Welcome to another kind of terror as Peter Straub leads us into the outer reaches of the psyche. Here the master of the macabre is at his absolute best in seven exquisite tales of living, dying and the terror that lies in between…No one tells a story like Peter Straub. He dazzles with the richness of his plots and the eloquence of his prose. He startles you into laughter in the face of events so dark that you begin to question your own moral compass. Then he reduces you to jelly by spinning a tale so terrifying – and surprising – that you have to sleep with the lights on. Now, with these seven acclaimed stories he has given us his finest and most imaginatively unsettling collection yet.‘WHEN STRAUB TURNS ON ALL HIS JETS, NO ONE IN THE SCREAM FACTORY CAN EQUAL HIM.’STEPHEN KING

    Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”

    "The Burning of Lawrence" vibrates with the raw terror of a town pillaged by pro-Confederate raiders. "O Death" recalls the harrowing, desperate journey of the exodusters—African-American migrants who came to Kansas to escape oppression in the South. And, in the collection's haunting title piece, a professor of Kansas history surveys his decades-long slide from radicalism to complacency, a shift that parallels the landscape around him.Using his own home state as a prism through which to view both a nation's history and our own universal battles as individuals, Milward has created a fresh and complex new palimpsest of the American experience.

    It brings together nineteen of Bisson's finest works for the first time in one volume, among them the darkly comic title story, which garnered the field's highest honors, including the Hugo, Nebula, Theodore Sturgeon, and Locus awards.Contents:Bears Discover Fire (1990)The Two Janets (1990)They're Made Out of Meat (1991)Over Flat Mountain (1990)Press Ann (1991)The Coon Suit (1991)George (1993)Next (1992)Necronauts (1993)Are There Any Questions? (1992)Two Guys from the Future (1992)The Toxic Donut (1993)Canción Autentica de Old Earth (1992)Partial People (1993)Carl's Lawn & Garden (1992)The Message (1993)England Underway (1993)By Permit Only (1993)The Shadow Knows (1993)

    This new collection of stories from the multi-award-winning author of Doomsday Book and To Say Nothing of the Dog contains:A Letter from the ClearysAt the RialtoDeath on the NileThe Soul Selects Her own SocietyFire WatchInside JobEven the QueenThe Winds of Marble ArchAll Seated on the GroundLast of the WinnebagosTen stories - which have all won the Hugo Award, the Nebula Award or both - are compulsory reading for the serious science fiction fan.

    The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw.“The Return to Monsterland” opens 'Where We Go When All We Were Is Gone,' a collection of twelve fabulist and genre-bending stories inspired by Japanese folklore, historical events, and pop culture. In “Rokurokubi”, a man who has the demonic ability to stretch his neck to incredible lengths tries to save a marriage built on secrets. The recently dead find their footing in “The Inn of the Dead’s Orientation for Being a Japanese Ghost”. In “Girl Zero”, a couple navigates the complexities of reviving their deceased daughter via the help of a shapeshifter. And, in the title story, a woman instigates a months-long dancing frenzy in a Tokyo where people don’t die but are simply reborn without their memories.Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we, as individuals and as a society, are at our most vulnerable.

    Botibol◦ Mrs. Bixby and the Colonel's Coat◦ My Lady Love, My Dove◦ Neck ◦ Nunc Dimittis◦ Parson's Pleasure◦ Poison◦ Royal Jelly◦ Skin◦ Taste◦ The Butler◦ The Hitchhiker◦ The Landlady◦ The Sound Machine◦ The Umbrella Man◦ The Way Up to Heaven◦ Vengeance is Mine Inc.◦ William and MaryTake a pinch of unease. Stir it into a large dollop of the macabre, add a generous helping of dark and stylish wit, garnish with the bizarre and what do you have? Roald Dahl at his brilliant, hypnotizing best, cooking up some of the most unusual stories ever told. Here in one volume are Tales of the Unexpected and More Tales of the Unexpected, making this a superb compendium of vengeance, surprise and dark delight.

    You’ll discover how far a prisoner will go to be with his dying wife, and what lurks between the walls of that Louisiana jailhouse to keep him there. You’ll find out how deep a man can cut himself to dig out the past. You’ll meet a college professor whose fear of flying might be the least of his worries. And you’ll learn how a sister’s love for sweet treats can reunite a broken family…whether they want it or not. Aliens and lot lizards…disembodied lips…the voice of God Himself… Thirteen stories and a brand new novella from horror author Wesley Southard. Within these pages, we all go a little mad…

    His prose has been called subtle and brilliant, inspiring not just lovers of fantasy and science fiction, but readers of every stripe, transcending genre and defying preconceptions.In this volume, a select group of Wolfe’s fellow authors pay tribute to the award-winning creator of The Book of the New Sun, The Fifth Head of Cerberus, Soldier of the Mist, The Wizard Knight and many others, with entirely new stories written specifically to honor the writer hailed by The Washington Post as “one of America's finest.”Shadows of the New Sun features contributions by Neil Gaiman, David Brin, David Drake, Nancy Kress, and many others, plus two new short stories by Gene Wolfe himself.

    This collection embraces all the newest forms of fantasy in vogue, from urban fantasy and extreme dystopian fiction, to alternate history and entire new fantasy worlds.

    Here, along with the usual monsters - vampires, werewolves, ghouls, and some of Dr Frankenstein's more freakish creations - you'll find other, less familiar ones. You'll meet the frightening Fly-by-Night, the hideous shaddy, the horrible mock, and the dreaded shadmock, perhaps the most terrible of all. When Donald McCloud offers a starving man a meal, he unexpectedly discovers that the man is a vampire - and he's the main course! Accompanying the vampire, Eramus, to The Monster Club, Donald encounters a whole host of strange monsters, who, in a series of five linked stories, recount to Donald their monstrous exploits. But as Donald is regaled with these tales of monsters and their unfortunate human victims, it gradually dawns on him that as the only human in a club full of bloodthirsty monsters, he might be in a bit of a predicament. . . . First published as a paperback original in 1976, R. Chetwynd-Hayes's "The Monster Club" was adapted for a 1981 film starring Vincent Price, John Carradine and Donald Pleasence, and both book and film have gone on to become cult classics. Told in a wry, tongue-in-cheek style, the tales in "The Monster Club" are simultaneously horrific, comical, and curiously moving. This edition is the first in more than twenty years and features a new introduction by Stephen Jones and a reproduction of John Bolton's painting from the comic book adaptation of the film.