They slayed demons and protected their devotees fiercely. From Parvati to Ashokasundari and from Bhamati to Mandodari, this collection features enchanting and fearless women who frequently led wars on behalf of the gods, were the backbone of their families and makers of their own destinies.India's much-loved and bestselling author Sudha Murty takes you on an empowering journey-through the yarns forgotten in time-abounding with remarkable women who will remind you of the strong female influences in your life.

    Discover the principal characters of the Mahabharata and their family trees, and understand key moments from the birth of Pandavas and Kauravas to the death of the elders.Know the Mahabharata with this beautiful retelling of India's greatest epic.

    The Solar tribes are without a ruler, and the return to Aryavarta has resulted in a confederation where hitherto there was a united clan-hood. Rakshasas, Gandharvas and Yakshas threaten the nascent cities of Aryavarta, and if their rise is not checked the Solar tribes may lose all they have gained.And thus rises Ikshvaku, the son of Manu and descendant of Surya. He forms Aryavarta’s first Kingdom and unites the Solar strength against the Anaryas- Rakshasas, Gandharvas and Yakshas.But the Seal of Surya is still missing, and Ikshvaku will need to find it to put his claim and authority beyond all doubt. This is the tale of Aryavarta’s first dynasty, the Suryavansha, and its first King- Ikshvaku Manava.

    Men of peace are spreading the message of the Buddha even as monks are being tortured in the dungeons of Pataliputra. In Magadha, all talk is about the impending war against Kalinga. While King Ashoka plots the movements of his ships and cavalry, Queen Asandhimitra broods over the growing unrest in the kingdom. There is only one man they can both trust to take them through this period of uncertainty and looming danger: the enigmatically named Brahmin, skilful spymaster and custodian of Magadha’s best-kept secrets. Lush with historical detail and unforgettable characters, The Brahmin is an intricately plotted novel that seeks to recreate a near-mythical period in India’s past.

    The Mughal Emperor Akbar is at the height of his power, seemingly invincible. But twenty years of war have earned him many enemies, and rebellion is brewing, led by Asaf Baig, the tyrannical ruler of Khandesh. Baig has stumbled upon the knowledge that the fabulous lost treasure of Malik Kafur, that will guarantee victory to Akbar’s enemies, is known to an old woman called Ambu.Baig Kidnaps Ambu to wrest the knowledge of the treasure from her; but her twenty-year-old grandson, Dattatreya, escapes and flees across Hindustan to enlist the help of the one person who has the most reason to stop Baig – the Mughal Emperor himself.Staying one step ahead of capture and death, Datta is swept up in a world of kings and warrior princesses, of uncommon friendships and an implacable evil; and a desperate race against time to save his grandmother – and the Empire.Aroon Raman, national bestselling author of The Shadow Throne now brings us a riveting saga of action and adventure set in Mughal India.

    The usually venerated characters of this ancient Indian epic are here subjected to a rational enquiry that places them in context, unravels their hopes and fears, and imbues them with wholly human motives, thereby making their stories relevant and astonishing to contemporary readers. Irawati Karve, thus, presents a delightful collection of essays, scientific in spirit, yet appreciative of the literary tradition of the Mahabharata. She challenges the familiar and formulates refreshingly new interpretations, all the while refusing to judge harshly or venerate blindly.

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    The fragile peace between the two powers is threatened when Balaji Vishvanath Bhat, Peshwa of the Confederacy, foils the plans of Nizam Ul Mulk of the Mughal Empire, and asserts the power of the Marathas. However, little does the Peshwa know that he has dealt the Nizam an unintended wound—one with roots in his mysterious past and one that he would seek to avenge till his last breath.When the Peshwa surrenders his life to a terminal illness dark clouds gather over the Confederacy as it is threatened by a Mughal invasion as well as an internal rebellion.All the while a passive spectator, the Peshwa’s son, Bajirao Bhat, now needs to rise beyond the grief of his father’s passing, his scant military and administrative experience, and his intense love for his wife and newborn son to rescue everything he holds dear. Will the young man be able to protect the Confederacy from internal strife and crush the armies of the Empire all while battling inner demons? Will he live up to his title of Peshwa?

    Indra, destiny's orphan, finds himself growing up in a vortex of treachery and tribal incumbency. Shielded from the usurpers of his birthright only by the watchful eye of the warrior sage Mitra, he first sets out to conquer the hearts of his tribesmen, and then the kingdoms of the unmapped world.Aligning forces with his brothers by blood oath and divine intervention Agni, Vayu, Varuna and Soma Indra embarks on a military campaign of epic proportions, stretching from the Euphrates in Asia Minor to Harappa on the Indian subcontinent, encountering formidable armies, demonic beings and powerful goddesses, and losing the only woman he really loves.Will he get her to love him again? Will he avenge the death of his father? Will he assume his place in the pantheon of the gods?In a compelling saga, blended by history, spiced by legend and mutated by myth, Rajiv G. Menon transforms ten years of research into a lightning rod of an action adventure that streaks into your consciousness with the speed of Indra's thunderbolt.About the AuthorBefore setting out on a writing career, Rajiv G. Menon was an actor, occasional screenwriter, traveler and beach bum. A voracious reader since childhood, he was fascinated by stories and characters from Indian, Greek and Norse Mythology. Thundergod was born as a result of that fascination.

    With sparkling wit and intelligence, Sanjeev Sanyal sets off to explore India and look at how the country’s history was shaped by, among other things, its rivers, mountains and cities. Traversing remote mountain passes, visiting ancient archaeological sites, crossing rivers in shaky boats and immersing himself in old records and manuscripts, he considers questions about Indian history that we rarely ask: Why do Indians call their country Bharat? How did the British build the railways across the subcontinent? What was it like to sail on an Indian Ocean merchant ship in the fifth century AD? Why was the world's highest mountain named after George Everest?

    As he becomes more and more involved with the lives and troubles of the common people in his district, he finds himself sucked deeper and deeper into the dark heart of the desert. And there, with the help of the mysterious musician, the Sarangiya, he has an encounter with beauty in its purest, most absolute form. An encounter that precipitates a dangerous descent. The pages from the journal he keeps are combined with the narratives of those around him—a Tehsildar, a Circuit House guard, a camel-herder, a pair of tribal girls, a Medical Officer, a Police Superintendent and the Collector's orderly—to create a compelling account of his slide away from reality. Half-real and half-fable, and redolent with the songs and myths of Rajasthan, Anukrti Upadhyay's Daura announces the arrival of a powerful new literary talent.

    She was not supposed to slide down drainpipes, play baseball in Central Park, or, worst of all, want to teach. Teaching was for impoverished young relatives, not for the heiress of the Brightingham fortune. When her father suddenly dies, leaving her wicked Uncle Edward as her trustee, she must resist his attempt to force her into a marriage that would bring her misery, no matter what the cost. She decides to leave the world behind. Julietta trades her fashionable dresses and dainty dancing shoes for serviceable travel clothes and sturdy boots. Dying her blond hair brown and donning her glasses, she travels incognito across the country to Grey Eagle, Montana, as Julie Bright, planning to take the position of school teacher, to begin a new life. But the handsome and dedicated young Sheriff, Jack White, takes one look at her and wants to send her packing. She is not what he expected as a teacher for his fledgling town. He knows trouble when he sees it. But for some reason, no matter what his instincts, he cannot make her leave. When the past finally catches up with her, he knows he'd move heaven and earth to keep her safe, and make her stay.

    I was in sublime touch shooting off arrow after arrow. The targets were drifting across my vision and all it took was one aim and release; the arrows shot off with a swish only to hit the target where I intended it and killed the recipient of the shot. A few lefthanded shots depending on the angle of the shot where I could find the target best positioned for the shot; others right handed. The bow was drifting from one hand to the other flawlessly and the arrows were flowing out like spit from a cobra's mouth, both accurate and deadly. Before we realised there were hardly any leaders standing. By the time Jarasandha recovered, his leaders and his entire army had perished. Jarasandha gave a loud shout and invited us to come out in the open and fight like real warriors. By this time Balarama also came into the battlefield.Jarasandha did not turn back and run; he was livid and angry; he started challenging us to come down and fight like real warriors.Rama and I descended into battleground. Jarasandha was aghast to see Kids trying to defeat him. Jarasandha invited us for a duel. He said two versus one couldn't be fair in a war. Balarama moved ahead and chose mace as his weapon. He was adept at mace and Jarasandha was no less a mace warrior. The fight that took place was of a quality that I wouldn't witness for a long time to come. Jarasandha was more than accomplished. While Jarasandha unleashed himself upon Balarama with full force and vigour, Balarama was deftly defending himself. Mace was flying into Rama from all directions. Balarama was saving his energy for the future; if he could wear Jarasandha down, he could then unleash himself upon him. Balarama was not through and through defensive. There would be moments when he surprised Jarasandha by his speed and power.Rama's mace would start banging into Jarasandha with immense strength and speed. Before Jarasandha would recover from one bout of attack the second one would begin in a different style of attack. The lesson and practice with our Guru was paying results; I could see that in this bout. Jarasandha couldn't fathom the skill level of Rama. He had thought it would be child's play and he would crush Rama in no time and head for me. But this challenge was more than what he had imagined. The fact that his theory proved wrong gave him the mental agony which the real fight had not given. That agony was showing in his inconsistent fighting method. He would burst at Rama; Rama would easily read the move and defend himself; that would frustrate Jarasandha; he would change his move, which Rama easily anticipated and countered, Jarasandha would get more frustrated and soon he lost his mace to a vicious shot by Rama. Now it was Rama with his mace facing an unarmed Jarasandha.Rama shouted at me and said he wanted to finish this fight right away, and lifted his mace to hit Jarasandha. I stopped Rama, it's unfair to kill someone who is unarmed on a battlefield. I said another day would come and he had to let him go with honour.

    Behind the assumed identity of the cynical academic is a man who has walked the earth for scores of years. He is Asvatthama - the cursed immortal, the man who cannot die.When Professor Bharadvaj is approached by the enigmatic Maya Jervois to search for a historical artefact unlike any other, he is reluctant to pursue it. The object in question, the Vajra, is rumoured to possess incredible alchemical powers, but the Professor does not believe it exists. After all, he has spent many lifetimes - and identities - searching for it, in a bid to unearth the secret to his unending life.Yet, as the evidence of its existence becomes increasingly compelling, the Professor is plunged into an adrenaline-fuelled adventure that takes him from the labyrinthine passages beneath the Somnath temple to the legendary home of the siddhas in the Nilgiris, and finally into the deserts of Pakistan to solve a confounding puzzle left behind by the ancients.But who is behind the dangerous mercenaries trying to thwart his discoveries at every step? And is the Professor - a legendary warrior in a long-ago life – cursed to walk the path of death and bloodshed forever?

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.