The stories provide glimpses into the life of Don Henrik, a good man struck time and again by misfortune, as he confronts the crude realities of farming life. Over the course of these episodes we meet merciless entrepreneurs, hitmen, drug dealers and fallen angels, all wanting their piece of the pie. Told with precision and a stark beauty, in a style that recalls Hemingway, Trout, Belly Up is a unique ensemble of beguiling, disturbing stories set in the heart of the rural landscape in a country where violence is never far from the surface.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

    They stay with you like a significant memory.”—Roger Rosenblatt“Van Booy is a remarkable young writer. Taste, touch, smell, sight and sound, in spite of their evanescence, are frozen for a moment in these stories and celebrated, along with their subtle interconnection, in all the aspects of love.”—Fred VolkmerThe Secret Lives of People in Love is the first short story collection by award-winning writer Simon Van Booy. These stories, set in Kentucky, New York, Paris, Rome, and Greece, are a perfect synthesis of grace, intensity, atmosphere, and compassion. Love, loss, frailty, human contact, and isolation are Van Booy’s themes. In radiant prose he writes about the difficult choices we make in order to retain our humanity and about the redemptive power of love in a violent world.Born in London, Simon Van Booy grew up in Wales. A keen rugby player, he was recruited to play football for Campbellsville University in Kentucky. He eventually returned to England, where he graduated from Dartington College of Arts. Now a New Yorker, he teaches at the School of Visual Arts and in the Bard College Clemente Course. As a freelance journalist, he writes for several New York newspapers. He has won a first-place award for in-depth reporting from the New York Press Association.

    The 14 stories of The Dogs of Detroit each focus on grief and its many strange permutations. This grief alternately devolves into violence, silence, solitude, and utter isolation. In some cases, grief drives the stories as a strong, reactionary force, and yet in other stories, that grief evolves quietly over long stretches of time. Many of the stories also use grief as a prism to explore the beguiling bonds within families. The stories span a variety of geographies, both urban and rural, often considering collisions between the two.

    From the author of A Bell For Adano and Hiroshima comes this final collections of stories.

    But when people are pushed—by a coworker’s taunt, a face-to-face encounter with a woman in free fall from a bridge—cracks appear, revealing alienation, casual cruelty, madness, and above all a simultaneous hunger for and fear of the unknown.Daniel Orozco leads the reader through the hidden lives and moral philosophies of bridge painters, men housebound by obesity, office temps, and warehouse workers. He reveals the secret pleasures of late-night supermarket trips for cookie binges, exceptional data entry, and an exiled dictator’s occasional piss on the U.S. embassy. A love affair blooms between two officers in the impartially worded pages of a police blotter; a new employee’s first-day office tour includes descriptions of other workers’ most private thoughts and actions; during an earthquake, the consciousness of the entire state of California shakes free for examination.Orientation introduces a writer at the height of his powers, whose work surely invites us to reassess the landscape of American fiction.Orientation is a Kirkus Reviews Best of 2011 Short Story Collections title.

    These matchless short works, all unpublished during Kafka’s lifetime, range from the gleeful dialogue between a cat and a mouse in “Little Fable” to the absurd humor of “Investigations of a Dog,” from the elaborate waking nightmare of “Building the Great Wall of China” to the creeping unease of “The Burrow,” where a nameless creature’s labyrinthine hiding place turns into a trap of fear and paranoia.

    Mathews effortlessly weaves irresistible stories from a wide array of situations, as in "Airborne," in which a couple's obsession with a mold in their house causes them to tear it apart plank by plank.A worker in architectural salvage trying to two-time his boss by stealing a valuable antique, a father and his sons haggling over the family business during high-stakes rounds of golf, and a widow of the Bosnian conflict recalling her husband's demise and her dramatic escape are only a few of the warm and intimately revealed characters populating Mathews's enchanting collection.This Is Not a Love Song is proof positive that Mathews is every bit the expert minimalist that he was the boisterous maximalist, as each of these ten stories brings its world and its sympathetic characters to life with vivid detail, emotional precision, and winning humor.

    

    Annie is training to be an Anglican priest but as her mind wanders during theological discussions and doubts emerge about her choice of career, she plots and writes a highly sexed novel about a minister and his flighty girlfriend...

    Angela Morrison has it all. She’s married to a wealthy man, adores her son, grows orchids, and volunteers at Our Daily Bread Food Pantry. What more could she want? More — much more. And she’s willing to risk everything after meeting Carsten, the landscaper with the glacier-blue eyes. Sister Eileen, who runs Our Daily Bread Food Pantry, struggles with the silence of God and harbours a secret she believes is unforgivable. She yearns to convince Angela she is loved by God, despite her selfishness and destructive behaviour, but in order for that to be authentic Eileen must learn to love her first, and that’s no easy task — especially after Angela causes a terrible tragedy. Through the crucible of their relationship, Angela and Eileen discover how caring for the most difficult among us and practising forgiveness, no matter how painful, opens a door to the miracle of transformation.

    After a night out with his girlfriend in one of the country's remote provinces, he wakes to find himself in a pitch-black coffin—and quickly running out of oxygen. With only his cell phone and his own wits to rely on, it's a race against time to escape the claustrophobic death trap. SIX BULLETS The end of civilization arrived in the form of a giant asteroid thirteen months ago. For Burt James, a survivalist, it was not a complete surprise. He'd spent much of his adult life prepping for such a catastrophe. Consequently, while the majority of the population scoured the post-apocalyptic landscape for water and food, regressing into primitive killers, he bunkered down in his fortified hilltop home in a small town in the middle of the Australian Outback. But now he's out of food and down to his last six bullets, and he will have to make the most difficult choice of his life. THE MAILMAN Los Angeles, 1985. Never was the motto sex, drugs, and rock n’ roll more apt than the scene on the legendary Sunset Strip with the arrival of the underground Hollywood glam bands. While Mick Freeman, a record executive with a major label, works tirelessly to sign five toxic rockers whom he believes might flip the entire music world on its head, his wife, Jade, spends her days bored and alone at home, struggling with a midlife crisis that threatens to topple their twenty-year marriage. And then she meets the new mailman. Young and handsome, he sweeps her off her feet—straight into a nightmare the likes of which she could never have imagined. RE-ROLL In the near future, breathtakingly humanoid robots called Mechs are for sale, and they're designed to fulfill whatever role you want: husband, wife, best friend, slave. Manufacturers allow new owners one free "roll" to randomly determine their Mech's three leading characteristics. But as everybody knows, scoring your ideal traits is a crapshoot, though you can always re-roll—at a price.

    Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions, and scientifically grounded superpowers — a place where the absurd and the mundane are not merely bedfellows, but interbreed. At the core of Adam Marek’s much-anticipated second short story collection is a single, unifying theme: a parent’s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, that only the fantastically illogical can steel us against what ordinary life threatens. Bonus BackLit materials will include an interview and a list of Marek’s recommended books.

    Then, her only mission was to attend college, pursue her modeling career, and leave her past hurts behind. But when Carmen receives some startling news, she decides the time to make her final appearance has arrived; however, reemerging could open old wounds and the obstacle of facing the man she left behind presents the biggest challenge of them all. Dominic Johnson has long since put thoughts of Carmen Mitchell out of sight and out of mind. Circumstances would bring her back to Brunswick, but there was no repartee to be spoken to the woman who’d left him years ago without so much as a goodbye. It isn’t until Dominic gains a first-hand glimpse of Carmen that old memories spark and a detonation of what was, and what could be, set off a myriad of images in his mind. Now Dominic is faced with a battle that’s waging internally, to stay out of her way or to succumb to Carmen Mitchell, again.