The gifts, the music, the yearly seafood buffet, the orgy...what's not to like?But, like all children, he eventually finds out Santa isn’t who he thought. The good news is, unlike everyone else, Santa Claus actually is his mom. Even better, she wants Bert to take over the job. The bad news is there’s more to the job than stuffing stockings and getting his bells jingled. So what's a demon to do? Drag his friend Mark Vedis along for the ride, of course. Join Bert, Mark, and the Santa team as they go through hell in their quest to bring a merry Christmas to all. Especially for Bert.

    A Dark Elf. An Avenging Wizard The name’s Corvin Chance, and though I was born with magical abilities, I’d rather be playing my guitar in one of my local pubs than running around flashing my magic. Until someone murdered my mother that is. Now I’m slinging magic around the streets of Dublin as I try to find out who killed her. Iolas Tasar—a gangster elf who crowned himself King of the South—is my main suspect. But besides being powerful and sociopathic, he is also part of a murderous cabal that includes a bloodthirsty vampire prince. If I’m going to take him down, I’m going to need help. Luckily, I have my two best friends: Dalia, a sardonic Demi-Fae who could scare the bejeezus out of Lucifer himself, and Monty, a wise-cracking street magician and YouTube star with a gift for technomancy and conjuring. Together we will enter a dangerous Dublin underbelly populated by dark elves, vampires, goblins and orcs to discover just who killed my mother and why…if we don’t die ourselves first, that is. And did I mention the Fae Queen who has also blackmailed Dalia and I into helping her…on pain of death? Join me and my oddball motley crew as we attempt to solve a murder, exact justice and just maybe…get a pint of the black stuff afterward. Being Human meets Iron Druid in this gripping urban fantasy action adventure series. Grab your copy of the first book in the GODS AND MONSTERS TRILOGY today!

    Inside, you'll find hundreds of jokes that are guaranteed to stir up a room full of smiles, including knock-knocks, witty puns, and one-liners. Complete with hilarious quotes from celebrities like Jon Stewart, Lewis Black, and Jerry Seinfeld, everyone will revel in each gut-busting moment.So whether you're looking to add a few jokes to your repertoire, impress your buds, or improve your banter, this sidesplitting book arms you with the perfect joke for any occasion!

    The technique is controlled, not ostentatious, and one senses here a conscious link to the work of older poets such as Larkin and Levertov. Karr's strength lies in her delicate and meticulous control of detail. Characteristically, she describes a cat's nighttime prowl with humor and precision: `` . . . he pounced and rabbit-kicked my head. / I had to disentangle from my hair / all four sets of claws, then tossed him / out into the pyramid of boxes / we'd erected in the yard.'' Such loving attention to seemingly insignificant events is reminiscent of the early work of Adrienne Rich and the use of imagery is similarly evocative (``When the moon / clicked over the sun like a black lens / over a white eye. . . ''). Karr's work generally falls into clipped stanzas, the lines flowing over for an effect of ironic tension appropriate for much of the ``devilish'' material with which she is concerned. While the poet's unflinching consciousness stands out in this text, the poetic voice is not completely developed. (Apr.)

    

    It’s a book with the flow of poetry but the ebb of short stories – rightfully called “Shoetry”. This creation takes you to the roots of humanity - stripping back the veneers of life, society and interaction to see people and their ways in an entirely new light.

    Part 1, Life and Times, traces Larkin’s early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was able to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin’s reputation from the mid-1950s to the present, examining the debates and ideological confrontations to which his poetry has given rise.BEWARE FAKE REVIEWS ON AMAZON.COM. ****Five Star Reviews on Amazon UK*****Insightful Assessment of a still under-rated Poet. I found this book gripped me from the start. Confirming some things I though I knew, illuminating areas I knew little about and flatly contradicting some misconceptions, the book is insightful, sympathetic and, of course, literate. Here is the real Larkin - a poet I admired more than liked, revealed to be more interesting and accomplished than I knew. By RoyAn Excellent Larkin Teacher provides a great insight into the Poet and his Times. This book reflects great scholarship. Mr Gilroy is a dedicated and insightful reader of Larkin and I recommend this book simply because it has made Larkin one of my favorite poets. By Alexandros Alexandropoulos

    "You are me," the girl said. Then she was gone.I am a thirteen-year-old double Gemini. I get bad grades, write poetry with my left hand, dance in my room, surf the net. I Google images of the tattoos my mom won't let me get. . . .But my world belongs to someone else. Someone who lives below the concrete of Los Angeles, someone with wild eyes and twigs in her hair.And I think she wants her life back.

    In his second collection he engages love, mortality, and life in New York City after 9/11. The title piece, a prose-poem synopsis of an unwritten novel, turns all literary forms upon themselves with savvy and flair, while the elegy cycle “Twenty Poems for Noelle” is a compassionate song for a suffering friend.Noelle, somewhere in an apartmentsymphony number twolistens to you breathing.Broken glass in the street.What was once unglowing glows. . . The Pajamaist is an intimate book filled with sly wit and an ever-present, infectious openness to amazement. Zapruder’s poems are urbane and constantly, curiously searching.

    The poems in Admission Requirements attempt to discover what is required of us when we cut across our material and psychic geographies. Simultaneously full and empty of its origins, the self is continually taxed of any certainties and ways of being. The speaker in these poems is engaged in a kind of fieldwork, surveying gardens, communities, and the haphazard cityscape, where the reader is presented with the paradoxes of subsumed histories. With understated irony and unsettling imagery, the poems address the internal conflicts inherent in contemporary living.

    Biography

    But everything changes when Abbie is twelve and their emotional, spirited mother casts them into a crisis for which no one is prepared. Six years later the Morris family have rebuilt their lives, and when Abbie and Beatie, Abbie's adored elder sister, set off for the county fair, the world seems a good place. But their new-found happiness is not to last. A chance encounter with Louis, a personable, handsome stranger, leads to tragedy and has repercussions that threaten to destroy Abbie's peace of mind for ever. Abbie struggles to forget what happened that night, to get on with her life, but when she meets charming, honourable Arthur - and re-encounters Louis - it becomes clear that she might never recover from the night they stayed so long at the fair...

    From the thawing tundra linking a Yup'ik village in Alaska to its hunter-gatherer past to the shifting sand dunes revealing the impressively preserved homes of neolithic farmers in Scotland, Jamie explores how the changing natural world can alter our sense of time. Most movingly, she considers, as her father dies and her children leave home, the surfacing of an older, less tethered sense of herself. In precise, luminous prose, Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

    Winner of the 1999 Governor General's Award for Poetry and shortlisted for the 1999 Pat Lowther Award and the 1999 Dorothy Livesay Award for Poetry (BC Book Prize). SONGS FOR RELINQUISHING THE EARTH contains many poems of praise and grief for the imperiled earth drawing frequently on Jan Zwicky's experience as a musician and philosopher and on the landscapes of the prairies and rural Ontario.SONGS FOR RELINQUISHING THE EARTH was first published by the author in 1996 as a handmade book, each copy individually sewn for its reader in response to a request. It appeared between plain covers on recycled stock, with a small photo (of lavender fields) pasted into each copy. The only publicity was word of mouth.Part of Jan Zwicky's reason for having the author be the maker and distributor of the book was a desire to connect the acts of publication and publicity with the initial act of composition, to have a book whose public gestures were in keeping with the intimacy of the art. She also believed the potential audience was small enough that she could easily sew enough copies to fill requests as they came in. While succeeding in recalling poetry's public life to its roots, she was wrong about the size of that audience and her ability to keep up with demand as word spread, Hence, this facsimile edition. In publishing it, Brick Books has attempted to remain as faithful as possible to the spirit of those original gestures, while making it possible for more readers to have access to this remarkable book.