From Mary Pickford and Charlie Chaplin to Archie Leach (a.k.a. Cary Grant) and Marion Morrison (a.k.a. John Wayne), Tom Cruise and Julia Roberts, and such no-cal stars of today as the Kardashians and the new online celebrity (i.e., you and me), Burr takes us on an insightful and entertaining journey through the modern fame game at its flashiest, most indulgent, occasionally most tragic, and ultimately, its most revealing.

    New in this edition are entries to describe such film hits as "Lord of the Rings", "Mystic River", "Fahrenheit 9/11", and "Million Dollar Baby". But in fact, this volume's team of critics goes back to 1902, describing such films as "The Great Train Robbery", and progressing chronologically across the decades to cover the best cinematic dramas, comedies, westerns, musicals, suspense and horror films, gangster classics, "films noirs", sci-fi epics, documentaries, and adaptations of novels and stage plays made by filmmakers around the world. Movie fans will find descriptions of great musicals like "Singing in the Rain", westerns like "High Noon", science-fiction classics like "Star Wars", dramas like "Chinatown" and "Schindler's List", and international classics from master directors who include Fellini, Antonioni, Resnais, Truffaut, Eisenstein, Kurosawa, and many others.Each entry includes a full list of cast and credits, awards won by the film, an essay summarizing the story line and screen-history, and still shots of the film's memorable scenes. At the back of the book, both an alphabetical index and a genre index will help readers find any film they're looking for. The book is illustrated with hundreds of movie still shots in color and black and white.

    Now, their son reveals the fascinating truth about these stars, based on his own memories, interviews, and letters. Features rare photographs.

    This lavish hardcover brings together rare artwork from around the world. Featuring Hammer’s greatest films, including The Curse of Frankenstein, the Dracula series, and many more.

    An award-winning novel!The Falls of Erith - A mercenary and a destitute lady find love - but it doesn't come easily.The Whispering Night - A spy for William Marshal falls in love with the lady he's spying on.The Fallen One - A fallen knight and a prestigious lady are embroiled in a love affair (and don't forget the otter!)Netherworld - A seasoned knight assumes command of a castle with dark, desperate secrets.

    Because the other way lies a painful end.

     The stories in this collection, because they all happen in Upper Nettlefold, have things which happen, that influence the other stories. So the order in which they are presented here aligns with the timeline in which events in the stories happen. Read through this collection in order, and you will find that each story builds on the ones before, weaving the magic of community and interconnection between characters. There is also a map of Upper Nettlefold to help you visualise everything as you read. Although each story can stand alone, we’re sure that you’ll love finding the linkages as you go. This is our first visit to Upper Nettlefold, but it won’t be our last. You may see other collections based here, or you may see individual books from the various authors, but we will keep expanding the stories about the people you’ll first meet in this collection. The Viscount’s Summer Love A new Viscount with old secrets, a baker’s daughter, love thwarted, the threat of murder, a dramatic revelation, a long-held love finally returned. The Duke and the Spinster A Duke who needs to marry, a Lady who expects to never marry, a summer house party, a nefarious plot, gossip designed to harm, a desperate adventure, a love that redeems. Stitched in Love A seamstress who struggles to sew, a blacksmith beset by admirers, an accident with a dress, a runaway horse, a situation saved – barely, an unexpected love. Love Finds the Earl An unmarried Earl, a reserved widow, a clever sister, a social occasion, an accidental meeting, shady business dealings thwarted, a second chance for love. Doubting the Marquess An unrepentant rake, a woman more interested in business than men, a meeting, jealousy, an accident, a revelation that leads to love. The Degenerate Baron A fearless schoolteacher, a Baron lost in grief and despair, a collection of degenerate friends, a near accident that leads to a meeting, a reminder of past pain, a love beyond fear. Escaping the Scurrilous Earl A merchant’s daughter, a lonely physician, a thoroughly unscrupulous Earl, a debt called in, an impossible choice, an escape, a threat, a rescue, and a new love found. Esther, the Earl’s Hellion An orphaned young woman, a gentleman working undercover, a boarding school with a new owner, a despicable scheme, a rescue, a trap set to save, a dramatic conclusion, a fated love found. A Gentle Heart A spinster employed as a companion, a gentleman of means, a social opportunity, an act of kindness, a misunderstanding, a long hoped for love.

    This hilarious 233 page full-color book contains over 400 of cartoonist, Chad Carpenter's latest comic creations. Consisting of anything animal, vegetable or mineral, but with a decidedly outdoorsy slant, this award-winning comic strip takes an offbeat view of the woodsy side of life. Find out for yourself why TUNDRA is one of the fastest-growing comic strips on the planet!

    This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

    Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel

    This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through.  Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.  Also included is the appendix, 'The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.

     Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.

    

    Nicht-exklusives Verkaufsrecht für: Gesamte Welt.

    Sixteen Candles, The Breakfast Club, Weird Science, Pretty in Pink, Ferris Bueller's Day Off, and Some Kind of Wonderful are timeless tales of love, angst, longing, and self-discovery that illuminated and assuaged the anxieties of an entire generation. Fondly nostalgic, filled with wit and surprising insights, don't you forget about me contains original essays from a skillfully chosen crop of novelists and essayists on the films' far-reaching effects on their own lives -- an irresistible read for anyone who came of age in the eighties (or just wishes they did). Featuring new writing from: Steve Almond * Julianna Baggott * Lisa Borders * Ryan Boudinot * T Cooper * Quinn Dalton * Emily Franklin * Lisa Gabriele * Tod Goldberg * Nina de Gramont * Tara Ison * Allison Lynn * John McNally * Dan Pope * Lewis Robinson * Ben Schrank * Elizabeth Searle * Mary Sullivan * Rebecca Wolff * Moon Unit Zappa