This delightful rhyming catalogue of desirable beds appears in paperback for the first time.'Quentin Blake has matched Sylvia Plath's incisive nonsense verses with superbly descriptive drawings, in a book that has the zest and inventiveness, and the wide applicability, of a good family joke.' - Margery Fisher in The Sunday Times

    She gets her chance after making a deal with an evil sea witch, but something’s fishy! Can Flounder, Sebastian, and Scuttle help make the little mermaid’s dream come true? Find out in this full-color retelling of Disney’s classic film, The Little Mermaid.

    But when his world suddenly interlocks with an eccentric, bookish girl and a bitter old man who runs a toy booth in the station, Hugo's undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message from Hugo's dead father form the backbone of this intricate, tender, and spellbinding mystery.

    How could everyone in a castle - even the flies on the walls - sleep for a century and then wake up? This magical, beautifully illustrated tale begins when the king excludes the most difficult fairy of the kingdom from a feast celebrating the birth of his beautiful daughter Briar Rose. Furious, the fairy storms in and curses the baby, pronouncing that on her fifteenth birthday she will be pricked by a distaff (from a spinning wheel) and fall down dead. The youngest fairy softens the curse to a century-long sleep. Despite the fact that the king burns all the spinning wheels in the kingdom, 15-year-old Briar Rose finds herself in the tower where the evil fairy and her fate await her. The drama of the spell unfurls as she and the other inhabitants of the castle fall instantly asleep, from courtiers to kitchen maids. Thorny briars - moodily captured by Trina Schart Hyman's masterful paintbrush - grow up around the castle. Hyman depicts those who died attempting to break through the maze of thorns to reach the legendary sleeping beauty in a nightmarish illustration. But goodness and true love prevail when the perfect prince does finally find his way through the thick vines.Hyman won a Caldecott Medal for her work in Saint George and the Dragon by Margaret Hodges, and her version of The Sleeping Beauty makes us believe in the magic of the spell. The scenes inside the castle are alive with color and movement and rich with details that children will devour eagerly. Moods and expressions are rendered exquisitely, especially those of the wild, red-haired beauty Briar Rose. This wonderful read-aloud classic is one of Hyman's best.

    Now brought luminously to life by K. Y. Craft's lavish paintings, this new edition of a timeless favorite is sure to enchant readers both young and old. Fairy tale lovers have been eagerly awaiting Craft's next magical romance since the release of her Cinderella. With illustrations inspired by the magnificent style of Baroque painters, the sumptuous color and exquisite detail of this breathtaking interpretation make it a dream come true.

    But what happens when he is told that he must go live in the Man-village? Find out in this Little Golden Book retelling of the classic Disney movie The Jungle Book.

    Sit down with the book and get your own bearings." — New York Herald TribuneWith the first signs of approaching winter, the Bear's thoughts naturally turn to a cozy cave and a long snooze till spring. But when he awakes a few months later, he is surprised to find himself smack dab in the middle of a sprawling industrial complex! To make matters even worse, every one he meets keeps insisting that he's not even a bear--just a silly man who needs a shave and wears a fur coat.Written by the beloved director of such classic screwball comedies as The Girl Can't Help It and Will Success Spoil Rock Hunter?, this wryly humorous tale has long been an underground favorite with readers of all ages and attitudes. Poking fun at a fast-paced, high-tech society, it follows the Bear's repeated attempts of finding out just where he belongs. On an assembly line? In a zoo? At the circus? No one seems to know for sure.Tashlin's 46 delightfully original and whimsical illustrations add to the charm of this unique and entertaining fable.

    . .Out there in the deepest sea lies the Black Rock: a huge, dark and spiky mass that is said to destroy any boats that come near it! Can Erin uncover the truth behind this mysterious legend?

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Barrie introduced them in his beloved tale, Peter Pan. In this new picture book, Dave Barry and Ridley Pearson take a fresh look at these characters as only they can. Created for the animated film, Mary Blair's illustrations helped to define the look of this Walt Disney classic and bring all the magic of Never Land to life-from the ominous Skull Rock to Peter's secret underground lair. Laced with humor, action, and a dash of pixie dust, this cheeky retelling and vibrant concept art are woven into an entertaining new take on a classic story.

    Some of the legendary monsters are funny and mischievous, others are downright frightening, and a number of them are wild and unpredictable. There's a dragon made of ice, another that takes refuge in the General Post Office, a scaly creature that carries off the largest elephant in a zoo, and even a dragon whose gentle purring comforts a tiny tot.And who challenges these amazing creatures? Why, daring heroes, of course, as well as a wicked prince, and even an entire soccer team — which, unfortunately, meets its fate with a fire-breathing brute that flies out of the pages of an enchanted book.E. (Edith) Nesbit (1858–1924) was one of the pioneers of fantasy fiction for children. Her classic novels — such as The Railway Children and Five Children and It — have remained popular for more than a century. 24 illustrations.

    He is going to play a sneaky trick on his friend, Square. Or so Triangle thinks. . . . With this first tale in a new trilogy, partners in crime Mac Barnett and Jon Klassen will have readers wondering just who they can trust in a richly imagined world of shapes. Visually stunning and full of wry humor, here is a perfectly paced treat that could come only from the minds of two of today's most irreverent—and talented—picture book creators.

    Featuring fifty classic nursery rhymes illustrated and interpreted in comics form by fifty of today’s preeminent cartoonists and illustrators, this is a groundbreaking new entry in the canon of nursery rhymes treasuries. From New Yorker cartoonist Roz Chast’s “There Was a Crooked Man” to Bad Kitty author Nick Bruel’s “Three Little Kittens” to First Second’s own Gene Yang’s “Pat-a-Cake,” this is a collection that will put a grin on your face from page one and keep it there. Each rhyme is one to three pages long, and simply paneled and lettered to ensure that the experience is completely accessible for the youngest of readers. Chock full of engaging full-color artwork and favorite characters (Jack and Jill! Old Mother Hubbard! The Owl and the Pussycat!), this collection will be treasured by children for years to come.

    . . until a dog fetches her for its owner, and she is tossed into a bird's nest. A mountain? No, Petra is now an egg! An egg of the world in a world of possibility. Until she's flung into a pond, and becomes an amazing island . . . and, eventually, a little girl's pet rock. What will she be tomorrow? Who knows? But she's a rock, and this is how she rolls!

    Not much really happens in these stories. The illustrations are beautiful but rather small. The eponymous friends carry on their friendship through mild misunderstandings and misadventures, always ready to forgive each other and forget. These gentle stories are among my favorite kids' books. I have fond memories of Frog and Toad from my childhood, and I never tire of re-reading them to my 4-year-old daughter. She seems to like them, too.