Million Dollar Bash tells for the first time the whole story of the Basement Tapes, recorded in summer 1967 when Bob Dylan's career was at a crossroads. Recovering from a mysterious motorcycle crash, he gathered together a few musician friends in Woodstock, New York, and informally recorded a bunch of songs intended to be heard by no one but themselves. Instead, they changed music forever. In this new book, musician and author Sid Griffin examines the recordings in detail, demonstrating on every page a musician's insight into the Basement Tapes, the men who recorded them, and the times in which they were made. Every Dylan fan needs this book.

    A cross between the Rolling Stones and the Sex Pistols, the Dolls became the link in the chain between them, offering a crash course in mischief, cross-dressing and anarchy, but like unheralded prophets of Biblical times they were cast aside until the world finally caught up.“Other people turned the New York Dolls into legends. We just went along for the ride.”

    What do Postman Pat, Tommy Cooper, Norman Wisdom and George Best have in common with being abandoned in a Costa Rican jungle after a severe bout of flatulence? Indeed, how are they also connected to trying to buy an Australian brewery just to get a beer, owning twenty-two cars, an American soccer team and a Swiss mail-order pornography company?The common feature is of course a certain Richard Wakeman.The Further Adventures of a Grumpy Old Rock Star takes you, the privileged reader, on a trip of absurd excess, a cultural car crash of side-splitting hilarity and an unforgettable glimpse (again) into the life of one of Britain's most legendary showmen, rock stars and all-time great raconteurs.

    In Daniel "Rudy" Ruettiger's only autobiography, go behind the scenes to experience the heartache, triumph, and glory through Rudy's own eyes, and learn details of the ten years it took to get the movie made. For the first time, the real Rudy shares his story of floundering through school with undiagnosed dyslexia and finding himself mixed up with a rough and rowdy crowd. "Football was my salvation in high school," Rudy believes, and while he dreamed of playing for Notre Dame, he never believed he was smart enough to make it to the elite group of higher education. A poignant and high-energy storyteller, Rudy details failures and pitfalls along the way. He explain""s the persistence and determination it took to get accepted to Notre Dame, to suit up and play for twenty-seven glorious seconds, and to see the dream of his movie become a reality. Rudy is truly a real-life testament to the old adage that it is not how many times you get knocked down, but how many times you get up again. He will motivate you to discover your own dreams and to them with unrelenting faith that anything is possible. ""

    Focusing primarily on six shows, Passion, Assassins, Into the Woods, Sunday in the Park with George, Sweeney Todd, and Pacific Overtures, Sondheim talks about his approaches to musicalizing characters and dramatic moments; how motifs and thematic material are created and used; how musical components like harmony, melody, and rhythm reflect character; the structuring of a score; the use of pastiche; and the practical aspects of collaboration. In addition, the book includes Sondheim's list of "Songs I wish I'd Written," his reasons behind some of those choices, and the messages he received from composers and lyricists whose songs were included on the list. An exhaustive Songlisting and a Discography follow, cataloging commercial recordings of Sondheim songs, vocal ranges, and publishing information for his songs and scores.

    But for Deborah Spungen, the mother of Nancy, who was stabbed to death at the Chelsea Hotel, it was both a relief and a tragedy. Here is the incredible story of an infant who never stopped screaming, a toddler who attacked people, a teenager addicted to drugs, violence, and easy sex, a daughter completely out of control--who almost destroyed her parents' marriage and the happiness of the rest of her family.

    A memoir of a remarkable rock-and-roll career from Glyn Johns, a Rock and Roll Hall of Fame producer and sound engineer whose resumé includes work with the Rolling Stones, the Beatles, Bob Dylan, the Who, the Clash, and many more.

    Eve Babitz was the ultimate factory girl, a pure product of LA.The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few.Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she’s since experienced a breakthrough. Now in her mid-seventies, she’s on the cusp of literary stardom and recognition as an essential—as the essential—LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so sheerly enjoyable as to be mistaken for simple entertainment.For Babitz, life was slow days, fast company until a freak fire in the 90s turned her into a recluse, living in a condo in West Hollywood, where Lili Anolik tracked her down in 2012. Anolik’s elegant and provocative new book is equal parts biography and detective story. It is also on dangerously intimate terms with its subject: artist, writer, muse, and one-woman zeitgeist, Eve Babitz.

    When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved--plaintive love poems, unbridled musings with youthful naiveté, and a vulnerability that she barely recognized. Before her passing, her fame as an author, actress, and pop-culture icon was indisputable, but in 1977, Carrie Fisher was just a teenager with an all-consuming crush on her costar, Harrison Ford.With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of all time--and what developed behind the scenes. Fisher also ponders the joys and insanity of celebrity, and the absurdity of a life spawned by Hollywood royalty, only to be surpassed by her own outer-space royalty. Laugh-out-loud hilarious and endlessly quotable, The Princess Diarist brims with the candor and introspection of a diary while offering shrewd insight into one of Hollywood's most beloved stars.

    Uncompromising and unapologetic, between her record-breaking, award-winning music and artistry, it's no surprise that she has become one of the biggest and most loved artists of her generation.Now in her first book -- a stunning visual narrative journey through her life -- Billie is ready to share more with her devoted audience for the first time, including hundreds of never-before-seen photos. This gorgeous book will capture the essence of Billie inside and out, offering readers personal glimpses into her childhood, her life on tour, and more. It will be a must-have for every fan.Published simultaneously with the book, Hachette will release a standalone audiobook of exclusive, unique content in which Billie reflects on her life. Including never-before-told stories and recollections from her personal life and career, from the early years to her breakout success andincluding memories shared by her parents, this is an audiobook like no other – providing a truly intimate window into her journey, in Billie’s own words.

    Neither an apology nor a condemnation, Kurt Cobain presents a vivid insider's view of the life and death of a man who galvanized a generation and gave birth to the "grunge" revolution with his band Nirvana. Sandford portrays the provocative, small-town rebel with the talent of John Lennon, and then shows him at work on concert stages in Seattle, New York, and London. Readers follow the struggles of Cobain's emotional life—his tumultuous relationships with family and his fellow band members, his drug addiction and sexual appetite, his stormy marriage to Courtney Love, and the birth of his daughter, who, as Cobain wrote in his suicide note, "reminds me too much of who I used to be." During his research, Sandford has had access to Cobain's family, his colleagues, his former friends and lovers, and even author William S. Burroughs, whom Cobain considered to be his "greatest influence." The result is a graphic account of the life that led to the day in April 1994 when Cobain turned a shotgun on himself and became a martyr to disaffected youth around the world.

    But that all changed when into these dazed and confused mid-'70s strut-ted four flamboyant bands that reveled in revved-up anthems and flaunted a novel theatricality. In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than forty years on.In the tradition of David Browne's Fire and Rain and Sheila Weller's Girls Like Us, They Just Seem a Little Weird seamlessly interweaves the narratives of KISS, Cheap Trick, and Aerosmith with that of Starz, a criminally neglected band whose fate may have been sealed by a shocking act of violence. This is also the story of how these distinctly American groups-three of them now enshrined in the Rock and Roll Hall of Fame-laid the foundation for two seemingly opposed rock genres: the hair metal of Poison, Skid Row, and Mötley Crüe and the grunge of Nirvana, Alice in Chains, and the Melvins. Deeply researched, and featuring more than 130 new interviews, this book is nothing less than a secret history of classic rock.

    The definitive biography of one of the most revered guitarists of his generation. Duane Allman brought white-hot intensity to his life, onstage, in the studio, and beyond. Skydog reveals the complete story of Duane Allman, from his early struggles and his session days, to the formation of the Allman Brothers Band and his tragic early death at age 24. Skydog also includes a comprehensive discography, a meticulously researched roundup of his studio and stage instruments, and a look at the continuing lives and careers of Allman's friends and bandmates.

    Author Mark Wilkerson interviewed Townshend himself and several of Townshend's friends and associates for this biography.

    Now, in his long-awaited Dancing With Myself, he delivers a lively, candid account of his journey to fame—including intimate and unapologetic details about his life’s highs and lows—all rendered with the in-your-face attitude and exuberance his fans have embraced. Idol brings to life the key events that shaped his life, his music, and his career, including his early childhood in England, his year at Sussex University, and his time spent hanging out with the Sex Pistols and as a member of punk bands Chelsea and Generation X.He shares outtakes from his wildly and unexpectedly successful solo career and stories behind his string of popular hits, including “White Wedding,” “Eyes Without a Face,” and “Rebel Yell,” which involved close collaboration with Steve Stevens and ultimately led to the creation of some of the most groundbreaking music videos ever seen.Featuring sixteen pages of full-color, behind-the-scenes photos, Dancing With Myself is both a tale of survival and a celebration of the heady days when punk was born—a compelling and satisfying insider’s tale from a man who made music history firsthand.Show more Show less