She’s used to being discussed like a problem, a problem her mother has finally passed on to her father. What she hasn’t gotten used to is her stepmother…especially when she finds out that she’ll have to spend the summer with April in the remote woods of Washington to restore a broken-down old house.Set deep in a dense forest, the old Carver House is filled with abandoned antique furniture, rich architectural details, and its own chilling past. The only respite Penny can find away from April’s renovations is in Miller, the young guy who runs the local general store. He’s her only chance at a normal, and enjoyable, summer.But Miller has his own connection to the Carver House, and it’s one that goes beyond the mysterious tapping Penny hears at her window, the handprints she finds smudging the glass panes, and the visions of children who beckon Penny to follow them into the dark woods. Miller’s past just might threaten to become the terror of Penny’s future….

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    His charm and sensitivity are irresistible. His attentiveness is constant. Cynda's sure she's in love. Daring to hope that the stranger shares her feelings, Cynda is innocently blind to who he really is--or to the terrible danger of coming under his spell.

    She has been dubbed “one of our most important writers,” (Junot Diaz), with “an imagination that most of us would kill for” (Los Angeles Times), and her work has been called “stunning,” (New York Times) “rich in voice, humor, and dazzling imagery” (Kirkus), and “simply triumphant” (Dorothy Allison).Falling in Love with Hominids presents over a dozen years of Hopkinson’s new, uncollected fiction, much of which has been unavailable in print. Her singular, vivid tales, which mix the modern with Afro-Caribbean folklore, are occupied by creatures unpredictable and strange: chickens that breathe fire, adults who eat children, and spirits that haunt shopping malls.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    Not to mention she's the family outcast, lacking her parents' innate abilities, and is terrified of the occult things lurking in their basement.Maxwell Oliver is supposed to be enjoying the summer before his senior year, spending his days thinking about parties and friends. Instead he's taking care of his little sister while his mom slowly becomes someone he doesn't recognize. Soon he suspects that what he thought was grief over his father's death might be something more...sinister.When Maxwell and Vera join forces, they come face to face with deeply disturbing true stories of cults, death worship, and the very nature that drives people to evil.

    From Bram Stoker to Stephenie Meyer and beyond, vampire stories are here to stay. For those fresh-blooded fans of paranormal romance or for those whose hunt and hunger never dies, these stories have what readers want!This collection of original tales comes from some of the hottest, most popular, and best-selling YA writers, including:• Holly Black (The Spiderwick Chronicles, Tithe)• Libba Bray (A Great and Terrible Beauty)• Melissa De La Cruz (Blue Blood)• Cassandra Clare (City of Bones)• Rachel Caine (Morganville Vampires)• Nancy Holder & Debbie Viguie (Wicked)• Cecil Castellucci (Boy Proof, Queen of Cool)• Kelley Armstrong (Women of Otherworld)• Maria V. Snyder• Sarah Rees Brennan• Lili St. Crow• Karen Mahoney• Dina JamesThey will make everyone a sucker for eternal kisses.

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?

    Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.”—Stephen King“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”—H.P. LovecraftThis is the collection that true fans of horror fiction must have: sixteen of H.P. Lovecraft’s most horrifying visions, including:The Call of Cthulu: The first story in the infamous Cthulhu mythos—a creature spawned in the stars brings a menace of unimaginable evil to threaten all mankind.The Dunwich Horror: An evil man’s desire to perform an unspeakable ritual leads him in search of the fabled text of The Necronomicon.The Colour Out of Space: A horror from the skies—far worse than any nuclear fallout—transforms a man into a monster.The Shadow Over Innsmouth: Rising from the depths of the sea, an unspeakable horror engulfs a quiet New England town.Plus twelve more terrifying tales!

    And that's a scary place to be.

    In fact, she never thought she would escape her small and peculiar hometown. When We Were Animals is Lumen's confessional: as a well-behaved and over-achieving teenager, she fell beneath the sway of her community's darkest, strangest secret. For one year, beginning at puberty, every resident "breaches" during the full moon. On these nights, adolescents run wild, destroying everything in their path.Lumen resists. Promising her father she will never breach, she investigates the mystery of her community's traditions and the stories erased from the town record. But the more we learn about the town's past, the more we realize that Lumen's memories are harboring secrets of their own.A gothic coming-of-age tale for modern times, When We Were Animals is a dark, provocative journey into the American heartland.

    Narrated by Derek.Facing Facts (short story set after The Reckoning), Tori discovers who her father is, and Chloe deals with a vengeful ghost. Narrated by Chloe. Appearing in Enthralled

    Stine comes The Haunting from four-time Edgar Allen Poe Young Adult Mystery Award winner Joan Lowery Nixon. The walls whisper. The ceilings shriek. No one can survive a night of terror inside Graymoss. The old plantation house has been in Lia’s family since the Civil War, but it’s been possessed for generations by a malicious spirit, and Lia’s family has always stayed far away. Now her parents have decided to move into Graymoss, and Lia must either change their minds or chase away the horror lurking inside the old house. Using clues from her great-great-grandmother’s diary and an old copy of Favorite Tales of Edgar Allan Poe, Lia must discover what—or who—the evil wants.

    But only in death could I confirm this ... So begins the haunting and captivating tale, set in 1935 China, of the ghost of a young woman named Leiyin, who watches her own funeral from above and wonders why she is being denied entry to the afterlife. Beside her are three souls—stern and scholarly yang; impulsive, romantic yin; and wise, shining hun—who will guide her toward understanding. She must, they tell her, make amends.As Leiyin delves back in time with the three souls to review her life, she sees the spoiled and privileged teenager she once was, a girl who is concerned with her own desires while China is fractured by civil war and social upheaval. At a party, she meets Hanchin, a captivating left-wing poet and translator, and instantly falls in love with him.When Leiyin defies her father to pursue Hanchin, she learns the harsh truth—that she is powerless over her fate. Her punishment for disobedience leads to exile, an unwanted marriage, a pregnancy, and, ultimately, her death. And when she discovers what she must do to be released from limbo into the afterlife, Leiyin realizes that the time for making amends is shorter than she thought.Suffused with history and literature, Three Souls is an epic tale of revenge and betrayal, forbidden love, and the price we are willing to pay for freedom.

    She was hoping the girl would not ask.Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap’s debut collection jumps right off the page, from the joy in her new novella, 'A Spell for Foolish Hearts' to the terrifying tension of the urban legend 'Have You Heard the One About Anamaria Marquez'.