It all began one horrific night in 1993, when Arab raiders swept through her Nuba village, murdering the adults and rounding up thirty-one children, including Mende. Mende was sold to a wealthy Arab family who lived in Sudan's capital city, Khartoum. So began her dark years of enslavement. Her Arab owners called her "Yebit," or "black slave." She called them "master." She was subjected to appalling physical, sexual, and mental abuse. She slept in a shed and ate the family leftovers like a dog. She had no rights, no freedom, and no life of her own. Normally, Mende's story never would have come to light. But seven years after she was seized and sold into slavery, she was sent to work for another master—a diplomat working in the United Kingdom. In London, she managed to make contact with other Sudanese, who took pity on her. In September 2000, she made a dramatic break for freedom.Slave is a story almost beyond belief. It depicts the strength and dignity of the Nuba tribe. It recounts the savage way in which the Nuba and their ancient culture are being destroyed by a secret modern-day trade in slaves. Most of all, it is a remarkable testimony to one young woman's unbreakable spirit and tremendous courage.

    He could be any man, any respectable, ordinary man.But he's not.This man watches the five Herbert girls—Beauty, Mim, Stevie, Fancy, and Autumn—with disturbing fascination.Unaware of his scrutiny and his increasingly agitated and forbidden thoughts about them, the sisters go on with their ordinary everyday lives—planning, arguing, laughing, and crying—as if nothing bad could ever breach the safety of their family.In alternating points of view, Norma Fox Mazer manages to interweave the lives of predator and prey in this unforgettable psychological thriller.

    Even when they no longer lived in the same foster family, even after he'd aged out of the system, he'd continued look out for the one person who got under his skin and made him care. For the last six years, Mia's been keeping her head down, putting one foot in front of the other, unable to trust anyone with her secrets—including the foster brother who's been the one bright spot in her life, as well as her secret crush. Just one more day until Mia turns eighteen—a legal adult. Brax doesn't trust her foster father and wants her out of that house. Is proposing a marriage of convenience to your best friend a little drastic? Maybe so. But what Brax feels is so far beyond friendship. Is it possible Mia feels it, too?

    Back then, it was par for the course, the situation attracting only gossip and disapproval, but of course everyone was too busy to intervene..." December, 1987. Single mother Christine Stephenson watches with envy as the Birthday boy opens his present. A Fabled Four action figure. Her special son is obsessed with The Fabled Four but how could she possibly afford such a gift? Not that he deserved it. Wesley simply couldn't behave. She'd find a way, being such a good parent.

    . . A genuinely important book that casts the problem of sex trafficking in America into stunning, heartbreaking relief.” (Kirkus Reviews)  A School Library Journal Best Adult Book for TeensA Joan F. Kaywell Award Finalist from the Florida Council of Teachers of English   Carissa Phelps was a runner. By the time she was twelve, she had run away from home, dropped out of school, and fled blindly into the arms of a brutal pimp. Even when she escaped him, she could not outrun the crushing inner pain of abuse, neglect, and abandonment. With little to hope for, she expected to end up in prison, or worse. But then her life was transformed through the unexpected kindness of a teacher and a counselor. Through small miracles, Carissa accomplished the unimaginable, graduating from UCLA with both a law degree and an MBA. She left the streets behind, yet found herself back, this time working to help homeless and at-risk youth discover their own paths to a better life. Like the multimillion-copy bestseller The Glass Castle, this memoir moves us through the power of its unflinching candor and generosity.

    Finding love while in foster care, and having it stripped away from her by an adoption that turned into abuse. From neglect to abuse this little hero survived it all. She learned to become an emotionless child, to live another day, ultimately to tell her story. A story stained with tears and filled with heart ache.

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

    Her parents—an abusive, close-minded father and a detached alcoholic mother—raised Mara to be like all the other girls in Barnaby: God-fearing, churchgoing, and straight. Mara wants nothing to do with any of it. She feels most at home with her best friend and older brother, Iggy, but Iggy hasn’t been the same since their father beat him and put him in the hospital with a concussion.As Mara’s mother feeds her denial with bourbon and Iggy struggles with his own demons, Mara finds an escape with her classmate Xylia. A San Francisco transplant, Xylia is everything Mara dreams of being: free-spirited, open, wild. The closer Mara and Xylia become, the more Mara feels for her—even though their growing relationship is very much forbidden in Barnaby. Just as Mara begins to live a life she’s only imagined, the girls’ secret is threatened with exposure and Mara’s world is thrown into chaos.Mara knows she can't live without Xylia, but can she live with an entire town who believes she is an abomination worse than the gravest sin?

    She's interviewed many of the biggest names in entertainment -- Jennifer Lopez, Whitney Houston, and Queen Latifah among them -- and is known for her ability to disarm and get them to reveal their secrets. Known as both a "shock jock diva" and "the biggest mouth in New York," Wendy Williams is always at the top of her game, whether she's doing color commentary for the VH1 Fashion Awards or giving romantic advice on her daily drive-time show. But there's more to the Queen of Urban Radio than meets the mike. Wendy's Got the Heat is her story -- about growing up in a predominately white suburb, recovering from drug addiction, struggling to launch a successful career in one of the most male-dominated media industries -- and it's by turns painful, hilarious, triumphant, and totally true.

     The second of Kate Skylark's co-written true child abuse stories. Steve Gilbert is a charming, clever man. Lucy is his ten-year-old daughter. Lucy loves him to bits, just as all little girls love their daddies and she is delighted to hear he has organised a special party for her. After all, little girls love parties. But Steve Gilbert is also a sociopathic, manipulative sexual predator. Brainwashed into accepting her father’s twisted view of the world, Lucy trusts him implicitly. Daddy will keep her safe; he will keep her happy. Daddy would never betray his little girl, would he? But as time goes on, Steve Gilbert’s evil manipulations escalate and following a shocking string of events, Lucy’s innocent young life turns from simple happy childhood to an abusive nightmare. Only one person can save her now. Lucy Gilbert and Kate Skylark are friends and confidants. They wrote this book together to help raise money to help children in danger. For every book sold or borrowed, a donation will be made to the NSPCC WARNING: This book is based upon a true account of child abuse, and as such contains passages that some readers may find disturbing.

    This is my story of how a paedophile entered my life, home and family when I was six years old.I highlight how he attempted to break my mind, soul and spirit for his total control over me, and how I fought for my sanity, survival and freedom against his evil and constant onslaught of abuse.I was Marie; now I'm Jes.“Even when I die, I'll come back to haunt you.”It's time for Jes to bury Marie's ghosts forever.Six-year-old Marie finds her world has changed and become one of confusion, deceit and abuse.No longer called by her birth name, she is unaffectionately referred to as Scrag - a shortened version of Scraggy-knickered-nut-rag.Her will to survive manifests quite bizarre tactics, as she deviates off course into a childhood of insanity, paranoia, glue-sniffing, self-harming and messages from David Bowie ringing through her ears.Her mind contrives strategies to cope with the continued onslaught that it seems destined to endure.Adulthood is her escape route if she can survive the wait, but can demons be truly locked away in the past forever?This is the story of one child's mind at the mercy of a real life monster.

    Two loving parents, a beautiful home, and grandparents that doted on her. Life was a dream until the day that changed everything. Sparrow's perfect life was ripped away at age three in one tragic moment that would forever change her. Follow her on her journey as she tells the story of her traumatic childhood and how she fought hard to stay strong despite her circumstances. In Riding Standing Up, Spaulding’s compelling storytelling will have you on the edge of your seat. Get ready to laugh out loud and cry more tears than you’d like as you follow her on her journey to empowerment, never knowing what’s around the corner. Brutally honest, truth-teller Sparrow Spaulding has been an unsung antiheroine…until now. She shows us we don’t have to be perfect to be worthy and that there’s power in being real.

    Kerry Stokes is a remarkable Australian. Not because he is one of this country's wealthiest and most powerful people but because of what he overcame to get there and because he has endured when others didn't. He is the last mogul. His rise has intrigued the business world for decades but there is so much more to him than takeover targets and balance sheets. Behind the laconic front is a human story as tough and touching as a Dickens tale: Oliver Twist with great self-expectations. It is the story of a poor boy who stared down poverty, ignorance and the stigma of his birth to achieve great wealth and fulfilment. A compelling story that, until now, he has not told. Now he oversees a multi-billion dollar media, machinery and property empire. He is renowned for his art collection and for philanthropy, spending millions of dollars to buy Victoria Crosses from soldiers' families to donate to the Australian War Memorial. But he's a private man. A man apart. He made his name in the West but kept his distance from the buccaneering band of entrepreneurs who forged fabulous fortunes in Perth from the 1960s until the 1987 crash. Bond went to jail, Holmes a Court died; Connell did both. Lesser lights flickered and faded but Stokes grew stronger, becoming a player alongside Murdoch, Packer and Lowy. His story fascinates all the more because he has spent most of his life guarding it. But now he's telling it, to one of Australia's great storytellers. This book will tell his story, scars and all.

    I've been called apostate, vigilante, and crazy bitch, and maybe I am. But some people call me a hero, and I'd like to think they're right too. If I am a hero, maybe it's because every time I can play a part in saving a child or a woman from a life of servitude and degradation, I'm saving a little piece of me, too.I was one of twenty-eight children born to my dad and his three wives. Indoctrinated to believe that the outside world was evil, and that I resided among the righteous, I was destined to marry a man chosen for me by the Prophet. I would then live in harmony with my sister-wives, bear many children, and obey and serve my future husband in this life and throughout eternity. But my innocence didn't last long. While still a child, I understood that the church of the righteous was nothing but a church of lies.When I was eight years old my father sexually molested me for the first time, raping me when I was twelve. I tried to kill myself. Beaten, molested, taunted, and abused by family members alleging they only wanted to save my soul became a daily routine, I ran from this abuse more than once in my early teens--even attempting to cross the desert on foot. My family hunted me down. I thought government agencies would provide me safety if I reported my father. Instead, police and social services colluded with the FLDS to return me to my family and I ended up back inside polygamy, right where I started."Flora goes on from there to tell the dramatic true story of how she ultimately escaped and has been fighting against frustrating obstacles with hard fought successes in rescuing women and children from the FLDS. It's a story you can't put down.

    Barbara Robinette Moss was the fourth in a family of eight children raised in the red-clay hills of Alabama. Their wild-eyed, alcoholic father was a charismatic and irrationally proud man who, when sober, captured his children's timid awe, but when (more often) drunk, roused them from bed for severe punishment or bizarre all-night poker games. Their mother was their angel: erudite and stalwart -- her only sin her inability to leave her husband for the sake of the children. Unlike the rest of her family, Barbara bore the scars of this abuse and neglect on the outside as well as the inside. As a result of childhood malnutrition and a complete lack of medical and dental care, the bones in her face grew abnormally ("like a thin pine tree"), and she ended up with what she calls "a twisted, mummy face." Barbara's memoir brings us deep into not only the world of Southern poverty and alcoholic child abuse but also the consciousness of one who is physically frail and awkward, relating how one girl's debilitating sense of her own physical appearance is ultimately saved by her faith in the transformative powers of artistic beauty: painting and writing. From early on and with little encouragement from the world, Barbara embodied the fiery determination to change her fate and achieve a life defined by beauty. At age seven, she announced to the world that she would become an artist -- and so she did. Nightly, she prayed to become attractive, to be changed into "Zeus's daughter," the goddess of beauty, and when her prayers weren't answered, she did it herself, raising the money for years of braces followed by facial surgery. Growing up "so ugly," she felt the family's disgrace all the more acutely, but the result has been a keenly developed appreciation for beauty -- physical and artistic -- the evidence of which can be seen in her writing. Despite the deprivation, the lingering image from this memoir is not of self-pity but of the incredible bond between these eight siblings: the raucous, childish fun they had together, the making-do, and the total devotion to their desperate mother, who absorbed most of the father's blows for them and who plied them with art and poetry in place of balanced meals. Gracefully and intelligently woven in layers of flashback, the persistent strength of Barbara Moss's memoir is itself a testament to the nearly lifesaving appreciation for literature that was her mother's greatest gift to her children.