Stevenson and James W. Stigler compare United States elementary education practices with those in Asia (specificall Japan and China) and comes to some surprising conclusions.

    These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work’s perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it’s made of). The methodologies discussed here—formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, and structuralism—reflect the multiplicity of meanings in an artistic image.

    'Introduction to Management Accounting' describes both theory and common practices so students understand how to produce information that's useful in day-to-day decision making.

    In a relationship with her drop-dead gorgeous, and incredibly sexy, co-star Kenny Ross, a house on the beach, and more money than she could ever imagine, it seems as though nothing can spoil her wonderful, new, glamorous life.But hidden secrets, bitter jealousy, and a dangerous obsession are set to turn her incredible new life upside down, in ways she can't even begin to imagine...No Matter What is an epic, sexy, rollercoaster of a ride through two decades in the glamorous - and sometimes not-so-glamorous - lives of people who, due to circumstances thrown upon them, or just fuelled with a desperate need, will do anything - anything - it takes to get what, or who, they really want. No matter what...*Author's Note* Please be aware that this book contains some strong language, adult themes, and some scenes of a sexual nature.

    That’s how he wants me… It was supposed to be a one-night stand. One night with some guy I picked up at a bar. Totally unlike me, but a girl’s got to have some fun, right? He was hot as hell, all broad shoulders and brooding stares. He whispered dirty words when he took me back to his house and made me his. I thought I’d never see him again, so I told him some lie about how I was an office manager instead of a college student. And then I got to class the next day and found out he’s my professor. My professor was the hot guy who’d given me the best orgasm of my life. I try to pretend nothing happened, even though I’m dying inside. But then he tells me to come to his office. He tells me to bend over his desk, because that’s how he likes it… If anyone finds out, he’ll lose his job. And I’ll lose my reputation. But before that happens, he’s determined to teach me everything I need to know. About pleasing him. Submitting to him. Letting him take what’s his… Even if it ends up costing us everything.

    Linde's Cruel Truth.I’m not prepared to meet someone as sexy as Sam Rutherford on the first day of my new job.Then I find out we’re sharing an office…for the next year.I can’t deny that I’m intrigued by his charming Southern drawl and rugged good looks. Normally I would have jumped at the chance.But there’s only one problem.He has no idea who I am. I’m not just Lark, the cute girl at work.I’m a multibillion-dollar heiress. And I made a deal with my parents: one year away from the city and then I take over the family business.Despite everything, I want to risk it for him.I don’t care if I break my cruel promise.Note: Originally titled His for a Season.

    This beginning of this book was originally released in an anthology called AMERICAN HONEY, THE STORM, that is no longer available.Riding it Out is the whole story told in two parts.The Storm.The Hurricane.One womanOne manAn empty bed and breakfastA summer stormOne night they'll never forgetCan two strangers find happiness in each other, or will past secrets make it impossible?

    No beating around the bush. This brilliant book contains all the information we need to have in our back pocket in order to move forward' Christiana Figueres, Former Executive Secretary UN Climate Change Convention'A timely and important book, not only laying out the facts...but suggesting real solutions to the challenges facing us' Professor Alice Roberts, Anatomist, Professor of Public Engagement in Science, University of Birmingham_________________________ How can we save our planet and survive the 21st century? How can you argue with deniers? How can we create positive change in the midst of the climate crisis?Professor Mark Maslin has the key facts that we need to protect our future.Global awareness of climate change is growing rapidly. Science has proven that our planet and species are facing a massive environmental crisis. How to Save Our Planet is a call to action, guaranteed to equip everyone with the knowledge needed to make change.Be under no illusion the challenges of the twenty-first century are immense. We need to deal with: climate change, environmental destruction, global poverty and ensure everyone's security.We have the technology.We have the resources.We have the money.We have the scientists, the entrepreneurs and the innovators.We lack the politics and policies to make your vision of a better world happen.So we need a plan to save our planet...How to Save Our Planet is your handbook of how we together can save our precious planet. From the history of our planet and species, to the potential of individuals and our power to create a better future, Maslin inspires optimism in these bleak times.We stand at the precipice. The future of our planet is in our hands.It's time to face the facts and save our planet from, and for, ourselves._________________________'A handbook of clearly established, authoritative facts and figures about the terrible toll we as humans have taken of our planet, plus ways in which we can lessen the impact. For laypeople like me, who can see what is happening but haven't always got the precise statistics to hand, it's hugely valuable' John Simpson CBE, BBC World Affairs Editor, Broadcaster, Author & Columnist'Saving the world is no small thing, but picking up this book's a good start' Paris Lees, Contributing Editor at British Vogue, campaigner

    Comparing modern art not only to pizzas but also to traditional and children's art, Heller shows us how we can refine analytical tools we already possess to understand and enjoy even the most unfamiliar paintings and sculptures.How is a painting like a pizza? Both depend on visual balance for much of their overall appeal and, though both can be judged by a set of established standards, pizzas and paintings must ultimately be evaluated in terms of individual taste. By using such commonsense examples and making unexpected connections, this book helps even the most skeptical viewers feel comfortable around contemporary art and see aspects of it they would otherwise miss. Heller discusses how nontraditional works of art are made--and thus how to talk about their composition and formal elements. She also considers why such art is made and what it means.At the same time, Heller reassures those of us who have felt uncomfortable around avant-garde art that we don't have to like all--or even any--of it. Yet, if we can relax, we can use the aesthetic awareness developed in everyday life to analyze almost any painting, sculpture, or installation. Heller also gives concise answers to the eight questions she is most frequently asked about contemporary art--from how to tell when an abstract painting is right side up to which works of art belong in a museum.This book is for anyone who agrees with art critic Clement Greenberg that All profoundly original art looks ugly at first. It's also for anyone who disagrees. It is for anyone who wants to get more out of a museum or gallery visit and would like to be able to say something more than just yes or no when asked if they like an artist's work.

    Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

    The Barnes Collection has been conservatively valued at more than $6 billion and includes some 69 Cézannes (more than in all the museums of Paris combined), 60 Matisses, 44 Picassos, 18 Rousseaus, 14 Modiglianis, and no fewer than 180 Renoirs. Yet the Barnes is in crisis. Its founder, Dr. Albert C. Barnes (1872), grew up in the slums of late-nineteenth-century Philadelphia only to become first a physician and later a pharmaceutical king. By 1920, this self-made man was already well on his way to becoming one of the great art collectors of his day. But this is also the story of Richard Glanton, who escaped poverty in rural Georgia to become a high-flying, politically powerful Philadelphia lawyer. It was Glanton who took the Barnes art on its celebrated worldwide tour, renovated the galleries-and presided over a decade of expensive litigation. The most famous of these court cases—this one in federal court—pitted the Barnes against its wealthy neighbors. The goal: A 52-car parking lot for the Barnes. The cost: more than $6 million in legal fees. Today, Glanton is no longer president of the Barnes, and the new board is seeking to move the collection into the city. Yet another court case will decide whether they can or not. The battle of the Barnes has only just begun. "Here, at long last, is the whole truth about the Dickensian legal tug-of-war—unimaginably tangled, unsparingly vicious, unprecedentedly cynical—that threatens the survival of one of the greatest private art collections of the twentieth century. From now on, anyone who seeks to understand the desperate plight of the Barnes Collection will have to start by reading this important book." —Terry Teachout, author of The Skeptic: A Life of H. L. Mencken "John Anderson has produced a riveting account of curators, trustees, and lawyers fighting for control of the world-famous Barnes Collection of French impressionist art from the 1950s to the present. Based on hundreds of revealing interviews, Art Held Hostage reads like a superb mystery novel: This gem of investigative reporting is a sure contender for the national best-seller lists." —Howard R. Lamar, Sterling Professor Emeritus of History, Yale University

    They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book -is a ground-breaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation;-draws inspiration from film, theater, public art, and urban design to transform historic house museums;-provides a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity;-offers a wry, but informed, rule-breaking perspective from authors with years of experience; -gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.

    The people of the mountainous regions of what is now Iga prefecture wanted to live in peace, but their lords had other plans-so the people learned the martial arts of self-defense and used their meager farm tools as weapons against the samurai blades of their oppressors. Nine traditions of the ninja arts grew out of this seemingly endless struggle, and legends were told of the supernatural abilities of the ninja fighters. The ninja never gained the kind of power that topples tyrants, but they gained a reputation that made tyrants cautious. And they gained the kind of power that makes the spirit endure and the mind the master of its fate. Told in actual stories of past grandmasters and in dojo lectures on techniques-with photographs, drawings, and paintings-the last surviving grandmaster of the ancient art of ninjutsu, Dr. Masaaki Hatsumi, presents Essence of Ninjutsu: The Nine Traditions. In it, he explains why, after more than 900 years, the art of the shadow warriors continues to inspire and serve practitioners from around the world. Dr. Hatsumi's book contains historic ninja scrolls and describes techniques for self-defense, and it debunks tricks that are attributed to the ninja but actually derive more from the circus than the martial arts. Essence of Ninjutsu is a fascinating, authoritative look at the roots of ninjutsu and how it continues to enrich the lives of its practitioners today. Dr. Masaaki Hatsumi is a bone doctor, artist, and writer, as well as the 34th grandmaster of the nine schools of the ninja arts in Japan. He has toured the United States in recent years to help Americans better understand the ninja and their way of life. His articles have appeared in all of the major martial arts magazines.

    Wealth, a faithful best friend and more than a few boys to choose from as she comes to the end of her last year in college, but something has always been missing inside her since losing her mother as a girl. When she meets the insanely sexy fiance of her lifelong nemesis, fellow debutante Tori Wexler, she starts to feel whole again, but Wade Donovan is forbidden fruit. Erin’s father and Tori’s father run a billion dollar business together and a scandal like this one could rock its foundation, destroying not just Wade and herself, but everything her father has spent a lifetime building. Like love, some decisions last forever.

    Arrogant. Liar. It’s been ten years since Asher left me with nothing but the remains of our shattered dreams.  The last place I expected to see him was at a small bar in a city of over eight million. With my heart set on expanding my business, I needed one of New York City’s best real estate executives. Little did I know it would be the same man who had torn my heart like a piece of paper before setting it on fire.  Once my gaze lands on his, I know Asher is no longer the boy I loved when I was eighteen. No, this Asher treated me like a stranger. All for the sake of not wanting to sift through the ashes of our past.  Yet Asher’s arrogance rivaled any sort of rejection, even mine. Using his own selfish ambition, he needed me to claw his way to the top. Despite his true motives, I had foolishly let him back in.  I’d fallen in love with Asher Owens once before and this time I would try my best not to make the same mistake twice.