It was a family that fate drove into the siege of Stalingrad, the Vilna ghetto, occupied Paris, and even into the ranks of the Wehrmacht. His British father was the lucky one, the son of Russian Jewish emigrants who settled in London after escaping civil war and revolution. Max, the grandfather, had started out as a socialist and manned the barricades against tsarist troops, but never spoke of it. His wife, Frouma, came from a family ravaged by the Great Terror yet somehow making their way in Soviet society.In the centenary of the Russian Revolution, What You Did Not Tell recounts a brand of socialism erased from memory: humanistic, impassioned, and broad-ranging in its sympathies. But it also explores the unexpected happiness that may await history’s losers, the power of friendship, and the love of place that allowed Max and Frouma’s son to call England home.

    It was fought over a territory the size of France. It cost the Russians as many casualties as the British lost in the whole of the World War I. And it marked the first strategic defeat the Wehrmacht had suffered in its hitherto unstoppable march across Europe. During the first half of 1941 Moscow and its people were living in a kind of peace in a world of war. In spite of the horrors of Stalinism many ordinary people managed to find their own ways of enjoying themselves, and when war surprised a country unprepared, thanks to Stalin's obduracy, most rose with enthusiasm to defend their country and their city. One of the points of the book is to try and show how people find a kind of normality even in the hardest of circumstances, in peace and in war. On the 22 June the Nazi armies invaded and raced across the country. By the end of the year they were held, finally, in the suburbs of Moscow (as it were on the A4 at Heathrow). Based on huge research and scores of interviews, this book offers an unforgettable and richly illustrated narrative of the military action; telling portraits of Stalin and his generals, some apparatchiks, some great commanders. It also traces the stories of individuals, soldiers, politicians and intellectuals, writers and artists and dancers, workers, schoolchildren and peasants. The war remains a highly emotional matter for Russia and there are troubling questions like the role of Stalin or the appalling cost of victory. The book concludes with reflections on these issues.

    The traditional image of Chekhov is that of the restrained artist torn between medicine and literature. But Donald Rayfield's biography reveals the life long hidden behind the noble facade. Here is a man capable of both great generosity toward needy peasants and harsh callousness toward lovers and family, a man who craved with equal passion the company of others and the solitude necessary to create his art. Based on information from Chekhov archives throughout Russia, Rayfield's work has been hailed as a groundbreaking examination of the life of a literary master.A new biography of the great author and playwright.

    First published in the United States in 1987 and highly praised for its inventiveness, Pushkin House is a contemporary literary masterpiece. Though the novel's focus is a love affair between Lyova and Faina, the novel's true subject is an investigation of the corruption of Soviet intellectual life and history. Working within many of the confines imposed upon him during the Soviet regime, Bitov ingeniously draws upon Russian literary models, especially that of Nabokov, in order to parody and satirize the stifling society about him, as well as Russian literary tradition.

    The Blue Lantern, winner of the Russian Little Booker Prize, gathers eight of his very best stories. Various, delightful, and uncategorizable, the stories are highly addictive. Pelevin here, as in The Yellow Arrow (New Directions, 1996), Omon Ra (ND, 1997), and A Werewolf Problem in Central Russia (ND, 1998), pays great attention to the meaning of life, in earnest and as spoof. In the title story, kids in a Pioneer camp tell terrifying bedtime stories; in "Hermit and Six-Toes," two chickens are obsessed with the nature of the universe as viewed from their poultry plant; the Young Communist League activists of "Mid-Game" change their sex to become hard-currency prostitutes; and "The Life and Adventures of Shed #XII" is the story of a storage hut whose dream is to become a bicycle.

    Despite the abandonment of the pagan gods, both Christian and pagan practices and beliefs continued to coexist for centuries, producing a system known as "dual faith."Russian Myths deals with mythic beliefs, notions, and customs--concerning the veneration of earth, water, fire, and air, demons and spirit-beings in the world of nature, the cult of the dead, and witchcraft--many of which have their roots in the pre-Christian past but still survive to the present day. To illuminate the evolution of major themes and motifs and set Russian myths in the context of mythology the world over, Elizabeth Warner draws upon a rich variety of sources, including anecdotal narrative forms and religious legends, epic songs, funeral laments and folk religion, and, of course, the folktales where the sacred gives way to pure imagination in the depiction of mythic themes and characters.

    Here everything is focused on forgetting. But she wants to know more about the past, about her own suffering, and that of her fellow human beings.When she met Bilibin, who was in the same labor camp as her husband, she was looking for his closeness. There is a tender affection between the two, but disappointed, she turns away, as Bilibin seeks not the truth but repression and forgetfulness.

    But now the oligarchs who profited from the post-Soviet turmoil are supporting the nation's football clubs and their dreams of glory, resulting in unprecedented success. Along this journey into the heart of Russian football, Marc Bennetts meets the managers, oligarchs, players, pundits and fans that define the Russian Premier league, now the fastest-growing and most intriguing football league in the world. From Andrei Arshavin and the national team's adventures at Euro 2008 to the symbolism of a club from war-torn Chechnya lifting the Russian FA Cup, Football Dynamo uncovers shocking revelations about corruption, hooliganism and racism, but also the true beauty of the game and the country.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Religion and philosophy, not economics or politics, determine history and society. Berdyaev takes up the story in the nineteenth century. He traces the lineage of such powerful artists and thinkers as Chaadev, Khomyakov, Kireevksy, Leontyev, Aksakov, Hertzen, Bakunin, all of whom struggled to integrate the polarities of East and West, spirit and matter, and male and female in the Russian soul. This soul, however, is so immense, boundless, and vague that it is incapable of settling for "the halfway kingdom of culture." Demanding all or nothing, alternatively apocalyptic and nihilistic, Russians strove to justify culture and discover Russia's mystical mission. Impatient with the slow processes of history, distrusting all authority and yet haunted by a vision of unity, thinkers such as Dostoevsky, Tolstoy, Federov, and Solovyov created an original and vital religious philosophy that culminated in the Russian Renaissance at the beginning of the twentieth century. The fruit of these great figures, of whom Berdyaev was one (others included Florensky, Bulgakov, Rozanov, Merezhkovsky, Blok, and Bely), was cut short by the 1917 Revolution. In recent years, however, their works have been available in self-published (Samizdat) editions. Underground, a great philosophical and spiritual rebirth was occuring. Now they are available again, and the next installment of the Russian idea is being prepared. This book is therefore essential reading for an understanding of the new Russia.

    This book, the first of a trilogy written by Volkogonov on Stalin, Lenin, and Trotsky, takes advantage of the author's discoveries to reveal much heretofore unknown knowledge about Stalin's reign of terror in the early days of the Soviet Union. Photos.

    Using German sources, the author has investigated an important aspect of the pre-attack deception, the degree to which the German public and armed forces were themselves caught unawares.

    Like Anne Frank, thirteen-year-old Nina is conscious of the extraordinary dangers around her and her family, yet she is preoccupied by ordinary teenage concerns: boys, parties, her appearance, who she wants to be when she grows up. As Nina records her most personal emotions and observations, her reflections shape a diary that is as much a portrait of her intense inner world as it is the Soviet outer one.Preserved here, these markings—the evidence used to convict Nina as a “counterrevolutionary”—offer today’s reader a fascinating perspective on the era in which she lived.

    A picture is also given of political conditions in Russia during the reign of the last Romanovs. The story is illustrated with the magnificent coronation costumes and regalia designed by Faberge, personal objects relating to the family lives of Nicholas and Alexandra, and icons and religious objects demonstrating the role of Church and State during this period.

    His investigations take him to a graveyard, and more specifically to the coffin of a Ukrainian nationalist who died in mysterious circumstances and was buried with a sealed letter and a manuscript.Armed only with three cases of baby milk, which have unexpected hallucinogenic properties, he sets off on what turns out to be a very bizarre journey, meeting a host of unlikely characters along the way including a spirit-like companion in the form of a chameleon.