Now in its updated 13th edition, The People's Guide to Mexico still offers the ideal combination of basic travel information, entertaining stories, and friendly guidance about everything from driving in Mexico City to hanging a hammock to bartering at the local mercado.Features include:- Advice on planning your trip, where to go, and how to get around once you're there- Practical tips to help you stay healthy and safe, deal with red tape, change money, send email, letters and packages, use the telephone, do laundry, order food, speak like a local, and more- Well-informed insight into Mexican culture, and hints for enjoying traditional fiestas and celebrations- The most complete information available on Mexican Internet resources, book and map reviews, and other info sources for travelers

    As this biography attests, Sayers was also one of the first women to be awarded a degree from Oxford, a playwright, and an essayist--but also a woman with personal joys and tragedies. Here, Reynolds, a close friend of Sayers, presents a convincing and balanced portrait of one of the 20th century's most brilliant, creative women. 30 b&w photos.

    Eloquent, astute, nimble with history and deftly amusing, Travels in a Thin Country established Sara Wheeler as one of the very best travel writers in the world.

    This hard-hitting book takes issue with the way the war against terror is being run and questions why George W. Bush has not asked all Americans to pitch in and help achieve success.

    From ancient and medieval philosophers such as Confucius and Thomas Aquinas, to revolutionary thought leaders such as Thomas Jefferson and Leon Trotsky, to the voices who have shaped modern politics today -- Mao Zedong, Malcolm X, Che Guevara, and more -- "The Politics Book" clearly and simply explains more than 100 groundbreaking ideas in the history of political thought.With easy-to-follow graphics, succinct quotations, and accessible text, "The Politics Book" is an essential reference for students and anyone wondering how politics works.

    The countless individuals, both famous and unknown, who shaped Mexico' history come alive . . . they prosper, decline, and rise again before being extinguished by political and social upheavals beyond their control.

    First published in 1982, this book has become a classic, a textbook case of the relationship between the United States and the Third World. The authors make extensive use of U.S. government documents and interviews with former CIA and other officials. It is a warning of what happens when the United States abuses its power.

    In this tenth anniversary edition, Rhodes offers new reflections on the abuse he and his older brother endured at the hands of their terrorizing stepmother and negligent father. He also describes readers' powerful and moving responses to his book, considers his changing sentiments as the years have passed, and provides additional details on his brother Stanley, who remains the author's true hero in this moving memoir.

    Most military thinkers in the years leading up to World War II saw the airplane as an afterthought. But a small band of idealistic strategists, the “Bomber Mafia,” asked: What if precision bombing could cripple the enemy and make war far less lethal? In contrast, the bombing of Tokyo on the deadliest night of the war was the brainchild of General Curtis LeMay, whose brutal pragmatism and scorched-earth tactics in Japan cost thousands of civilian lives, but may have spared even more by averting a planned US invasion. In The Bomber Mafia, Gladwell asks, “Was it worth it?” Things might have gone differently had LeMay’s predecessor, General Haywood Hansell, remained in charge. Hansell believed in precision bombing, but when he and Curtis LeMay squared off for a leadership handover in the jungles of Guam, LeMay emerged victorious, leading to the darkest night of World War II. The Bomber Mafia is a riveting tale of persistence, innovation, and the incalculable wages of war.

    He contends that americanca gave rise to a new concept of a liberal society, a “liberal tradition” that has been central to our experience of events both at home and abroad. New Introduction by Tom Wicker; Index.

    When Enrique is five years old, his mother, Lourdes, too poor to feed her children, leaves Honduras to work in the United States. The move allows her to send money back home to Enrique so he can eat better and go to school past the third grade.Lourdes promises Enrique she will return quickly. But she struggles in America. Years pass. He begs for his mother to come back. Without her, he becomes lonely and troubled. When she calls, Lourdes tells him to be patient. Enrique despairs of ever seeing her again. After eleven years apart, he decides he will go find her.Enrique sets off alone from Tegucigalpa, with little more than a slip of paper bearing his mother's North Carolina telephone number. Without money, he will make the dangerous and illegal trek up the length of Mexico the only way he can – clinging to the sides and tops of freight trains.With gritty determination and a deep longing to be by his mother's side, Enrique travels through hostile, unknown worlds. Each step of the way through Mexico, he and other migrants, many of them children, are hunted like animals. Gangsters control the tops of the trains. Bandits rob and kill migrants up and down the tracks. Corrupt cops all along the route are out to fleece and deport them. To evade Mexican police and immigration authorities, they must jump onto and off the moving boxcars they call El Tren de la Muerte- The Train of Death. Enrique pushes forward using his wit, courage, and hope - and the kindness of strangers. It is an epic journey, one thousands of immigrant children make each year to find their mothers in the United States.Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, Enrique's Journey is the timeless story of families torn apart, the yearning to be together again, and a boy who will risk his life to find the mother he loves.

    Thirty thousand murdered since 2006; police chiefs shot within hours of taking office; mass graves comparable to those of civil wars; car bombs shattering storefronts; headless corpses heaped in town squares. And it is all because a few Americans are getting high. Or is it? The United States throws Black Hawk helicopters and drug agents at the problem. But in secret, Washington is confused and divided about what to do. Who are these mysterious figures tearing Mexico apart? they wonder. What is El Narco? El Narco draws the first definitive portrait of Mexico's drug cartels and how they have radically transformed in the last decade. El Narco is not a gang; it is a movement and an industry drawing in hundreds of thousands from bullet-ridden barrios to marijuana-growing mountains. And it has created paramilitary death squads with tens of thousands of men-at-arms from Guatemala to the Texas border. Journalist Ioan Grillo has spent a decade in Mexico reporting on the drug wars from the front lines. This piercing book joins testimonies from inside the cartels with firsthand dispatches and unsparing analysis. The devastation may be south of the Rio Grande, El Narco shows, but America is knee-deep in this conflict.

     To the author, Oxford historian Felipe Fernández-Armesto, a society's relationship to climate, geography, and ecology are paramount in determining its degree of success. "Unlike previous attempts to write the comparative history of civilizations," he writes, "it is arranged environment by environment, rather than period by period or society by society." Thus, for example, tundra civilizations of Ice Age Europe are linked with those of the Inuit of the Pacific Northwest, the Mississippi Mound Builders with the deforesters of eleventh-century Europe. Civilizations brilliantly connects the world of ecologist, geologist, and geographer with the panorama of cultural history.

    The "large old house" on the Calle Cueto, where her mother was born and which her grandfather evoked so frequently that Isabel felt as if she had lived there, became the protagonist of her first novel, The House of the Spirits. It appears again at the beginning of Allende's playful, seductively compelling memoir My Invented Country, and leads us into this gifted writer's world.Here are the almost mythic figures of a Chilean family -- grandparents and great-grandparents, aunts, uncles, and friends -- with whom readers of Allende's fiction will feel immediately at home. And here, too, is an unforgettable portrait of a charming, idiosyncratic Chilean people with a violent history and an indomitable spirit. Although she claims to have been an outsider in her native land -- "I never fit in anywhere, not into my family, my social class, or the religion fate bestowed on me" -- Isabel Allende carries with her even today the mark of the politics, myth, and magic of her homeland. In My Invented County, she explores the role of memory and nostalgia in shaping her life, her books, and that most intimate connection to her place of origin.Two life-altering events inflect the peripatetic narration of this book: The military coup and violent death of her uncle, Salvador Allende Gossens, on September 11, 1973, sent her into exile and transformed her into a writer. The terrorist attack of September 11, 2001, on her newly adopted homeland, the United States, brought forth from Allende an overdue acknowledgment that she had indeed left home. My Invented Country, whose structure mimics the workings of memory itself, ranges back and forth across that distance accrued between the author's past and present lives. It speaks compellingly to immigrants, and to all of us, who try to retain a coherent inner life in a world full of contradictions.

    When all was said and done, Gilbert Joseph Bland, Jr., had become the Al Capone of cartography. 20 illustrations throughout.