Setting out from Carthaginian-dominated Spain with a small army of select troops, he fought his way over the Pyrenees and crossed the Alps with elephants and a full baggage train. Theodore Dodge retraced this route from Carthage to Italy, paying particular attention to the famous crossing of the Alps, and wrote what remains unequalled as the most comprehensive and readable study of history's greatest general.

    The Enneads bring together Neoplatonism--mystic passion and ideas from Greek philosophy--together with striking variants of the Trinity and other central Christian doctrines, to produce a highly original synthesis.

    The personalities and events of Roman history have become part of the West's cultural lexicon, and Woolf provides brilliant retellings of each of these, from the war with Carthage to Octavian's victory over Cleopatra, from the height of territorial expansion under the emperors Trajan and Hadrian to the founding of Constantinople and the barbarian invasions which resulted in Rome's ultimate collapse. Throughout, Woolf carefully considers the conditions that made Rome's success possible and so durable, covering topics as diverse as ecology, slavery, and religion. Woolf also compares Rome to other ancient empires and to its many later imitators, bringing into vivid relief the Empire's most distinctive and enduring features.As Woolf demonstrates, nobody ever planned to create a state that would last more than a millennium and a half, yet Rome was able, in the end, to survive barbarian migrations, economic collapse and even the conflicts between a series of world religions that had grown up within its borders, in the process generating an image and a myth of empire that is apparently indestructible. Based on new research and compellingly told, this sweeping account promises to eclipse all previously published histories of the empire.

    Heath's translation of the thirteen books of Euclid's Elements. In keeping with Green Lion's design commitment, diagrams have been placed on every spread for convenient reference while working through the proofs; running heads on every page indicate both Euclid's book number and proposition numbers for that page; and adequate space for notes is allowed between propositions and around diagrams. The all-new index has built into it a glossary of Euclid's Greek terms.Heath's translation has stood the test of time, and, as one done by a renowned scholar of ancient mathematics, it can be relied upon not to have inadvertantly introduced modern concepts or nomenclature. We have excised the voluminous historical and scholarly commentary that swells the Dover edition to three volumes and impedes classroom use of the original text. The single volume is not only more convenient, but less expensive as well.

    Among those you'll investigate are the accounts of the creation of the world in Hesiod's Theogony and Ovid's Metamorphoses; the gods Zeus, Apollo, Demeter, Persephone, Hermes, Dionysos, and Aphrodite; the Greek heroes, Theseus and Heracles (Hercules in the Roman version); and the most famous of all classical myths, the Trojan War.Professor Vandiver anchors her presentation in some basics. What is a myth? Which societies use myths? What are some of the problems inherent in studying classical mythology? She also discusses the most influential 19th- and 20th-century thinking about myth's nature and function, including the psychological theories of Freud and Jung and the metaphysical approach of Joseph Campbell. You'll also consider the relationship between mythology and culture (such as the implications of the myth of Demeter, Persephone, and Hades for the Greek view of life, death, and marriage), the origins of classical mythology (including the similarities between the Theogony and Mesopotamian creation myths), and the dangers of probing for distant origins (for example, there's little evidence that a prehistoric "mother goddess" lies at the heart of mythology).Taking you from the surprising "truths" about the Minotaur to Ovid's impact on the works of William Shakespeare, these lectures make classical mythology fresh, absorbing, and often surprising.Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.©2000 The Teaching Company, LLC (P)2000 The Great Courses

    “Chattering Courtesans” is a series of short dialogues in which the amusing gossip of “kept women” gives rise to a discussion of more serious subjects such as love, sex, and marriage. Other comic dialogues in this volume show Lucian making fun of fanaticism and mocking pretension, hypocrisy, and the vanity of human wealth and power, while in “Diatribes” he targets a range of subjects, from scandal and money to death, in order to demonstrate the follies of contemporary life. Also included here is Lucian’s most famous work, True Histories, which inspired imaginary voyages, from More’s Utopia to Swift’s Gulliver’s Travels. First time in Penguin Classics Keith Sidwell's new translation captures Lucian's lively informal humor and rich variety of styles Introduction discusses the influence on Lucian of earlier Greek writers and philosophers, as well as Lucian's influence on later European culture Includes preface to each section, suggestions for further reading, explanatory notes, and a glossary of names

    Whether one is interested in literature or art, philosophy or law, mythology or science, intimate details of daily life or broad cultural and historical trends, the OCD is the first place to turn for clear, authoritative information on ancient culture. This newly revised and completely up-to-date third edition of this historic reference adequately reflects the recent expansion in the scholarship and scope of classical studies. Here, in over six thousand entries ranging from long articles to brief identifications, readers can find information on virtually any topic of interestathletics, bee-keeping, botany, magic, Roman law, religious rites, postal service, slavery, navigation, and the reckoning of time. The Dictionary profiles every major figure of Greece and Rome-and lesser known figures not found in other references-from Homer and Virgil, to Plato and Aristotle, to Julius Caesar and Alexander the Great. Readers will find entries on mythological and legendary figures, on major cities, famous buildings, and important geographical landmarks, and on legal, rhetorical, literary, and political terms and concepts, as well as extensive thematic articles that offer superb coverage of topics of interest to both scholars and general readers, exploring everything from medicine and mathematics to music, law, and marriage. With contributions and guidance from some of the finest classical scholars in the world, the Oxford Classical Dictionary has no equal in any language. It is the definitive summation of classical scholarship as it stands today. The Dictionary covers: politics, government, economy - from political figures to systems, terms and practices, histories of major states and empires, economic theory, agriculture, artisans and industry, trade and markets religion and mythology - deities and mythological creatures, beliefs and rituals, sanctuaries and sacred buildings, astrology and magic law and philosophy - from biographies of lawgivers and lawyers to legal terms and procedures, from major and minor philosophers to philosophical schools, terms, and concepts science and geography - scientists and scientific theory and practice, doctors and medicine, climate and landscape, natural disasters, regions and islands, cities and settlements, communications languages, literature, art, and architecture - languages and dialects, writers and literary terms and genres, orators and rhetorical theory and practice, drama and performance, art, painters and sculptors, architects, buildings and materials archaeology and historical writing - amphorae and pottery, shipwrecks and cemeteries, historians, and Greek and Roman historiography military history - generals, arms and armour, famous battles, attitudes to warfare social history, sex, and gender - women and the family, kinship, peasants and slaves, attitudes to sexuality

    A classic survey of Roman history, art, economic life, and religion through Constantine's rise to power.

    After the murder of her daughter Iphegenia by her husband Agamemnon, Klytaimestra exacts a mother’s revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra’s actions, Apollo calls on her son, Orestes, to avenge his father’s death with the help of his sister Elektra. In the end, Orestes, driven mad by the Furies for his bloody betrayal of family, and Elektra are condemned to death by the people of Argos, and must justify their actions—signaling a call to change in society, a shift from the capricious governing of the gods to the rule of manmade law.Carson’s accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. In addition to its accessibility, the wit and dazzling morbidity of her prose sheds new light on the saga for scholars. Anne Carson’s Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.

    Discourses and Selected Writings is a transcribed collection of informal lectures given by the philosopher around AD 108. A gateway into the life and mind of a great intellectual, it is also an important example of the usage of Koine or ?common? Greek, an ancestor to Standard Modern Greek.

    For these readers, Malcolm M. Willcock provides a line-by-line commentary that explains the many factual details, mythological allusions, and Homeric conventions that a student or general reader could not be expected to bring to an initial encounter with the Iliad.  The notes, which always relate to particular lines in the text, have as their prime aim the simple, factual explanation of things the inexperienced reader would be unlikely to have at his or her command (What is a hecatomb? Who is Atreus' son?). Second, they enhance an appreciation of the Iliad by illuminating epic style, Homer's methods of composition, the structure of the work, and the characterization of the major heroes. The "Homeric Question," concerning the origin and authorship of the Iliad, is also discussed. Professor Willcock's commentary is based on Richmond Lattimore's translation—regarded by many as the outstanding translation of the present generation—but it may be used profitably with other versions as well. This clearly written commentary, which includes an excellent select bibliography, will make one of the touchstones of Western literature accessible to a wider audience.—from the back cover

    He reminds us that while we shouldn't live in the past, we are wiser and stronger when we live with it' Bettany Hughes, Sunday Telegraph The Romans left a long-lasting legacy and their influence can still be seen all around us - from our calendar and coins, to our language and laws - but how much do we really know about them? Help is at hand in the form of Veni, Vidi, Vici, which tells the remarkable, and often surprising, story of the Romans and the most enduring empire in history. Fusing a lively and entertaining narrative with rigorous research, Veni, Vidi, Vici breaks down each major period into a series of concise nuggets that provide a fascinating commentary on every aspect of the Roman world - from plebs to personalities, sauces to sexuality, games to gladiators, poets to punishments, mosaics to medicine and Catullus to Christianity. Through the twists and turns of his 1250-year itinerary, Peter Jones is a friendly and clear-thinking guide. In this book he has produced a beguiling and entertaining introduction to the Romans, one that vividly brings to life the people who helped create the world we live in today.

    A murderer, and the most wicked woman in history.She kicked her way into the male spaces of politics and demanded to be recognized as an equal and a leader. For her audacity, she was murdered by her son and reviled by history.She was the sister, niece, wife, and mother of Emperors. She was an Empress in her own right, and she was a nuanced, fearless trail-blazer in the Roman world.The story of Agrippina -- the first Empress of Rome is the story of an empire at its bloody, extravagant, chaotic, ruthless height.

    When famed archaeologist Arthur Evans unearthed the ruins of a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece's Classical Age, he discovered a cache of ancient tablets, Europe's earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain a mystery. Award-winning New York Times journalist Margalit Fox's riveting real-life intellectual detective story travels from the Bronze Age Aegean--the era of Odysseus, Agamemnon, and Helen--to the turn of the 20th century and the work of charismatic English archeologist Arthur Evans, to the colorful personal stories of the decipherers. These include Michael Ventris, the brilliant amateur who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of the decipherment; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code.

    Its physical remains dot the landscape from Scotland to Syria. Its cities are still the great metropolises of the continent. Its law and institutions have shaped modern practice, and its ideal of a united Europe has haunted politicians ever since. Fully illustrated and featuring more than sixty full- colour maps, this atlas traces the rise and fall of the first great multinational state. It looks at its provinces and cities, its trade and economy, its armies and frontier defences; follows its foreign ward and internecine struggles; and charts its transformation into a Christian theocracy and its fall in 476.