He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.

    Hellstrom's Project 40 was a cover for a secret laboratory, a special team of agents was immediately dispatched to discover its true purpose and its weaknesses—it could not be allowed to continue. What they discovered was a nightmare more horrific and hideous than even their paranoid government minds could devise.First published in Galaxy magazine in 1973 as "Project 40," Frank Herbert's vivid imagination and brilliant view of nature and ecology have never been more evident than in this classic of science fiction.

    Enterprise, Commander William Riker and ship's counselor Deanna Troi had a tempestuous love affair on her home planet of Betazed. Now, their passions have cooled and they serve together as friends. Yet the memories of that time linger and Riker and Troi remain "Imzadi"—a powerful Betazoid term that describes the enduring bond they still share. During delicate negotiations with an aggressive race called the Sindareen, Deanna Troi mysteriously falls ill... and dies. But her death is only the beginning of the adventure for Commander Riker—an adventure that will take him across time, pit him against one of his closest friends, and force him to choose between Starfleet's strictest rule and the one he calls "Imzadi."

    Kids, including her brother Stephen, have logged into the net, and cannot escape. Clues point to a mysterious golden city called Otherland, but investigators all end up dead.

    His mother was born on Venus and his father on Earth, and Don himself was born on a spaceship in trajectory between planets. And he fights for the rights of this curious citizenship in very curious ways. Heinlein reveals in a dashing fast-moving style what can happen when politics - on an interplanetary scale - disregard the liberty of the individual. In the end, only the remarkable scientist-dragons of a rebellious Mars can resolve the conflict within a man who cannot live without the society that he knows is killing him.

    "Confused today," read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.Her childhood, her years at Oxford during the Second World War—those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world.

    . . But hordes of selfish, short-sighted magicians have used up the mana that moved the world, and the magic goes away. Even the most powerful spells are fast becoming futile, and so Orolandes, sad Achaean with half a sword, goes on a quest in search of the lost power. But all the gods and Fair Atlantis are dead. The creatures of spirit, the unicorns and centaurs, are dying. Soon all the sparkling things will be gone from the world and only clay will remain -- and those damned stupid barbarians with their damned stupid swords will win after all...Interior black and white drawings by Esteban Maroto

    Where the grass is purple, the trees are orange, and the huge and dangerous sentient Cha'Meech lizards roam the landscape.Idres Warkannan and his companions seek to find the only man who can redeem their Islamic civilization from its despotic ruler and restore justice to the population. Zayn Hassan, refugee from the despot's service, finds himself living among the tribes of the "comnee," where Healer and Spirit Rider Ammadin, seeing the dangers all around her, is beginning to doubt the gods who are her only protection. To save herself and her people, Ammadin journeys eastward into war, intrigue, and adventure - and finds more than she bargained for on all counts.

    Determined to keep humanity cowed, the Tyr have culled from the captive population the most intelligent, the most curious, the most likely to foment rebellion, and banished them from Earth. As the memory of freedom recedes, humanity sinks into a lethargic subservience. Daetrin, the hero of this tale, is a vampire--not a monster, however, but a man, nearly immortal, who embodies the vanished virtues of a once-sovereign Earth. When his existence is exposed by the Tyr, who are appalled to find a human who witnessed the Conquest, they immediately ship him offworld. Thus begins a journey of self-discovery as Daetrin is forced by adversity to come to grips with the long-suppressed side of his nature and to confront the ancient horror of a bloody heritage.

    Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity's ancestral habitat. She's spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.

    At the end of the long battle, one Valkyrie survived, wounded, and one valraven – the steeds of the valkyrie.Because they lived, Valdyrgard was not wholly destroyed. Because the valraven was transformed in the last miracle offered to a Child of the Light, Valdyrgard was changed to a world where magic and technology worked hand in hand.2500 years later, Muire is in the last city on the dying planet, where the Technomancer rules what’s left of humanity. She's caught sight of someone she has not seen since the Last Battle:  Mingan the Wolf is hunting in her city.

    Guns to Guatemala. For the men and women of Shorn Associates, opportunity is calling. In the superheated global village of the near future, big money is made by finding the right little war and supporting one side against the other–in exchange for a share of the spoils. To succeed, Shorn uses a new kind of corporate gladiator: sharp-suited, hard-driving gunslingers who operate armored vehicles and follow a Samurai code. And Chris Faulkner is just the man for the job.He fought his way out of London’s zone of destitution. And his kills are making him famous. But unlike his best friend and competitor at Shorn, Faulkner has a side that outsiders cannot see: the side his wife is trying to salvage, that another woman–a porn star turned TV news reporter–is trying to exploit. Steeped in blood, eyed by common criminals looking for a shot at fame, Faulkner is living on borrowed time. Until he’s given one last shot at getting out alive. . . .

    She was sentenced to the Underworld prison. Now, a new age band, led by a psychic pianist and a masked woman called the Queen of Hearts, arrives at the prison to perform. And Terra's vision is moving closer, changing all their lives forever.

    Dick creates a novel that manages to be simultaneously unpredictable and perversely logical. Poor Pete Garden has just lost Berkeley. He's also lost his wife, but he'll get a new one as soon as he rolls a three. It's all part of the rules of Bluff, the game that's become a blinding obsession for the last inhabitants of the planet Earth. But the rules are about to change--drastically and terminally--because Pete Garden will be playing his next game against an opponent who isn't even human, for stakes that are a lot higher than Berkeley.

    Smart, dedicated, gorgeous, and, thanks to her last movie before she hung up on Hollywood, rich, she's a pleasure to oblige when she says Rob has to witness this channeler Ariaura's act--on her, not the Eye's, nickel--despite channelers being so last year. It's quite a show, all right, for in the midst of Ariaura's particular ancient wise guy's basso spiel, a gravelly baritone interrupts (both voices emanate from the channeler's female mouth) to berate the audience as "yaps" and the act as "claptrap." Why is Ariaura undermining herself? Or is she? After all, she angrily accuses Rob and Kildy of scheming to destroy her. Could the baritone belong to a genuine channeled spirit? Willis, one of sf's most spirited writers, rounds on the New Age; pays tribute to a great, skeptical journalist; and affectionately parodies pulp fiction at its best in this irresistible entertainment.