In this exhilarating followup, Nafisi has written the book her fans have been waiting for: an impassioned, beguiling and utterly original tribute to the vital importance of fiction in a democratic society. What Reading Lolita in Tehran was for Iran, The Republic of Imagination is for America. Taking her cue from a challenge thrown to her in Seattle, where a skeptical reader told her that Americans don’t care about books the way they did back in Iran, she challenges those who say fiction has nothing to teach us. Blending memoir and polemic with close readings of her favorite American novels—from Huckleberry Finn to The Heart Is a Lonely Hunter—she invites us to join her as citizens of her "Republic of Imagination," a country where the villains are conformity and orthodoxy, and the only passport to entry is a free mind and a willingness to dream.

    100 Unhip albums contains mini-essays on a selection of the uncoolest (but musically superb) records ever released. From famous albums which have since become uncool such as Sgt. Peppers Lonely Hearts Club Band to unhip bands such as Status Quo and Queen who became crap at some point in the past few decades. Then there are the unfavoured folk, soul and jazz artists who are criminally overlooked in favour of bigger names and the downright obscure bands who put out superb records only to disappear without trace. Ian’s amusing and fact-drenched book is a must for anyone in need of new sounds to spice up their listening pleasure!

    As he spars with the goddess who is often bemused by his demands, Sen writes of the seven changes he thinks India needs most, from improving the teaching of humanities to abolishing Article 377. Humorous in tone, yet deeply serious in intent, A Wish a Day for a Week is a marvellous essay and an important blueprint for India’s development from one of our great thinkers.

    Drawing on sources as diverse as Dr. Seuss and Simone Weil, P. G. Wodehouse and Isaiah Berlin, Pulitzer Prize–winning critic Michael Dirda shows how the wit, wisdom, and enchantment of the written word informs and enriches nearly every aspect of life, from education and work to love and death.Organized by significant life events and abounding with quotations from great writers and thinkers, Book by Book showcases Dirda's capacious love for and understanding of books. Favoring showing as much as telling, Dirda draws us deeper into the classics, as well as lesser-known works of literature, history, and philosophy, always with an eye to how we might better understand our lives.

    A beautiful collection of poems from around the world selected by renowned anthologist Naomi Shihab Nye.This award-winning multicultural compilation of poetry introduces more than 125 poems from sixty-eight countries around the world, many translated into English for the first time, and offers glimpses of similarities across people despite cultural differences.

    Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power? The impulse to escape notice is not about complacent isolation or senseless conformity, but about maintaining identity, autonomy, and voice.In our networked and image-saturated lives, the notion of disappearing has never been more alluring. Today, we are relentlessly encouraged, even conditioned, to reveal, share, and promote ourselves. The pressure to be public comes not just from our peers, but from vast and pervasive technology companies that want to profit from patterns in our behavior. A lifelong student and observer of the natural world, Busch sets out to explore her own uneasiness with this arrangement, and what she senses is a widespread desire for a less scrutinized way of life--for invisibility. Writing in rich painterly detail about her own life, her family, and some of the world's most exotic and remote places, she savors the pleasures of being unseen. Discovering and dramatizing a wonderful range of ways of disappearing, from virtual reality goggles that trick the wearer into believing her body has disappeared to the way Virginia Woolf's Mrs. Dalloway finds a sense of affiliation with the world around her as she ages, Busch deliberates on subjects new and old with equal sensitivity and incisiveness.How to Disappear is a unique and exhilarating accomplishment, overturning the dangerous modern assumption that somehow fame and visibility equate to success and happiness. Busch presents a field guide to invisibility, reacquainting us with the merits of remaining inconspicuous, and finding genuine alternatives to a life of perpetual exposure. Accessing timeless truths in order to speak to our most urgent contemporary problems, she inspires us to develop a deeper appreciation for personal privacy in a vast and intrusive world.

    He had just published his first book of essays, Earth House Hold. A few years before, Wendell Berry left New York City for farmland in Port Royal, Kentucky, where he built a small studio and lived with his wife. Berry had just published Long-Legged House. These two founding members of the counterculture had yet to meet, but they knew each other’s work and soon began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor the impact they would have on one another.They exchanged more than 240 letters from 1973 to 2013, bringing out the best in each other as they grappled with faith and reason, discussed home and family, worried over the disintegration of community and commonwealth, and shared the details of the lives they’d chosen with their wives and children. None can be unaffected by the complexity of their relationship, the subtlety of their arguments, and the grace of their friendship. This is a book for the ages.

    Sweeping yet precise, moving from essential detail to bracing illustration, Steiner spans the entire history of philosophy in the West as it entwines with literature, finding that, as Sartre stated, in all philosophy there is “a hidden literary prose.”“The poetic genius of abstract thought,” Steiner believes, “is lit, is made audible. Argument, even analytic, has its drumbeat. It is made ode. What voices the closing movements of Hegel’s Phenomenology better than Edith Piaf’s non de non, a twofold negation which Hegel would have prized? This essay is an attempt to listen more closely.”

     Over the last three decades, Michiko Kakutani has been thinking and writing about the demise of objective truth in popular culture, academia, and contemporary politics. In The Death of Truth, she connects the dots to reveal the slow march of untruth up to our present moment, when Red State and Blue State America have little common ground, proven science is once more up for debate, and all opinions are held to be equally valid. (And, more often than not, rudely declared online.) The wisdom of the crowd has diminished the power of research and expertise, and we are each left clinging to the "facts" that best confirm our biases.With wit, erudition, and remarkable insight, Kakutani offers a provocative diagnosis of our current condition and presents a path forward for our truth-challenged times.

    The massage therapist who struggles to help a veteran who's biggest regret is tattooed in living detail across his back. The retired CIA operative, now a mother of two, who is still packing heat for the just-in-case scenario that has her trigger finger itching...With award-winning reportage, memoir, fiction and photography, Granta has illuminated the most complex issues of modern life through the refractory light of literature. Feel the sting of betrayal via new writing by Ben Marcus, Janine di Giovanni, Karen Russell, Samantha Harvey, Colin Robinson, Jennifer Vanderbes, Callan Wink, John Burnside and a host of others, including debut author Lauren Wilkinson, whose heroine moves through decades with the forward lean of Richard Yates and the grace of Garcia Marquez.

    These culminated in What is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered & rejected the idea that art reveals & reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire & even his own novels are condemned in the course of Tolstoy's impassioned & iconoclastic redefinition of art as a force for good, for the improvement of humankind.

    This work is the result of those requests. It is full of controversial claims, so be warned. I truly believe that if people follow the handful of principles in this short read, they will improve their health and change their lives.

     Stretching between these figures is a cast of artists, writers, and scientists--mostly women, mostly queer--whose public contribution has risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience, and appreciate the universe. Among them are the astronomer Maria Mitchell, who paved the way for women in science; the sculptor Harriet Hosmer, who did the same in art; the journalist and literary critic Margaret Fuller, who sparked the feminist movement; and the poet Emily Dickinson.Emanating from these lives are larger questions about the measure of a good life and what it means to leave a lasting mark of betterment on an imperfect world: Are achievement and acclaim enough for happiness? Is genius? Is love? Weaving through the narrative is a set of peripheral figures--Ralph Waldo Emerson, Charles Darwin, Elizabeth Barrett Browning, Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Walt Whitman--and a tapestry of themes spanning music, feminism, the history of science, the rise and decline of religion, and how the intersection of astronomy, poetry, and Transcendentalist philosophy fomented the environmental movement.

    In our ­fields, hedgerows and woodlands, our beaches, cities and parks, an almost imperceptible shift soon becomes a riot of sound and colour: winter ends, and life surges forth once more. Whether in town or country, we all share in this natural rhythm, in the joy and anticipation of the changing year.In prose and poetry both old and new, Spring mirrors the unfolding of the season, inviting us to see what’s around us with new eyes. Featuring original writing by Rob Cowen, Miriam Darlington and Stephen Moss, classic extracts from the work of George Orwell, Clare Leighton and H. E. Bates, and fresh new voices from across the UK, this is an original and inspiring collection of nature writing that brings the British springtime to life in all its vivid glory.“A book to live with and to love… features a wonderfully various array of poetry and prose, from Chaucer to the present day, that allows us to see the arrival and the passing of our most fecund season (and those who have written about it) in fresh and stimulating ways.” –- Matthew Adams, Independent‘[A] tremendous, soul-lifting collection … a profound evocation of what rejuvenation means to the winter-stunned psyche’—Lucy Jones, BBC Wildlife Magazine“The cover of this book is absolutely striking… I couldn't wait to look inside. It is so full of life… Full of perfectly mixed passages of the wonders of nature, this is a book I will turn to each year as the vivacious season of spring approaches.” –- The Book Magnet “A very lovely object … I was captivated by the writing. These were the words of people who wanted to share their experiences of the world around them; some of them wrote to inform, some of them wrote to celebrate, and of course the very best of them did both … There is nothing in it that doesn’t deserve its place, and I can think of nothing that should be there but isn’t. It would make a lovely Easter gift. It’s a book that I know I will enjoy revisiting.” –- Beyondedenrock.com“Everything about this book, from Lynn Hatzius’ gorgeous cover, to the rich cream of the pages, to the meticulously selected content is an invitation … to taste the Spring in the air, to hear the grasses grow, to lose yourself in a vast sky or to watch the farmers at work. The book, like a sparkling Spring stream swollen with meltwater, is just begging for you to dip in.” – Richard Littledale, blogger“An anthology edited by Melissa Harrison was never going to stick to [the] beaten track … important is her imaginative commissioning of new works and choice of previously published pieces. There are several refreshing novelties in this book … Serves to remind us that the future of nature writing – if we must use the label – is under no threat.” – Laurence Rose, thelongspring.comPraise for Summer"A remarkable anthology of abundance capturing both the physical wonders and the psychological enchantments of this glorious season, this book conjures summer in the senses as potently as a field of freshly cut hay. Featuring some of the greatest writers on landscape as well as fantastic new voices, it is a collection that will trigger the memory, evoke new places and people, and help you see afresh the preciousness and precariousness of our natural world." -- Rob Cowen, author of Common Ground“A delightful miscellany of reflections on that loveliest of seasons, summer – packed with insights and encounters with nature from a wide range of authors from Gilbert White and George Eliot to a bevy of young contemporary naturalists” — Stephen Moss, author of Wild Hares and Hummingbirds and Wild Kingdom: Bringing Back Britain’s Wildlife"This book will convince you that summertime is where we truly belong - not through overindulgence in nostalgia, but through realisation of our core values and roots. It will take you home" -- Matthew Oates, author of In Pursuit of Butterflies: A Fifty-year Affair “Lavishly capturing the nature of the season in all its slow, sensual splendour, Summer is a potent reminder of the riches that surround us, and a poignant evocation of all that we cannot bear to lose” – Sharon Blackie, author of If Women Rose Rooted and editor of Earthlines“[A] delicious antidote … a summer collection to wake up a tired imagination, like sunshine warming a plant to coax it into opening.” – Richard Littledale, blogger“I’ve been dipping in and out of this beautiful anthology for some time but didn’t want to post a review until I had read every entry. There are poems, extracts and essays spanning several centuries, so that there is something for every reader in this celebration of the season ... There’s a beauty to this book – from the glorious cover to the simple illustrations like that of the swallow that adorn the inside pages. The writings are all evocative, enlightening, entertaining or thought provoking ... I shall treasure it and return to it again and again ... A perfect gift for any lover of words or nature.” -- Linda’s Book Bag blog“Taken together, these pieces truly give the feeling of an English summer. The older writing is remarkably undated, which contributes to a sense of continuity across the centuries ... These are really rather lovely books. Summer is a perfect bedside companion to dip into as the days warm up. Impossible not to covet the whole four-season set.” – BookishBeck blog“There are so many lovely things that I could pull out from this book … I know that I will enjoy revisiting this beautifully produced anthology” -- Beyondedenrock.com