpatrick had gone out to India as an ambitious soldier in the army of the East India Company, eager to make his name in the conquest and subjection of the subcontinent. Instead, he fell in love with Khair and overcame many obstacles to marry her—not least of which was the fact that she was locked away in purdah and engaged to a local nobleman. Eventually, while remaining Resident, Kirkpatrick converted to Islam, and according to Indian sources even became a double-agent working for the Hyderabadis against the East India Company.It is a remarkable story, involving secret assignations, court intrigue, harem politics, religious and family disputes. But such things were not unknown; from the early sixteenth century, when the Inquisition banned the Portuguese in Goa from wearing the dhoti, to the eve of the Indian mutiny, the 'white Mughals' who wore local dress and adopted Indian ways were a source of embarrassments to successive colonial administrations. William Dalrymple unearths such colourful figures as 'Hindoo Stuart', who travelled with his own team of Brahmins to maintain his temple of idols, and who spent many years trying to persuade the memsahibs of Calcutta to adopt the sari; and Sir David Ochterlony, Kirkpatrick's counterpart in Delhi, who took all thirteen of his wives out for evening promenades, each on the back of their own elephant.In White Mughals, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of love, seduction and betrayal. It possesses all the sweep and resonance of a great nineteenth-century novel, set against a background of shifting alliances and the manoeuvring of the great powers, the mercantile ambitions of the British and the imperial dreams of Napoleon. White Mughals, the product of five years' writing and research, triumphantly confirms Dalrymple's reputation as one of the finest writers at work today.