For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected — and most popular — of its kind. Assembled by best-selling suspense author Nelson DeMille, The Best American Mystery Stories 2004 contains a spectacular array of stories by mystery veterans and talented newcomers. Follow a chain reaction that saves a woman’s life, visit a house haunted by a husband’s violent killing spree, enter the high-stakes world of Las Vegas gambling, watch the line between reality and dream blur, travel with a bored salesman driven to crime, and much more. Encompassing all aspects of the genre, this year’s selections are sure to quicken pulses, send chills down the spine, and keep readers continually guessing.Bet on red / Jeff Abbott --Stonewalls / Jeffrey Robert Bowman --Height advantage / William J. Carroll, Jr. --Evolution / Benjamin Cavell --All through the house / Christopher Coake --Where beautiful ladies dance for you / Patrick Michael Finn --How Wendy Tudhope was saved from sure and certain death / Rob Kantner --Snake eyes / Jonathon King --Harvey's dream / Stephen King --Smash and grab / Michael Knight --Bank of America / Richard Lange --Lids / Tom Larsen --Low tide / Dick Lochte --The incident of the impecunious chevalier / Richard A. Lupoff --Doll: a romance of the Mississippi / Joyce Carol Oates --The swag from Doc Hawthorne's / Jack O'Connell --Best man wins / Frederick Waterman --Something about Teddy / Timothy Williams --El Rey / Scott Wolven --Green heat / Angela Zeman

     Twenty authors from the Rockin' Romance Readers Book Signing have come together to bring you a brand new Rockstar stories. Some of these stories are prequels, while others are a sneak peek into the first bit of what to expect from your favorite authors. Singers, Drummers, Guitarists and more are deep in the pages of this anthology. Take a dive into this bad-boy packed book to find your next book boyfriend!

    Since its founding in 1997, Brevity: A Journal of Concise Literary Nonfiction has published hundreds of brief nonfiction essays by writers around the world, each within that strict word count. Over the past 20 years, Brevity has become one of the longest-running and most popular online literary publications, a journal readers regularly return to for insightful essays from skilled writers at every stage of their careers. Featuring examples of nonfiction forms such as memoir, narrative, lyric, braided, hermit crab, and hybrid, The Best of Brevity brings you 84 of the best-loved and most memorable reader favorites, collected in print for the first time. Compressed to their essence, these essays glint with drama, grief, love, and anger, as well as innumerable other lived intensities, resulting in an anthology that is as varied as it is unforgettable, leaving the reader transformed.With contributions from Krys Malcolm Belc, Jenny Boully, Brian Doyle, Roxane Gay, Daisy Hernández, Michael Martone, Ander Monson, Patricia Park, Kristen Radtke Diane Seuss, Abigail Thomas, Jia Tolentino, and so many more, The Best of Brevity offers unparalleled diversity of style, form, and perspective for those interested in reading, writing, or teaching the flash nonfiction form.

    But how does the artist actually create his or her work? What is the source of an artist's inspiration? What is the force that impels the artist to set down a vision that becomes art? In this groundbreaking book, Edward Hirsch explores the concept of duende, that mysterious, highly potent power of creativity that results in a work of art. With examples ranging from Federico García Lorca's wrestling with darkness as he discovered the fountain of words within himself to Martha Graham's creation of her most emotional dances, from the canvases of Robert Motherwell to William Blake's celestial visions, Hirsch taps into the artistic imagination and explains, in terms illuminating and emotional, how different artists respond to the power and demonic energy of creative impulse.

    A selection of the best writing, including fiction, nonfiction, poetry, and comics, published in American periodicals during during 2012 aimed at readers fifteen and up.

    Defiant, funny and courageously honest, High Tide in Tucson is an engaging and immensely readable collection from one of the most original voices in contemporary literature.'Possessed of an extravagantly gifted narrative voice, Kingsolver blends a fierce and abiding moral vision with benevolent and concise humour. Her medicine is meant for the head, the heart, and the soul.' New York Times Book Review

    Over the course of the last half century, the Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of our time. This anthology---the first of its kind---is more than a treasury: it is an indispensable resource for writers, students, and anyone else who wants to understand fiction from a writer’s point of view. "Some chose classics. Some chose stories that were new even to us. Our hope is that this collection will be useful to young writers, and to others interested in literary technique. Most of all, it is intended for readers who are not (or are no longer) in the habit of reading short stories. We hope these object lessons will remind them how varied the form can be, how vital it remains, and how much pleasure it can give."---from the Editors’ Note WITH SELECTIONS BYDaniel Alarcón · Donald Barthelme · Ann Beattie · David Bezmozgis · Jorge Luis Borges · Jane Bowles · Ethan Canin · Raymond Carver · Evan S. Connell · Bernard Cooper · Guy Davenport · Lydia Davis · Dave Eggers · Jeffrey Eugenides · Mary Gaitskill · Thomas Glynn · Aleksandar Hemon · Amy Hempel · Mary-Beth Hughes · Denis Johnson · Jonathan Lethem · Sam Lipsyte · Ben Marcus · David Means · Leonard Michaels · Steven Millhauser · Lorrie Moore · Craig Nova · Daniel Orozco · Mary Robison · Norman Rush · James Salter · Mona Simpson · Ali Smith · Wells Tower · Dallas Wiebe · Joy Williams

    From the author of A Bell For Adano and Hiroshima comes this final collections of stories.

    Kennedy and Dana Gioia, write of their subject with wit and a contagious enthusiasm.  Informative, accessible apparatus presents readable discussions of the literary devices, illustrated by apt works, and supported by interludes with the poets.  This edition features more than 50 new poems, a new masterwork casebook on T. S. Eliot’s “The Love Songs of J. Alfred Prufrock," extensively revised and expanded chapters on writing, and a fresh new design.

    Distinguished from the  detached formal essay by its friendly, conversational tone, its loose structure, and its drive toward candor and self-disclosure, the personal essay seizes on the minutiae of daily life-vanities, fashions, foibles, oddballs, seasonal rituals, love and  disappointment, the pleasures of solitude, reading, taking a walk -- to offer insight into the human condition and the great social and political issues of the day. The Art of the Personal Essay is the first anthology to celebrate this fertile genre. By presenting more than seventy-five personal essays, including influential forerunners from ancient Greece, Rome, and the Far East, masterpieces from the dawn of the personal essay in the sixteenth century, and a wealth of the finest personal essays from the last four centuries, editor Phillip Lopate, himself an acclaimed essayist, displays the tradition of the personal essay in all its historical grandeur, depth, and diversity.

     Eerie, suspenseful, poignant, the stories in The Long Way Home run the gamut from horror to suspense, crime to dark fantasy, mainstream to mystery. This brand new collection features more than 100,000 words of short fiction, as well as more than 5,000 words of autobiographical Story Notes. Chizmar's previous short story collection, A Long December, was published in 2016 to starred reviews from Library Journal and Kirkus, and was included on numerous "Best Books of the Year" lists. Entertainment Weekly gave the book high praise: "Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that's Chizmar's secret power. His storytelling always beats with a huge, passionate heart." Stephen King says he writes "terrific stories served with a very large slice of Disquiet Pie," and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

    This anthology celebrates twelve such moments of discovery, and is the first volume of an annual collection--launched alongside PEN's new Robert J. Dau Short Story Prize for Emerging Writers--that recognizes outstanding fiction debuts published in North America. The dozen winning stories included here--selected this year by judges Kelly Link, Marie-Helene Bertino, and Nina McConigley--take place in South Carolina and in South Korea, on a farm in the eighteenth century and among the cubicles of a computer-engineering firm in the present day. They narrate ancient themes with current urgency: migration, memory, technology, language, love, ecology, identity, family. Together they act as a compass for contemporary literature; they tell us where we're going. Each work comes with an introduction by the editor who originally published it, explaining why he or she chose it. The commentaries provide insight into a process that often remains opaque to readers and aspiring writers, and offer a chance to showcase the vital work literary magazines do to nurture our boldest and most exciting new voices.

    Falling into Theory is a brief and inexpensive collection of essays that asks literature students to think about the fundamental questions of literary studies today.

    An indignant, outrageous, witty, deeply felt collection of reviews, essays, and speeches, this is a window not only into Vonnegut’s mind but also into his heart.

    Written in the splendid bareness of her late style, these pages are Marguerite Duras's theory of literature: comparing a dying fly to the work of style; remembering the trance and incurable disarray of writing; recreating the last moments of a British pilot shot during World War II and buried next to her house; or else letting out a magisterial, so what? To question six decades of storytelling, all the essays together operate as a deceitful, yet indispensable confession.