After a particularly gruelling assignment, she checks into an expensive hotel. Unfortunately she has chosen the exact moment terrorists attack the hotel. Abhi, the hotel manager, begs her to stay quiet and stay put. Abhi has never wanted to be a hero; a disappointment to his army father and brother. He thought he'd come to a safe haven at the hotel, a place where he could be himself. Now stuck inside the sealed-off manager's office in the middle of a terrorist attack, he is desperately trying to keep those still alive safe. His lover Dieter is amongst the hostages in the bar and the photographer Sam, refusing to stay in her room, is roaming through the hotel taking pictures, potentially coming face to face with the terrorists at any moment. A small child, Billy, is found alive under the bodies of his dead parents and Abhi has to persuade the non-maternal Sam to bring him back to her room. He's hurt and Sam has no clue how to look after a child. As the tension mounts and more people are killed, the bond between Sam and Abhi, between Sam and Billy, grows. If any of them get out alive, none of them will ever be the same...

    Magazine, The Snake Charmer tells the story of Sonalal, a middle-age snake charmer making a living with his been pipe and his beloved cobra, Raju. Despite his great skills, Sonalal's drinking and womanizing seem to have marked him for a life of insignificance. But that all changes one remarkable afternoon when he produces music so beautiful he is certain the gods must be listening. In a moment that will change his life forever, Raju bites Sonalal, and Sonalal bites back, destroying the one creature who loves him. The Snake Charmer traces Sonalal's bumpy journey through brief celebrity, profound remorse, and a quest for answers to unanswerable questions of love, life, and art. Sparely and beautifully written, this "novel of enchantments" (Oscar Hijuelos) is an unforgettable debut, confirming the Washington Post's comparison of Nigam to Arundhati Roy and Vikram Chandra.

    It documents the scale of devastation, the likely causes and consequences, and the resilience with which people faced those pandemics.The book also provides the first comprehensive coverage of the world's greatest demographic disaster ever to descend upon a country in a short period of time - the influenza pandemic in India in 1918, which claimed more lives than all the battle casualties of World War I. And it shows the continuing relevance of learning from those times to tackle contemporary challenges, such as COVID-19.

    This tongue-in-cheek guide is full of advice designed to help you manage Aunty meddling and encourages you to pursue your passions—from someone who has been through it all. Qamar confesses to throwing sweatshirts over crop-tops to get out of the house without being questioned, hiding her boyfriend in a closet, and enduring overbearing parents endless pressuring her to become a doctor, lawyer, or engineer. Holding onto your cultural identity is tough. Always interfering Aunties make it even harder. But ultimately, Aunties keep our lives interesting. As an Aunty-survivor and a woman who has lived the cross-cultural experience, Qamar defied the advice of her aunties almost every step of the way, and she is here to remind you: Trust No Aunty.

    Travelling to the American West five times during the 1830s, Catlin was the first white man to depict Plains Indians in their native territory. The author spent eight years traveling among the Indians of the Northwest and the prairies, noting their customs and recording his observations with pen and brush. Catlin published his observation in a multi-volume set of books on the Indian tribes he witnessed. In "My Life Among the Indians" the parts of Catlin's volumes on the North American Indians which will be of most interest to the public have been condensed and brought together in chronological order. It is a splendid book to read and to own, being made up from two large volumes of letters written by George Catlin, the well-known painter of Indian subjects. There are sixteen illustrations from the artist's original drawings. Mr. Catlin traveled extensively in the Indian country, making a fine collection of Indian specimens which he afterwards exhibited in this country and in foreign lands. Many of these specimens, together with his paintings, which were so true to life among the Indians, are still preserved in Washington. It was Catlin who, in 1832, made the suggestion that the government should set aside a great National Park in the Yellowstone region. "Mr. Catlin's scheme, as it then took shape in his mind, and was carried out without deviation, was the formation of an Indian gallery, for which he would use his skill as a painter in securing portraits among the different tribes he would personally visit; in reproducing pictorially their customs, hunt games, and manner of living; in collecting their robes, headdresses, pipes, weapons, musical instruments, and articles of daily life; and in studying their social life, government, and religious views, that he might arrive at their own view of their relation to the world in which they lived. This world he also wished to investigate geographically and topographically. In brief, he wished to see the Indian in his native state, and, if possible, to discover his past. His future he knew. The Indian would disappear before advancing civilization. "Mr. Catlin's personal equipment for his task was a lithe, alert frame, about five feet eight inches tall, made sturdy and enduring by the outdoor life of his boyhood, a knowledge of woodcraft, a trained eye with the rifle, fine horsemanship, simple habits, a mechanical, even an inventive mind, and great steadfastness of purpose." CONTENTS Sketch Of Catlin's Life I. The Missouri River In The Thirties II. A Studio Among The Guns III. Indian Aristocrats: The Crows And Blackfeet IV. Painting An Indian Dandy V. Canoeing With Bogard And Batiste VI. Mandans: The People Of The Pheasants VII. Social Life Among The Mandans VIII. The Artist Becomes A Medicine-man IX. A Mandan Feast X. The Mandan Women XI. Mandan Dances And Games XII. O-kee-pa: A Religious Ceremony XIII. Dances Of The O-kee-pa XIV. The Making Of Braves XV. Mandan Legend Of The Deluge XVI. Corn Dance Of The Minatarees XVII. The Attack On The Canoe XVIII. The Death Of Little Bear: A Sioux Tragedy XIX. The Dances And Music Of The Sioux XX. A Dog Feast XXI. The Buffalo Chase XXII. A Prairie Fire XXIII. Songs And Dances Of The Iowas XXIV. Painting Black Hawk And His Warriors XXV. With The Army At Fort Gibson XXVI. Lassoing Wild Horses XXVII. Visiting The Camanches XXVIII. The Stolen Boy XXIX.

    The dam burst the night JKLF boys were freed in exchange for the release of Rubaiya Sayeed, daughter of then Union home minister Mufti Mohammad Sayeed. As Chief Minister Farooq Abdullah had predicted, the government's caving in emboldened many Kashmiris into thinking that azaadi was possible. 'The price we will have to pay,' were Farooq's prophetic words. Killings were almost a daily occurrence. Bombs and firings occurred not far from the chief minister's residence in the most secure zone. Gun-toting youth in trucks were seen close to the cantonment. Kashmiris believed that they were on the verge of liberation. It was prime time for Pakistan spies; not just militants but reputed businessmen, doctors, engineers and government officials were meeting their handlers in Delhi, Kathmandu, Lahore and Rawalpindi. No one trusted anyone else. A.S. Dulat was posted there at the time. Soon he saw Intelligence Bureau colleagues being picked off one by one. It was a long, slow haul to regaining control. From then to today, though he is now retired, he has had a continuous engagement with Kashmir. The initiatives launched by the Vajpayee government between 1998 and 2004 were the high point of this constant effort to keep things in balance in a delicate state. As Vajpayee said, Kashmir was a problem that had to be solved. In this extraordinary memoir that reads like a thriller, Dulat gives a sweeping dramatic account of the difficulties, success and near triumphs in this effort, showing the players, the politics, the strategies and the intent and sheer ruthlessness of the meddlers from across the border. Kashmir: The Vajpayee Years paints an unforgettable portrait of politics in India's most beautiful but troubled state.

    

    When she meets the rebellious Amina who confounds the Indian community by driving a taxi and setting up a cafe with a black man, her world is turned upside down.

    Suleri; of her tenacious grandmother Dadi and five siblings; and of her own passage to the West."Nine autobiographical tales that move easily back and forth among Pakistan, Britain, and the United States. . . . She forays lightly into Pakistani history, and deeply into the history of her family and friends. . . . The Suleri women at home in Pakistan make this book sing."—Daniel Wolfe, New York Times Book Review"A jewel of insight and beauty. . . . Suleri's voice has the same authority when she speaks about Pakistani politics as it does in her literary interludes."—Rone Tempest, Los Angeles Times Book Review"The author has a gift for rendering her family with a few, deft strokes, turning them out as whole and complete as eggs."—Anita Desai, Washington Post Book World"Meatless Days takes the reader through a Third World that will surprise and confound him even as it records the author's similar perplexities while coming to terms with the West. Those voyages Suleri narrates in great strings of words and images so rich that they left this reader . . . hungering for more."—Ron Grossman, Chicago Tribune"Dazzling. . . . Suleri is a postcolonial Proust to Rushdie's phantasmagorical Pynchon."—Henry Louise Gates, Jr., Voice Literary Supplement

    Taslima Nasrin revisits her early years — from her auspicious birth on a Muslim holy day to the threshold of womanhood at fourteen — in a small rural village during the years East Pakistan became Bangladesh. Set against the background of the fight for independence, Nasrin’s earliest memories alternate between scenes of violence and flight and images of innocent pleasures of childhood in her extended family.A precocious child, Nasrin’s acute awareness of the injustice and suffering endured by her mother and other Muslim women cause her to turn from the Koran in early adolescence, and to begin a journey to redefine her world. Her growing awareness of the class discriminations, gender disparities, and growing religious orthodoxy and intolerance in her family and her rural village parallel the broader social and cultural upheaval emerging in the new nation, and foreshadow the growth of a feminist dissident courageous enough to defy the fundamentalist Muslim clerics.“Nasrin’s voice is the voice of humanism everywhere.”-- Wole Soyinka“I am sure you have become tired of being called ‘the female Salman Rushdie’ . . . but please know that there are many people in many countries working to . . . defend you against those who would cheerfully see you dead. . . . In the West, there are too many eloquent apologists working to convince people of the fiction that women are not discriminated against in Muslim countries or that, if they are, it has nothing to do with religion.”-- Excerpt from an open letter from Salman Rrushdie to Taslima Nasrin

    Over the next few months, he was charged with more crimes-of criminal conspiracy, murder, possession of arms and rioting, among others-and incarcerated in one of the most notorious prisons in Maharashtra, the Nagpur central jail.This is an account of the nearly five years that Ferreira was imprisoned. We read in stark and unsparing detail about life in prison-the torture, the beatings, the corrupt system, the codes of behaviour among inmates, the strikes mounted by prisoners to protest brutality, the general air of helplessness and the small consolations that keep hope alive.In September 2011, Ferreira was acquitted of all charges and a breath away from freedom when he was re-arrested by plainclothes policemen at the prison gates. He never got a glimpse of his family who were waiting just outside. He began to fight the system all over again, until with the help of courageous friends and activists, he was cleared of all the trumped up charges that had put him in prison.Colors of the cage is the real story of what goes on behind bars-not the celluloid or novelistic version that readers will be familiar with. However, it is not just a gritty, harrowing account of life in prison but also a memoir of astonishing power and grace-about a mans stubborn fight for justice and the triumph of the human will.Arun Fereira gives us a clear-eyed, unsentimental account of custodial torture, years of imprisonment on false cases and the flagrant violation of procedure that passes as the rule of law. His experience is shared by tens of thousands of our fellow countrymen and women, most of whom do not have access to lawyers or legal aid. This country needs many more books like this one.

    His story of hard-won victory offers inspiration for nonviolent solutions to today's world struggles.

    At c1.5 billion, Midnight’s Descendants (the offspring of those affected by ‘the midnight hour’ Partition) already outnumber Europeans and Chinese; and they are growing faster than either. They comprise all the peoples of what is now called ‘South Asia’ (the preferred term for the partitioned subcontinent of modern India, Pakistan and Bangladesh, plus Nepal and Sri Lanka).‘Midnight’s Descendants’ is the first history of the region as a whole. Correlating and contrasting the fortunes of all the constituent nations over the last six decades affords unique insights into what is hailed as one of the world’s most dynamic regions.John Keay is an expert on the region and the book will be the first account to incorporate the rich story of South Asia’s transnational, or ‘diasporic’, peoples – from the overlooked narratives of the subcontinent to the rise of India as a global force, ‘Midnight’s Descendants’ will be expansive and tumultuous in the great tradition of India’s narrative epics.

    

    Apart from superior military power, close coordination between the political leadership and the military and the ability to take quick decisions, China has potent anti-satellite and cyber warfare capabilities. Even more shockingly, regardless of popular opinion, India today is not even in a position to win a war against Pakistan. This has nothing to do with Pakistan’s nuclear weapons. It is because while India has been focused on building military force (troops and materiel needed to wage war) Pakistan has built military power (learning how to optimally utilize its military force). In this lies the difference between losing and winning. Far from being the strong Asian power of its perception, India could find itself extremely vulnerable to the hostility of its powerful neighbors. In Dragon On Our Doorstep, Pravin Sawhney and Ghazala Wahab analyse the geopolitics of the region and the military strategies of the three Asian countries to tell us exactly why India is in this precarious position and how it can transform itself through deft strategy into a leading power.The most populous countries and fastest growing economies in the world—India and China—have cultural and economic relations that date back to the second century bc. But over the years, despite the many treaties and agreements between the two nations, border clashes (including the disastrous 1962 war) and disagreements over Tibet and Jammu and Kashmir have complicated the relationship. For decades China kept a low profile. However, since 2008, when it was recognized as an economic power, China has become assertive. Today, this Himalayan balancing act of power is clearly tilted towards China, in whose view there is room for only one power in Asia. In this rise, Pakistan has emerged as China’s most trusted and crucial partner. The partnership between China and Pakistan, whether in terms of military interoperability (ability to operate as one in combat), or geostrategic design (which is unfolding through the wide-sweeping One Belt One Road project), has serious implications for India. The best that India can do is try and manage the relationship so that the dragon’s rise is not at the cost of India.