Spurred by the startling discovery of a letter written by a Scotland Yard inspector, two veteran police investigators have traced the shadowy movements of a self-styled "doctor" from St. Louis who had a criminal record spanning both sides of the Atlantic. Two decades after the Ripper's murderous spree, Inspector John George Littlechild, then retired, laments in his fateful letter: "to my mind a very likely [suspect] . . . was an American quack named Francis Tumblety. . . his feelings toward women were remarkable and bitter in the extreme." Littlechild expresses dismay that Tumblety, who was in custody only briefly, was ever granted bail, enabling him to flee London-just as the murders ended. The Littlechild letter, printed in this book, provides crucial details either overlooked by police officials at the time of the investigation or later suppressed because they would reveal the same officials had allowed their prime suspect to slip through their fingers.Sifting through the entire historical record and their own surprising discoveries, Stewart Evans and Paul Gainey have created a true-life detective story that will fascinate all readers of Arthur Conan Doyle, Wilkie Collins, and Charles Dickens. Vividly evoking the mean streets of Victorian London and the wave of terror that swept the city with the Ripper's grisly crimes, they convincingly paint a portrait of history's most infamous serial killer.

     The Victorian era is often thought of as an age of propriety, inventions and the British stiff upper lip. However, in a world of extremes between the rich and poor, for most people it was often hellish, violent and filled with death. In The Good Old Days she reveals exactly what it was like for those on the streets that history has forgotten. Meet: The madame whose mysterious East End chambers were visited nightly by the aristocracy. The psychic who ‘solved’ the Jack the Ripper murders. The conwoman, bigamist and murderer who left twenty-one bodies in her wake. The Lambeth Poisoner, sewer-hunters, oyster sellers and many other colourful characters. O’Neill leads us through fog-bound streets into rat-infested slums, boozers, penny gaffs and brothels to expose the teeming underbelly of London in the reign of Queen Victoria. Praise for The Good Old Days ‘A world of hunger, squalor, disease and pain’ – Daily Telegraph ‘Terrific. A delightful foray through nineteenth century murder and mayhem’ – Spectator ‘Packed with shocking and tragic tales’ – Big Issue Praise for Gilda O’Neill ‘[Gives a] voice to memories of a changing East End’ – The Guardian 'A shocking book which, for once, should dispel the myth that life in the East End was one long knees-up' – Daily Express 'O'Neill chronicles the filth and poverty with leery aplomb, then sobers things up with sharp social commentary' – The Scotsman Gilda O’Neill (1951-2010) took three university degrees and was awarded an honorary doctorate for her work on the East End. In 1990 O’Neill began writing full-time. She published thirteen novels and six works of non-fiction, including East End Tales. She also broadcasted, gave talks and wrote articles about east London history. She tragically died in 2010 from a sudden illness.

    In September 1970, two boys met in the playground on their first day at secondary school in North London. They formed what would be described at the Old Bailey thirty years later as ‘a unique and wicked bond’. Between 1982 and 1986, striking near lonely railway stations in London and the Home Counties, their partnership took them from rape to murder. Three police forces pooled their resources to catch them in the biggest criminal manhunt since the Yorkshire Ripper Enquiry.A Dangerous Place is the first full-length account of the crimes of John Duffy and David Mulcahy. Told by the son of one of the police officers who led the enquiry, exhaustively researched and with unprecedented access, this is the story of two of the most notorious serial killers of the twentieth century and the times they operated in. It is the story of the women who died at their hands. It is the story of the women who survived them, and who had the courage to ensure justice was done. And it is the story of a father, told by a son.

    The killer went to great lengths to cover up her crime including sending his grandmother flowers, going to the memorial service, driving by the victim’s house and calling the lead investigator, Detective Esteban Flores. This incident took place in a suburb of Phoenix, Arizona. It would be five years before this case of capital murder would be put in front of a jury to decide the fate of Jodi Arias although the fate of Travis Alexander had been set in stone. Was she a cold, calculating murderess or was she a victim of extreme domestic violence at the hands of an abusive boyfriend? The first jury was left to decide in 2013. It was the most watched trial of the century. The jury decided that Jodi Arias was guilty of first-degree murder with cruel and heinous circumstances which qualified her for the death penalty. The jury could not reach a decision in the penalty phase and justice was delayed. A new jury, drawn from a pool of four hundred people, was drawn for the highly anticipated retrial of Jodi Arias. On October 21, 2014, a jury of nineteen was given the responsibility of deciding whether Jodi Arias should live or die for her crime. So began a retrial that would last almost five months with Juan Martinez and Detective Flores representing the State of Arizona and the return of Kirk Nurmi and Jennifer Willmott speaking to the defense of the convicted killer. The journey will walk the reader through the meticulous actions of the courtroom and extend to an appellate court, a municipal court and a day in the in the original courthouse in phoenix, Arizona. The trial speaks toward the long arm of the law and the implications of decisions made daily. With the help of former jurors of the Jodi Arias death penalty retrial, the reader will step into the jury box when Jodi Arias was on the witness stand and reach a climax when the reader accompanies the jury foreman into the deliberation room as the jury decides the fate of the defendant. “The lambs to the law were now executors of the law. It was humbling, intimidating and powerful at the same time. It was also the time that the jurors’ souls would be tested for truths and experiences that would mark many discussions in the deliberation room. The jury would remember Travis Alexander and what was done to him.” Why Not Kill her is the suspenseful follow-up to the authors first book, Brain Damage: A Juror’s Tale, the true story of being a death penalty juror on the case of Marissa DeVault and the brutal killing of Dale Harrell. The third revised edition is now available in honor of Dale Harrell. Take a journey into the life of Travis Alexander and a search for truth and justice. Somehow, Lady Justice will wield her sword and the end of a seven year saga would be realized but in no way that anyone could have anticipated. Special thanks to True Crime Radio, Trial Talk Live, the Trial Diaries, FOX 10, ABC, NBC and CBS. The author would also like to thank those who supported this work on Go Fund Me with extra recognition to the administrators and fans of Juan Martinez Prosecutor Support Page, The State vs. Jodi Arias, Joey Jackson Fan Page, Justice For Travis, Justice 4 Dale, Justice For Travis Alexander and His Family, Court Chatter, Beth Karas on Crime, Gavel geeks, Trial Watchers, The House That Travis Built, Understanding The Travesties of Unexpected Murder Trials and For The Love of Travis. This work could not have happened without your support! Why Not Kill Her is dedicated to Travis Alexander, his family and all those whom he touched in his short life.

    And for the duration of their reign, no bank robbers were more feared (though they never fired their guns) nor more pursued or more mythologized than the Stopwatch Gang. The members themselves were straight out of central casting: Lionel Wright, a meticulous introvert who could disappear in a room full of people; Paddy Mitchell, a charming and well-connected crook who saw an angle in everything and would go to any lengths to avoid the hell of being locked away; and Stephen Reid, a fearless point man who could find the weakness in any system and whose story—of addiction and descent into crime, of redemption and literary fame—was all prelude to a tragic but life-saving fall from grace. In The Life and Times of the Stopwatch Gang, Josh Dean reconstructs the Gang’s glory days and reveals how the real story, pieced together through months of research and reporting most prominently with Reid himself, as he comes to the end, at age 64, of his final days in the custody of the state—is more remarkable than the myth that has long been told.

    The secret, though, that surrounded my parents’ unhappy life together, was divulged to me by accident . . .’ Hidden under some papers in his father’s bureau, the sixteen-year-old Derek Malcolm finds a book by the famous criminologist Edgar Lustgarten called The Judges and the Damned. Browsing through the Contents pages Derek reads, ‘Mr Justice McCardie tries Lieutenant Malcolm – page 33.’ But there is no page 33. The whole chapter has been ripped out of the book. Slowly but surely, the shocking truth emerges: that Derek’s father, shot his wife’s lover and was acquitted at a famous trial at the Old Bailey. The trial was unique in British legal history as the first case of a crime passionel, where a guilty man is set free, on the grounds of self-defence. Husband and wife lived together unhappily ever after, raising Derek in their wake. Then, in a dramatic twist, following his father’s death, Derek receives an open postcard from his Aunt Phyllis, informing him that his real father is the Italian Ambassador to London . . . By turns laconic and affectionate, Derek Malcolm has written a richly evocative memoir of a family sinking into hopeless disrepair. Derek Malcolm was chief film critic of the Guardian for thirty years and still writes for the paper. Educated at Eton and Merton College, Oxford, he became first a steeplechase rider and then an actor after leaving university. He worked as a journalist in the sixties, first in Cheltenham and then with the Guardian where he was a features sub-editor and writer, racing correspondent and finally film critic. He directed the London Film Festival for a spell in the 80s and is now President of both the International Film Critics Association and the British Federation of Film Societies. He lives with his wife Sarah Gristwood in London and Kent and has published two books – one on Robert Mitchum and another on his favourite 100 films. He is a frequent broadcaster on radio and television and a veteran of film festival juries all over the world.

    "Milwaukee Mayhem" offers a new perspective on Milwaukee's early years, forgoing the major historical signposts found in traditional histories and focusing instead on the strange and brutal tales of mystery, vice, murder, and disaster that were born of the city's transformation from lakeside settlement to American metropolis. Author Matthew J. Prigge presents these stories as they were recounted to the public in the newspapers of the era, using the vivid and often grim language of the times to create an engaging and occasionally chilling narrative of a forgotten Milwaukee.Through his thoughtful introduction, Prigge gives the work context, eschewing assumptions about "simpler times" and highlighting the mayhem that the growth and rise of a city can bring about. These stories are the orphans of Milwaukee's history, too unusual to register in broad historic narratives, too strange to qualify as nostalgia, but nevertheless essential to our understanding of this American city.

    The Curse of Brink's-Mat reveals the pulse-racing full story of the crime itself before moving to its chilling aftermath, which still reverberates to this day. The heist made the careers of many of the underworld's biggest names, and changed the face of British crime forever but in the years that followed the robbery, many of those involved, innocent and guilty alike have been sent to an early grave. Two decades on, the death toll is still rising. Nobody knows more about that extraordinary morning's events than Wensley Clarkson. Nobody is better placed to track the vicious, violent and unexpected waves that followed in its wake or bring to life its cast of larger-than-life characters. From small-time crime in south-east London, to ‘the heist of the century' and its bloody consequences, Wensley Clarkson's The Curse of Brink's-Mat is an epic tale of villainy, gold and revenge.

    From the author of the bestselling true-crime classic 'Fred & Rose', comes the astonishing inside story of the world's biggest cash robbery: the Tonbridge Securitas heist.

    Once the old, cantankerous Sam Clevenger and his wife, Charlotte, hired Frank Willson and John Johnson to help with the move, their fate took a dark turn. These true events were documented by journalists through the 1887 trial and well into the 1900s, and stories have been told of Sam’s unfound treasure for nearly 130 years. But, this is the first detailed, documented, and vetted account of their bizarre and fascinating tale.

    The shock of the crime itself and the mystery surrounding it, the fear generated by the awareness a killer on the loose, the insight the cases give into outdated police methods, and the chance to speculate about the identity of the killer after so many years have passed - all these aspects of unsolved murder cases make them compelling reading.In this companion volume to his best-selling Unsolved Murders of Victorian and Edwardian London, Jonathan Oates has selected over 20 haunting, sometimes shocking cases from the period between the two world wars. Included are the shooting of PC James Kelly in Gunnersbury, violent deaths associated with Fenian Conspiracies, the stabbing of the French acrobat Martial Lechevalier in Piccadilly, the strychnine poisoning of egg-seller Kusel Behr, the killing by arsenic of three members of a Croydon family, and, perhaps most gruesome of all, the case of the unidentified body parts found at Waterloo Station.Jonathan Oates describes each of these crimes in precise, forensic detail. His case studies shed light on the lives of the victims and summon up the ruthless, sometimes lethal character of London itself.

    They were his lodgers.In 1939 Beryl Thorley, then 19, married Timothy Evans. Baby Geraldine followed quickly and, determined to stand on their own two feet, the couple rented a room from John Christie and his wife Ethel, at 10 Rillington Place, not knowing how fatal this would prove.Over the years this case has sparked huge controversy surrounding the question of who actually killed Beryl and Geraldine. Now, more than 50 years later, Peter Mylton-Thorley, Beryl's youngest brother, is ready to tell his story. With first-hand knowledge of the real horror of life inside 10 Rillington Place, it is time to set the record straight.Peter has collected unseen evidence, never released crime scene photos and statements to the police. This is the shocking true story of the crimes and horror of life with John Christie, Timothy Evans and 10 Rillington Place.

    Their father had gone to sea the previous Friday, the boys told their neighbours, and their mother was visiting her family in Liverpool. Over the next ten days Robert and Nattie spent extravagantly, pawning their parents' valuables to fund trips to the theatre and the seaside. But as the sun beat down on the Coombes house, a strange smell began to emanate from the building. When the police were finally called to investigate, the discovery they made sent the press into a frenzy of horror and alarm, and Robert and Nattie were swept up in a criminal trial that echoed the outrageous plots of the 'penny dreadful' novels that Robert loved to read. In The Wicked Boy, Kate Summerscale has uncovered a fascinating true story of murder and morality - it is not just a meticulous examination of a shocking Victorian case, but also a compelling account of its aftermath, and of man's capacity to overcome the past.

    The policeman gaped in horror as the woman held out her hand before collapsing into the mud, muttering “let me die” and slipping into a coma. Five days later, she died, her identity still unknown.Within hours of her discovery on Kidbrooke Lane scores of the officers of Greenwich Division were involved in the investigation, and Scotland Yard had sent one of its top detectives, John Mulvany, to lead it. After five days of gathering evidence, the police discovered the girl’s identity: Jane Maria Clouson, a maid in the house of the renowned Pook family . . . and she was two months’ pregnant with Edmund Pook’s child when she died.Murphy carefully reviews the evidence in the light of 21st century forensic science in order to identify Jane’s killer as Edmund Walter Pook. Using a surprisingly abundant collection of primary sources, Murphy aims to recreate the drama of the case as it unfolded, with its many twists and turns, from the discovery of the body to the final crack of the gavel—and beyond.