There is nothing so complicated as a human being and sometimes nothing so horrific!

    These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

    A noose is tied around his neck. In a moment he will meet his fate: DEATH BY HANGING. There is no escape. Or is there? Find out in . . . An Occurrence at Owl Creek Bridge.

    . . What then, my God, shall I do?" The Purple Cloud is widely hailed as a masterpiece of science fiction and one of the best "last man" novels ever written. A deadly purple vapor passes over the world and annihilates all living creatures except one man, Adam Jeffson. He embarks on an epic journey across a silent and devastated planet, an apocalyptic Robinson Crusoe putting together the semblance of a normal life from the flotsam and jetsam of his former existence. As he descends into madness over the years, he becomes increasingly aware that his survival was no accident and that his destiny—and the fate of the human race—are part of a profound, cosmological plan.

    & Mrs. McGregor, a couple who come to help while Jane takes a temporary job in London. And there are, of course, the children -- Jane's two and the McGregor child -- around whom explosive jealousy and hate swiftly begin to condense. During the long, wet summer, the failing architect and his career wife, the television personality, Jane's girlfriend and the baleful McGregors slowly build their relationship into... murder.

    Right-wing evangelist Godwin Mann isn’t about to let that continue, and his intolerant brand of fundamentalism has struck a chord with the residents. But Mann goes too far when he descends into the pit where the ancient being who’s been worshipped by the Druids for centuries is said to dwell.What emerges is no longer Mann, but a demon in Mann’s shape, and only the town’s outcasts can see that something is horribly wrong. Slowly, as the evil spreads, Moonwell becomes cut off from the rest of the world. Telephone lines become disconnected. Roads no longer lead out of town. And the monster’s power only grows... and grows.

    He is a master of the supernatural, the dark twist, the creak of a door in the dark, of all creatures sinister. Connolly’s novels have been bestsellers world-wide. Now, step into his imagination for a moment or two and experience this wonderfully nightmarish short story.

    Drawing on Matthew Lewis's The Monk, Sade's Justine, K.H. Macha's May, and Murnau's Nosferatu as well as the form and language of the pulp serial novel, Nezval has constructed a lyrical, menacing dream of sexual awakening involving a vampire with a taste for chicken blood, changelings, a lecherous priest, a malicious grandmother desiring her lost youth, and an androgynous merging of brother with sister.In his Foreword Nezval states: "I wrote this novel out of a love of the mystique in those ancient tales, superstitions and romances, printed in Gothic script, which used to flit before my eyes and declined to convey to me their content." Part fairy tale, part Gothic horror, Valerie and Her Week of Wonders is a meditation on youth and age, sexuality and death — an exploration of the grotesque that juxtaposes high and low genres, with shifting registers of language and moods that was a trademark of the Czech avant-garde. The 1970 film version is considered one of the outstanding achievements of Czech new-wave cinema.

    They do not know if the desert has an end, and if it does, what they might find there. Sometimes they come across perfectly-preserved cities, but without a single inhabitant, and never a drop of rain. Worse still, they have no memory of their lives before the desert. Only at night, in dreams, do they recall fragments of their past identities.But night also brings the madness of the sandstorms, which jolt them out of one body and into another in a game of metaphysical musical chairs. In their disorientation and dysfunction, they have killed each other dozens of times, but they cannot die. Where are they? How can they escape?

    Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    First described in the fictional biographies Tarzan Alive: The Definitive Biography of Lord Greystoke and Doc Savage: His Apocalyptic Life, Farmer expanded his Wold Newton mythos in novels such as The Other Log of Phileas Fogg, The Adventure of the Peerless Peer, Time s Last Gift, Hadon of Ancient Opar, Flight to Opar, The Dark Heart of Time: A Tarzan Novel, and Escape from Loki: Doc Savage's First Adventure.The Evil in Pemberley House, an addition to the Wold Newton cycle, plays with the Gothic horror tradition. Patricia Wildman, the daughter of the world-renowned adventurer and crimefighter of the 1930s and '40s, Dr. James Clarke "Doc" Wildman, is all alone in the world when she inherits the family estate in Derbyshire, England old, dark, and supposedly haunted.But Farmer, characteristically, turns convention on its ear. Is the ghost real, or a clever sham? In Patricia Wildman, Farmer creates an introspective character who struggles to reconcile the supernatural with her rational scientific upbringing, while also attempting to work through unresolved feelings about her late parents. He sets the action at Pemberley from Jane Austen's Pride and Prejudice and ingrains the various mysteries in the Canon of the Sherlock Holmes stories.The Evil in Pemberley House is a darkly erotic novel with broad appeal to readers of pulp and popular literature, particularly followers of Doc Savage, Sherlockians, and fans of Farmer's own celebrated Wold Newton Family.

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    We are lucky that she did so, since among the results were these short stories of rare quality. In their use of dreams, ancient anecdote, and ruined or dilapidated buildings ('Florence Flannery', 'The Fair Hair of Ambrosine') they are at times in the finest tradition of The Castle of Otranto and the Gothic revival which had chilled the blood of the British public a hundred and fifty years earlier. But her stories are more subtle in their construction, and often use simple materials ('The Crown Derby Plate', Elsie's Lonely Afternoon'), interweaving their terror and mystery with the commonplace of everyday life. Their mastery of detail, sureness of expression and acute reading of human nature give them a sinister force, which is realistic and unnerving, yet at the same time tinged with pity and compassion.

    Throughout her childhood she is plagued by ever more terrifying troubles, but she is protected by a mysterious stranger who acts as her guardian. Then the lightning strikes once more and shatters her world. The adventure - and the terror - have only just begun. Midnight: What is the dark and fearful secret that haunts Moonlight Cove? A string of inexplicable deaths has occurred in this idyllic, picturesque coastal town, and four people are drawn together by terrifying circumstances. As the darkness descends, these four must confront the chilling nightmare of Moonlight Cove. The Bad Place: Frank Pollard awakens in an alley, knowing nothing but his name - and that he is in great danger. Bobby and Julie Dakota help him to solve this mystery, but they are drawn into ever-darkening realms where they encounter the deadly, hate-filled figure stalking Frank.