Now, in Algernon, Charlie, and I, Keyes reveals his methods of creating fiction as well as the heartbreaks and joys of being published. With admirable insight he shares with readers, writers, teachers, and students the creative life behind his classic novel, included here in its original short-story form. All those who love stories, storytelling, and the remarkable characters of Charlie and Algernon will delight in accompanying their creator on this inspirational voyage of discovery.

    Groundbreaking in every way when first published, this book is a simple, straightforward, direct calculus text. It's popularity is directly due to its broad use of applications, the easy-to-understand writing style, and the wealth of examples and exercises which reinforce conceptualization of the subject matter. The author wrote this text with three objectives in mind. The first was to make the book more student-oriented by expanding discussions and providing more examples and figures to help clarify concepts. To further aid students, guidelines for solving problems were added in many sections of the text. The second objective was to stress the usefulness of calculus by means of modern applications of derivatives and integrals. The third objective, to make the text as accurate and error-free as possible, was accomplished by a careful examination of the exposition, combined with a thorough checking of each example and exercise.

    It is a chilling and all-too-real story about a routine Trans-Atlantic airline flight that suddenly turns absolutely insane. In the doomed airliner's cockpit, inside the passenger cabin and on the ground, a complex array of characters have been propelled at jet speed into a sudden and frantic race for survival."Captain" is about the individual and collective struggles of each of these men and women as they attempt to deal with and ultimately fight against the odds and circumstances that are stacked against them."Captain" is a novel that pits man against man while also pitting man against machine. It is a story about the need for human judgments, hard-learned experiences, gut feelings and unbridled perseverance in an effort to rise up against a world where the strict adherence to written rules, regulations and procedures have been accepted as the norm."Captain" is about the way real airline pilots think, feel and react, especially after those giant airliners that they've strapped themselves to have suddenly turned vicious and unpredictable.Author Nelson DeMille says of "Captain": After a long hiatus from writing, Captain Block rejoins the ranks of legendary pilots-turned-novelists such as Ernest K. Gann ("The High and the Mighty") and brings us "Captain" - one of the best aviation/adventure thrillers you will ever read."Captain" puts you in the cockpit, in the passenger cabin, and at airline headquarters with an intricate and intriguing array of characters. This novel is nothing short of the most frightening and heart-pounding Trans-Atlantic fliight since Charles Lindbergh's solo. Or will it turn out to be Amelia Earhart's tragic Pacific crossing?"Captain" is right up there with the best of the aviation thrillers; an edge of your seat story of what happens when something goes horribly wrong when there is no room for wrong. Captain Block knows his stuff, and it shows on every page. Welcome aboard.

    First published in 1935, it is still being read throughout the English-speaking world and has been widely translated. Hamlet has excited more curiosity and aroused more debate than any other play ever written. Is Hamlet really mad? Does he really see his father's ghost, or is it an illusion? Is the ghost good or bad? What does it all mean? Dover Wilson brings out the significance of each part of the complex action, against the background. His analysis of the play emphasises Shakespeare's dramatic art and shows how the play must be seen and heard to be understood. This is a readable, entertaining and scholarly book.

    The last, informal section of Due Considerations assembles more or less autobiographical pieces—reminiscences, friendly forewords, comments on the author’s own recent works, responses to probing questions.In between, many books are considered, some in introductions—to such classics as Walden, The Portrait of a Lady, and The Mabinogion—and many more in reviews, usually for The New Yorker. Ralph Waldo Emerson and the five Biblical books of Moses come in for appraisal, along with Uncle Tom’s Cabin and The Wizard of Oz. Contemporary American and English writers—Colson Whitehead, E. L. Doctorow, Don DeLillo, Norman Rush, William Trevor, A. S. Byatt, Muriel Spark, Ian McEwan—receive attentive and appreciative reviews, as do Rohinton Mistry, Salman Rushdie, Peter Carey, Margaret Atwood, Gabriel García Márquez, Haruki Murakami, Günter Grass, and Orhan Pamuk. In factual waters, Mr. Updike ponders the sinking of the Lusitania and the “unsinkable career” of Coco Chanel, the adventures of Lord Byron and Iris Murdoch, the sexual revolution and the advent of female Biblical scholars, and biographies of Robert Frost, Sinclair Lewis, Marcel Proust, and Søren Kierkegaard.Reading Due Considerations is like taking a cruise that calls at many ports with a witty, sensitive, and articulate guide aboard—a voyage not to be missed.

    Greg Carlisle, author of the landmark Wallace study Elegant Complexity, provides an introduction that sets the scene and speculates on the future of Wallace studies. Editor David Hering provides a provocative look at the triangular symbols in Infinite Jest. Adam Kelly explores the intriguing question of why Wallace is considered to be at the forefront of a new sincerity in American fiction. Thomas Tracey discusses trauma in Oblivion. Gregory Phipps examines Infinite Jest's John "No Relation" Wayne and the concept of the ideal athlete. Daniel Turnbull compares Wallace's Kenyon College commencement address to the ethics of Iris Murdoch. These 17 essays stem from the first ever academic conference devoted the work of David Foster Wallace. Held in Liverpool, England, in 2009, the conference sparked a worldwide discussion of the place of Wallace's work in academia and popular culture. Essential for all Wallace scholars, fans of Wallace's fiction and nonfiction will also find the collection full of insights that span Wallace's career. Yes, there are footnotes.

    Gordon Liddy offers his unabashedly politically incorrect view on America.

    She lives an amazing life. At least that's what she's led everyone to believe. Fancy goes to great lengths to keep up a facade of perfection, but when a series of unfortunate events rattles her world, everything begins to fall apart. She's always been taught to use what she's got to get what she wants but deep down inside Fancy knows there is truly more to her than just a beautiful face and perfect body. Will she abandon the superficial lifestyle she's come to know or succumb to the temptation of the almighty dollar? Fancy chronicles the life of a woman torn between the person she is and the person she wants to be. This iconic story will resonate with readers who, like Fancy, have battled issues within, as well as outside influences, while struggling to find themselves amidst a world of chaos. "This urban drama tells the all too familiar story of Fancy, a gorgeous tastemaker who has always used what she has to get what she wants. For today's women who struggle to keep up the illusion of their superficial lifestyles, Fancy hits home like no other." - Shabe Allah-Cleare, Source Magazine "I recently read Fancy by Vanna B. If you have not copped a copy, WHY? I absolutely love this book! With my busy schedule, I usually take a week to read a book. I read this book in two days. I couldn't put it down for anything." - Daja Marie Greer, Hype Magazine "The author did an excellent job the first go around with the potential to only climb in her career." - Readers With Attitude Book Club "Everything and everyone are not what they appear...Fancy experiences a series of dramas that inspires great change for her life." - Vanessa Irvin Morris, StreetLiterature.com "I loved that the main character was a Latina, however, every female can relate to this tale." - Bad Girl of Urban Lit

    A woman's journey ended at the altar. Professor Heilbrun notes that the diversity of women's lives now makes it possible for women to dare to choose their own scripts.

    . . as if that's the easiest thing in the world and praying through hard things doesn't feel like a high-risk undertaking. Jarrett Stevens has been helping people find language for prayer over the course of a few decades. He's discovered along the way that prayer is more straightforward than we make it out to be. With helpful starting practices to make prayer a more natural rhythm for your life, Jarrett helps you to find your voice when words of prayer are hard to come by, to settle into the silence when God seems quiet, and to bring all your cares and celebrations to God because He longs to walk with you in and through them.

    Try to write the truth. Try to get underneath all the sham, all the excuses, all the lies that you’ve been told. . . . If you’re gonna write fiction, you have to get right on down to it.""Harry Crews cannot refrain from storytelling. These conversations are blessed with countless insights into the creative process, fresh takes on old questions, and always, Crews’s stories: modern-day parables that tell us how it is to live, to work, and to hurt."--Jeff Baker, Oxford American"Harry Crews has indelible ways of approaching life and the craft of writing. This collection shows that he elevates both to a near-religious artform."--Matthew Teague, Oxford AmericanIn 26 interviews conducted between 1972 and 1997, novelist Harry Crews tells the truth--about why and how he writes, about the literary influences on his own work, about the writers he admires (or does not), about which of his own books he likes (or does not), about his fascination with so-called freaks, and about his love of blood sports. Crews reveals the tender side under his tough-guy image, discussing his beloved mother and his spiritual quest in a secular world.Crews also speaks frankly about his failed relationships, the role that writing played in them, and his personal struggles with alcohol and drugs and their impact on his life and work. Those seeking insights into his work will find them in these interviews. Those seeking to be entertained in Crewsian fashion will not be disappointed.Harry Crews on his tattoo and mohawk . . ."If you can’t get past my ‘too’--my tattoo--and my ‘do’--the way I got my hair cut--it’s only because you have decided there are certain things that can be done with hair and certain things that cannot be done with hair. And certain of them are right and proper and decent, and the rest indicate a warped, degenerate nature; therefore I am warped and degenerate. 'Cause I got my hair cut a different way, man? You gonna really live your life like that? What’s wrong with you?"On advice to young writers . . ."You have to go to considerable trouble to live differently from the way the world wants you to live. That’s what I’ve discovered about writing. The world doesn’t want you to do a damn thing. If you wait till you got time to write a novel or time to write a story or time to read the hundred thousands of books you should have already read--if you wait for the time, you’ll never do it. 'Cause there ain’t no time; world don’t want you to do that. World wants you to go to the zoo and eat cotton candy, preferably seven days a week."                                     On being "well-rounded" . . ."I never wanted to be well-rounded, and I do not admire well-rounded people nor their work. So far as I can see, nothing good in the world has ever been done by well-rounded people. The good work is done by people with jagged, broken edges, because those edges cut things and leave an imprint, a design." Harry Crews is the author of 23 books, including The Gospel Singer, Naked in Garden Hills, This Thing Don’t Lead to Heaven, Karate Is a Thing of the Spirit, Car, The Hawk Is Dying, The Gypsy’s Curse, A Feast of Snakes, A Childhood: The Biography of a Place, Blood and Grits, The Enthusiast, All We Need of Hell, The Knockout Artist, Body, Scar Lover, The Mulching of America, Celebration, and Florida Frenzy (UPF, 1982).Erik Bledsoe is an instructor of English and American studies at the University of Tennessee. He has published articles on southern writers and edited a special issue of the Southern Quarterly devoted to Crews. His 1997 interview with Harry Crews from that magazine is included in this collection.

    Fueled by Pastor Malachi Marble's fall from faith, which tumbles him into the late night world of Walmart.Author Rick Leland spent fourteen months working as a Walmart Overnight Stocker doing research for the book. Well, not purely for research."Actually I needed the money to live on," Leland said. "But I knew God was working something out in my life, as inspiration for Jesus at Walmart emerged even before my first night's work was over." Walk past the greeter; into the heart of Walmart with Malachi Marble. Grab a shopping cart. You'll need something to hang onto during this trip to Walmart like no other. And when you exit Jesus at Walmart, expect to leave a changed person.

    In space, you assume, you die. So when Aliens show up in the distant Kuiper Belt, out beyond Pluto, asking for a First Contact ‘chat’ with his crewmates on the comet hunting spaceship Uhuru, he warns his captain not to trust words but to get the heck away. His evolutionary biology studies have taught him that bright skin colors, shark-like teeth and talons mean these Aliens are star-traveling predators! But that violates the ‘feel good’ society promoted by Earth’s Unity government. A bloody fight ensues and Jack realizes these Aliens are keystone predators aiming to add Sol system to their home territory. Jack leads a battle to ensure Humans will never be slaves to Aliens. If someone has to die to make space safe for humanity, then those dying will be Aliens!

    Iris Murdoch discusses the tradition of philosophical, political and aesthetic thought that gives historical authenticity to Sartre’s achievement, while showing the ambiguities and dangers inherent in his position.

    P. Blackmur. In his prefaces, James tackles the great problems of fiction writing :character, plot, point of view, inspiration;and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, "criticism has never been more ambitious, nor more useful." As a guide not only to James's inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of his fiction and to aspiring writers.