Segal fills his book with worthy stories...funny anecdotes and heart."-- Publishers Weekly "The stories are interesting, unexpected, and witty."-- Library Journal "Activist Mark Segal who was present at Stonewall and later went on to found the Philadelphia Gay News was a featured judge at Miss'd America and the recipient of a lifetime achievement award the night of the pageant. In his new Memoir And Then I Danced: Traveling the Road to LGBT Equality, he writes about how he was kicked off a television show in the 1970s called Summertime on the Pier because he was dancing with another man, but four decades later, he cut a rug with his husband Jason Villemez while the Marine Corps Band played Barbra Streisand at the White House's first ever Gay Pride reception hosted by President Obama."-- Huffington Post "A historic memoir, chronicling [Mark's] life in the LGBT political scene in Philadelphia....Segal also presents his personal and family life in a warm, engaging matter and this writing extends to his interactions with public figures."-- Huffington Post , Living History: Three Books to Find Yourself In"Much this book focuses on his work, but the more telling pages are filled with love gained and lost, raising other people's children, finding himself, and aging in the gay community. A must-read."-- The Advocate , 30 Best Books You Missed in 2015"A conversational, nicely constructed combination autobiography and history lesson that recounts Segal's contribution to LGBT activism, from his early days as a member of the Gay Liberation Front in New York to his stewardship of a successful weekly newspaper."-- Philadelphia Inquirer "Segal’s writing style is engrossing and never ponderous....And Then I Danced is highly recommended for all LGBT history collections and especially for readers with interest in Pennsylvania/Philadelphia politics."--ALA’s GLBT Round TableOn December 11, 1973, Mark Segal disrupted a live broadcast of the CBS Evening News when he sat on the desk directly between the camera and news anchor Walter Cronkite, yelling, "Gays protest CBS prejudice!" He was wrestled to the studio floor by the stagehands on live national television, thus ending LGBT invisibility. But this one victory left many more battles to fight, and creativity was required to find a way to challenge stereotypes surrounding the LGBT community. Mark Segal's job, as he saw it, was to show the nation who gay people are: our sons, daughters, fathers, and mothers.Because of activists like Mark Segal, whose life work is dramatically detailed in this poignant and important memoir, today there are openly LGBT people working in the White House and throughout corporate America. An entire community of gay world citizens is now finding the voice that they need to become visible.

    Richard Glaubman captures Dawson's irresistible voice and view of the world, offering insights into humanity, history, hardships, and happiness. From segregation and civil rights, to the wars, presidents, and defining moments in history, George Dawson's description and assessment of the last century inspires readers with the message that-through it all-has sustained him: "Life is so good. I do believe it's getting better."

    He found his tribe in New York's East Village, a neighborhood noted in the 1970s and '80s for drugs, blight, and a burgeoning art scene. His creativity spilled out in paintings, photographs, films, texts, installations, and in his life and its recounting-creating a sort of mythos around himself. His circle of East Village artists moved into the national spotlight just as the AIDS plague began its devastating advance, and as right-wing culture warriors reared their heads. As Wojnarowicz's reputation as an artist grew, so did his reputation as an agitator-because he dealt so openly with his homosexuality, so angrily with his circumstances as a Person With AIDS, and so fiercely with his would-be censors.Fire in the Belly is the untold story of a polarizing figure at a pivotal moment in American culture-and one of the most highly acclaimed biographies of the year.

    Major work from the American social worker, sociologist, philosopher and reformer, known in America as the "mother of social work."

    Will George lure her into assisted living? When hell freezes over. He can’t bring himself to force her from the home both treasure—the place where his father’s voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict: Betty, who speaks her mind but cannot quite reveal her heart, has never really accepted the fact that her son is gay.As these two unforgettable characters try to bring their different worlds together, Hodgman reveals the challenges of Betty’s life and his own struggle for self-respect, moving readers from their small town—crumbling but still colorful—to the star-studded corridors of Vanity Fair. Evocative of The End of Your Life Book Club and The Tender Bar, Hodgman’s New York Times bestselling debut is both an indelible portrait of a family and an exquisitely told tale of a prodigal son’s return.

    Cleaver writes in Soul on Ice, "I'm perfectly aware that I'm in prison, that I'm a Negro, that I've been a rapist, and that I have a Higher Uneducation." What Cleaver shows us, on the pages of this now classic autobiography, is how much he was a man.

    Growing up, he was the artsy son in the sporty family. At his all-boys high school and Catholic college, he was the closeted gay kid surrounded by crush-worthy straight guys. And in his twenties, in the middle of a disastrous career in advertising, he accidentally became an MTV VJ overnight when he finished second, naturally, in the Wanna Be a VJ contest, opening the door to fame, fortune, and celebrity—you know, almost.  In Party of One, Holmes tells the hilariously painful and painfully hilarious tales—in the vein of Rob Sheffield, Andy Cohen, and Paul Feig—of an outsider desperate to get in, of a misfit constantly changing shape, of a music geek who finally learns to accept himself. Structured around a mix of hits and deep cuts from the last four decades—from Bruce Springsteen's "Hungry Heart" and En Vogue's "Free Your Mind" to LCD Soundsystem’s “Losing My Edge” and Bleachers’ “I Wanna Get Better”—and punctuated with interludes like "So You've Had Your Heart Broken in the 1990s: A Playlist" and “Notes on (Jesse) Camp,” this book is for anyone who's ever felt like a square peg, especially those who have found their place in the world around a band, an album, or a song. It's a laugh-out-loud funny, deeply nostalgic story about never fitting in, never giving up, and letting good music guide the way.From the Hardcover edition.

    Yesterday I came here to live.” That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to “live deliberately” in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854.   But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau’s character and achievements, but, as Laura Dassow Walls writes, “Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided.” Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity.   Walls traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and “America was a family affair, earned by one generation and about to pass to the next.” By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated?   Drawing on Thoreau’s copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him.   “The Thoreau I sought was not in any book, so I wrote this one,” says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time.

    Yet such places did exist, and their histories tell amazing stories of survival and the struggle for acceptance and self-respect. When Ricardo J. Brown died in 1999, he left a compelling memoir of his youth and experiences as a young gay man in St. Paul. After being discharged from the navy for revealing his sexual orientation to a commanding officer in 1945, Brown returned to his hometown with a new self-awareness and a desire to find a group of people like himself. He discovered such a place in Kirmser's.A small neighborhood bar owned by a German immigrant couple in St. Paul's downtown, Kirmser's served working-class customers during daylight hours, but became an unofficial home to the gay men and lesbians who gathered there nightly in the years following World War II. The Evening Crowd at Kirmser's introduces us to often humorous but frequently tragic stories of those who would become the author's friends: Flaming Youth, a homely, sardonic man who carried the nickname from his younger years ironically into middle age; Bud York, the "All-American Boy," who seduced all with his wholesome good looks and confidence; Dickie Grant, a likable, gentle boy who is arrested for writing bad checks and is murdered while in prison; and Dale, the author's best friend, who suddenly loses his job of six years after an anonymous note informed his employer that he is gay.A revealing look at the origins of gay culture in a mid-sized city and among working-class people, The Evening Crowd at Kirmser's is destined to become a rare and unique classic.

    Written in vivid fragments that, like the pieces of a mosaic, come together into a glimmering whole, it shows us both the wild nature of grief and the intimate conversation that is love.From the Trade Paperback edition.

    A new, wide world opened for Francois — but one which also required him to make painful personal choices, and sacrifices.From New York to the Soviet Union, Berlin to California, Clemmons has performed for audiences around the world, and remains a beloved figure. Evocative and intimate, and buoyed by its author’s own vivacious, inimitable energy, Officer Clemmons chronicles a historical and enlightening life and career of a man who has brought joy to millions of adults and children, across generations and borders.

    Dylan's story—which is, sadly, not that unusual—has already received attention from such shows as 20/20, Dateline, Today, and Leeza. But his memoir, bound to become a classic, tells the story in a funny, ironic, unforgettable voice that "isn't all grim; Scholinski tells [his] story in beautifully evocative prose and mines [his] experiences for every last drop of ironic humor, determined to have the last laugh." (Time Out New York)

    As a television and film producer in the 1950s–1970s, hobnobbing with Humphrey Bogart and Natalie Wood, he found success and crushing failure in a pitiless Hollywood. As a Vanity Fair journalist covering the lives of the rich and powerful, he mesmerized readers with his detailed coverage of spectacular murder cases—O.J. Simpson, the Menendez brothers, Michael Skakel, Phil Spector, and Claus von Bülow. He had his own television show, Dominick Dunne's Power, Privilege, and Justic. His five best-selling novels, including The Two Mrs. Grenvilles, People Like Us, and An Inconvenient Woman, were inspired by real lives and scandals. The brother of John Gregory Dunne and brother-in-law of Joan Didion, he was a friend and confidante of many literary luminaries. Dunne also had the ear of some of the world's most famous women, among them Princess Diana, Nancy Reagan, Liz Smith, Barbara Walters, and Elizabeth Taylor.Dunne admitted to inventing himself, and it was that public persona he wrote about in his own memoir, The Way We Lived Then. Left out of that account, but brought to light here, were his intense rivalry with his brother John Gregory, the gay affairs and relationships he had throughout his marriage and beyond, and his fights with editors at Vanity Fair. Robert Hofler also reveals the painful rift in the family after the murder of Dominick's daughter, Dominique—compounded by his coverage of her killer's trial, which launched his career as a reporter.

    Blow mines the compelling poetry of the out-of-time African-American Louisiana town where he grew up -- a place where slavery's legacy felt astonishingly close, reverberating in the elders' stories and in the near-constant wash of violence.Blow's attachment to his mother -- a fiercely driven woman with five sons, brass knuckles in her glove box, a job plucking poultry at a nearby factory, a soon-to-be-ex husband, and a love of newspapers and learning -- cannot protect him from secret abuse at the hands of an older cousin. It's damage that triggers years of anger and searing self-questioning.Finally, Blow escapes to a nearby state university, where he joins a black fraternity after a passage of brutal hazing, and then enters a world of racial and sexual privilege that feels like everything he's ever needed and wanted, until he's called upon, himself, to become the one perpetuating the shocking abuse.A powerfully redemptive memoir that both fits the tradition of African-American storytelling from the South, and gives it an indelible new slant.

    policy on gays serving in the military, was repealed in September 2011, soldier Stephen Snyder-Hill (then Captain Hill) was serving in Iraq. Having endured years of this policy, which passively encouraged a culture of fear and secrecy for gay soldiers, Snyder-Hill submitted a video to a Republican primary debate (held two days after the repeal). In the video he asked for the Republicans’ thoughts regarding the repeal and their plans, if any, to extend spousal benefits to legally married gay and lesbian soldiers. His video was booed by the audience on national television. Soldier of Change captures not only the media frenzy that followed that moment, placing Snyder-Hill at the forefront of this modern civil rights movement, but also his twenty-year journey as a gay man in the army: from self-loathing to self-acceptance, to the most important battle of his life–protecting the disenfranchised. Since that time, Snyder-Hill has traveled the country with his husband, giving interviews on major news networks and speaking at universities, community centers, and pride parades, a champion of LGBT equality.