But Howard Pyle's absorbing tales have for generations enjoyed such overwhelming popularity with boys and girls that they have earned this unique distinction. This collection includes some of his most entertaining and imaginative works—24 delightful fairy tales, one for each hour of the day.When the Wonder Clock strikes one, a story unfolds that reveals how a youth raised by bears and fed on bear milk grew up to be the strongest man in the land and was able to kill the fiery dragon with three heads and rescue the princess. The two o-clock adventure tells of the faithful servant's search for a cup of the Water of Life. Other tales deal with giants and ogres, kings and princesses, wicked stepmothers, three-eyed witches and three-headed dragons, talking animals and talking trees. Among the remaining stories are "How Boots Befooled the King," "Cousin Greylegs, the Great Red Fox, and Grandfather Mole," and "The Three Little Pigs and the Ogre."A large measure of Howard Pyle's amazing success with youngsters is his genius as an illustrator. Accompanying this collection are some of his most unforgettable illustrations, drawings which capture all of the magical splendor of Wonderland and its inhabitants. Each story is preceded by a delightful verse by Katharine Pyle that indicates the hour of the day and sets the stage for the tale which is to follow. This is a collection of fairy tales that no growing boy or girl should be without. Parents, too, will look forward to reading these stories to their children. 148 illustrations.

    Born in Liverpool, he was part of the Arts and Crafts movement. He produced paintings, illustrations, children's books, ceramic tiles and other decorative arts. In 1862 his picture The Lady of Shalott was exhibited at the Royal Academy, but the Academy steadily refused his maturer work; and after the opening of the Grosvenor Gallery in 1877 he ceased to send pictures to Burlington House. In 1864 he began to illustrate a series of sixpenny toy-books of nursery rhymes in three colours for Edmund Evans. He was allowed more freedom in a series beginning with The Frog Prince (1874) which showed markedly the influence of Japanese art, and of a long visit to Italy following his marriage in 1871. From the early 1880s, Crane was closely associated with the Socialist movement. He provided the weekly cartoons for the Socialist Organs Justice, The Commonweal and The Clarion. One of his last major works would be his Lunettes at the Royal West of England Academy which were painted in 1913.