These stories took the form of letters of remission, documents narrated to royal notaries by admitted offenders who, in effect, stated their case for pardon to the king. Thousands of such stories are found in French archives, providing precious evidence of the narrative skills and interpretive schemes of peasants and artisans as well as the well-born. This book, by one of the most acclaimed historians of our time, is a pioneering effort to us the tools of literary analysis to interpret archival texts: to show how people from different stations in life shaped the events of a crime into a story, and to compare their stories with those told by Renaissance authors not intended to judge the truth or falsity of the pardon narratives, but rather to refer to the techniques for crafting stories. A number of fascinating crime stories, often possessing Rabelaisian humor, are told in the course of the book, which consists of three long chapters. These chapters explore the French law of homicide, depictions of "hot anger" and self-defense, and the distinctive characteristics of women's stories of bloodshed. The book is illustrated with seven contemporary woodcuts and a facsimile of a letter of remission, with appendixes providing several other original documents. This volume is based on the Harry Camp Memorial Lectures given at Stanford University in 1986.

    This revelatory history ranges through art, architecture, gardening, literature, photography, filmmaking, music, and clothing design, and takes in artists and creations as various as Byron, Horace Walpole, Goya, Frankenstein's monster, Edgar Allan Poe, Jackson Pollock, David Lynch, The Terminator, and The Cure.

    This anthology of classic and cutting-edge statements in literary theory has now been updated to include recent influential texts in the areas of Ethnic Studies, Postcolonialism and International StudiesA definitive collection of classic statements in criticism and new theoretical work from the past few decades All the major schools and methods that make up the dynamic field of literary theory are represented, from Formalism to Postcolonialism Enables students to familiarise themselves with the most recent developments in literary theory and with the traditions from which these new theories derive

    Stories abound of absinthe's druglike sensations of mood lift and inspiration due to the presence of wormwood, its infamous "special" ingredient, which ultimately leads to delirium, homicidal mania, and death. Opening with the sensational 1905 Absinthe Murders, Phil Baker offers a cultural history of absinthe, from its modest origins as an herbal tonic through its luxuriantly morbid heyday in the late nineteenth century. Chronicling a fascinatingly lurid cast of historical characters who often died young, the absinthe scrapbook includes Paul Verlaine, Arthur Rimbaud, Charles Baudelaire, Oscar Wilde, Ernest Dowson, Aleister Crowley, Arthur Machen, August Strindberg, Alfred Jarry, Vincent van Gogh, Henri de Toulouse-Lautrec, Alphonse Allais, Ernest Hemingway, and Pablo Picasso. Along with discussing the rituals and modus operandi of absinthe drinking, Baker reveals the recently discovered pharmacology of how real absinthe actually works on the nervous system, and he tests the various real and fake absinthe products that are available overseas. The Book of Absinthe is a witty, erudite primer to the world's most notorious drink.

    The texts the author examines are viewed not as works of art embodying enduring themes, but as attempts to redefine the social order.

    In recent years, writers of all stripes—from Jhumpa Lahiri, Jennifer Egan, and Colson Whitehead to Nicole Krauss and Jonathan Safran Foer—have flocked to its patchwork of distinctive neighborhoods. But as literary critic and journalist Evan Hughes reveals, the rich literary life now flourishing in Brooklyn is part of a larger, fascinating history. With a dynamic mix of literary biography and urban history, Hughes takes us on a tour of Brooklyn past and present and reveals that hiding in Walt Whitman's Fort Greene Park, Hart Crane's Brooklyn Bridge, the raw Williamsburg of Henry Miller's youth, Truman Capote's famed house on Willow Street, and the contested streets of Jonathan Lethem's Boerum Hill is the story of more than a century of life in America's cities.Literary Brooklyn is a prismatic investigation into a rich literary inheritance, but most of all it's a deep look into the beloved borough, a place as diverse and captivating as the people who walk its streets and write its stories.

    Unabashedly provocative, with scholarship, insight and keen observation, Pearce strives to separate historical fact from fiction about the beloved Bard.Shakespeare is not only one of the greatest figures in human history, he is also one of the most controversial and one of the most elusive. He is famous and yet almost unknown. Who was he? What were his beliefs? Can we really understand his plays and his poetry if we don't know the man who wrote them?These are some of the questions that are asked and answered in this gripping and engaging study of the world's greatest ever poet. "The Quest for Shakespeare" claims that books about the Bard have got him totally wrong. They misread the man and misread the work. The true Shakespeare has eluded the grasp of the critics. Dealing with the facts of Shakespeare's life and times, Pearce's quest leads to the inescapable conclusion that Shakespeare was a believing Catholic living in very anti-Catholic times.Many of his friends and family were persecuted, and even executed, for their Catholic faith. And yet he seems to have avoided any notable persecution himself. How did he do this? How did he respond to the persecution of his friends and family? What did he say about the dreadful and intolerant times in which he found himself? "The Quest for Shakespeare" answers these questions in ways that will enlighten and astonish those who love Shakespeare's work, and that will shock and outrage many of his critics. This book is full of surprises for beginner and expert alike.

    A reexamination of the importance of the classics reminds readers of the contributions those early thinkers made to present-day society, including philosophy, theater, rhetoric, oratory, biology, zoology and other arts and sciences.

    Included are discussions of Jane Austen, George Sand, Colette, Simone Weil, and Virginia Woolf.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    An exploration of the ideas, groupings and the social tensions that shaped the transformation of life caused by the changes of modernity in art, science, politics and philosophy

    This volume reveals Eliot’s original ideas, cogent conclusions, and skill and grace in language. Edited and with an Introduction by Frank Kermode; Index. Published jointly with Farrar, Straus & Giroux.

    This child, so fresh and alive, yet so pitiable in her abuse at the hands of the novel's narrator, engendered outrage and sympathy alike, and has continued to do so ever since. Yet Lolita's image in the broader public consciousness has changed. No longer a little girl, Lolita has come to signify a precocious temptress, a cunning underage vixen who'll stop at nothing to get her man. How could this have happened? Chasing Lolita, published on the fiftieth anniversary of Lolita's American publication, is an essential contemporary companion to Vladimir Nabokov's great novel. It establishes who Lolita really was back in 1958, explores her predecessors of all stripes, and examines the multitude of movies, theatrical shows, literary spin-offs, artifacts, fashion, art, photography, and tabloid excesses that have distorted her identity and stolen her name. It considers not just the "Lolita effect" but shifting attitudes toward the always volatile mix of sex, children, and popular entertainment—from Victorian times to the present. And it also looks at some real-life cases of young girls who became the innocent victims of someone else’s obsession—unhappy sisters to one of the most affecting heroines in American fiction, and one of the most widely misunderstood.

    For Borges it is the tiger and the color red, for Cortázar a pair of amorous lions, and for an early Egyptian scribe the monarch butterfly that metamorphosed into the Key of Life. Ducornet names these powers The Deep Zoo. Her essays take us from the glorious bestiary of Aloys Zötl to Abu Ghraib, from the tree of life to Sade's Silling Castle, from The Epic of Gilgamesh to virtual reality. Says Ducornet, "To write with the irresistible ink of tigers and the uncaging of our own Deep Zoo, we need to be attentive and fearless—above all very curious—and all at the same time.""Ducornet’s skill at drawing unexpected connections, and her ability to move between outrage and meditativeness, are gripping to behold."— Star Tribune "This collection of essays meditates on art, mysticism, and more; it’ll leave a reader with plenty to ponder."— Vol. 1 Brooklyn "Rikki Ducornet's new collection The Deep Zoo is filled with smart and surprising essays that explore our connections to the world through art."— Largehearted Boy ““The Deep Zoo” acts as a kind of foundational text, a lens to view her work and the other essays through. . . Subversive at heart and acutely perceptive.”— Numero Cinq "Ducornet moves between these facets of human experience with otherworldly grace, creating surprising parallels and associations. . . The Deep Zoo is a testament to her acrobatic intelligence and unflinching curiosity. Ducornet not only trusts the subconscious, she celebrates and interrogates it."— The Heavy Feather “What struck me most about this collection, and what I am confident will pull me back to it again, is Ducornet’s obvious passion for life. She is . . .  attentive, fearless, and curious. And for a hundred pages we get to see how it feels to exist like that, what it’s like to think critically and still be open to the world.”— Cleaver Magazine “Rikki Ducornet is imagination’s emissary to this mundane world.”—Stephen Sparks, Green Apple Books on the Park"This book is like the secret at the heart of the world; I've put other books aside."—Anne Germanacos, author of TributePraise for Rikki Ducornet"A novelist whose vocabulary sweats with a kind of lyrical heat."— The New York Times "Linguistically explosive . . . one of the most interesting American writers around."— The Nation "Ducornet—surrealist, absurdist, pure anarchist at times—is one of our most accomplished writers, adept at seizing on the perfect details and writing with emotion and cool detachment simultaneously."—Jeff Vandermeer"A unique combination of the practical and fabulous, a woman equally alive to the possibilities of joy and the necessity of political responsibility, a creature—à la Shakespeare's Cleopatra—of 'infinite variety,' Ducornet is a writer of extraordinary power, in whose books 'rigor and imagination' (her watchwords) perform with the grace and daring of high-wire acrobats."—Laura Mullen, BOMB Magazine"The perversity, decadence, and even the depravity that Ducornet renders here feel explosively fresh because their sources are thought and emotion, not the body, and finally there's some pathos too."— The Boston Globe "Ducornet's skill at drawing unexpected connections, and her ability to move between outrage and meditativeness, are gripping to behold."—Tobias Carroll, Star Tribune"This collection of essays meditates on art, mysticism, and more; it'll leave a reader with plenty to ponder."— Vol. 1 Brooklyn "Rikki Ducornet's new collection The Deep Zoo is filled with smart and surprising essays that explore our connections to the world through art."— Largehearted Boy