Growing up in a housing project in the 1950s and 1960s, she escapes into dreams inspired both by her parents' stories and by her own reading and, for a time, into the otherworldly life of ballet. A yearning, homesick mother, a silent and withdrawn father, the ballet--these are the elements that shape the young woman's imagination and her sexuality. It is a story about displacement and loss, and about the tangled nature of relationships between parents and children, between language and love.

    With almost everyone they know suddenly erased from the face of the earth, the girls set out for the convent where they attend school. They are abducted almost immediately and sold to a Mumbai brothel owner, beginning a hellish descent into the bowels of the sex trade.Halfway across the world, Washington, D.C., attorney Thomas Clarke faces his own personal and professional crisis-and makes the fateful decision to pursue a pro bono sabbatical working in India for an NGO that prosecutes the subcontinent's human traffickers. There, his conscience awakens as he sees firsthand the horrors of the trade in human flesh, and the corrupt judicial system that fosters it. Learning of the fate of Ahalya and Sita, Clarke makes it his personal mission to rescue them, setting the stage for a riveting showdown with an international network of ruthless criminals.

    Kevin Bales's disturbing story of contemporary slavery reaches from Pakistan's brick kilns and Thailand's brothels to various multinational corporations. His investigations reveal how the tragic emergence of a "new slavery" is inextricably linked to the global economy. This completely revised edition includes a new preface.All of the author's royalties from this book go to fund antislavery projects around the world.

    At its center is the “bastard” of the title, Asya, a nineteen-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul: Zehila, the zestful, headstrong youngest sister who runs a tattoo parlor and is Asya’s mother; Banu, who has newly discovered herself as a clairvoyant; Cevriye, a widowed high school teacher; and Feride, a hypochondriac obsessed with impending disaster. Their one estranged brother lives in Arizona with his wife and her Armenian daughter, Armanoush. When Armanoush secretly flies to Istanbul in search of her identity, she finds the Kazanci sisters and becomes fast friends with Asya. A secret is uncovered that links the two families and ties them to the 1915 Armenian deportations and massacres. Full of vigorous, unforgettable female characters, The Bastard of Istanbul is a bold, powerful tale that will confirm Shafak as a rising star of international fiction.

    Drawing on firsthand observations of the trials, as well as on other sources, Drakulić portrays some of the individuals accused of murder, rape, torture, ordering executions and more, during one of the most brutal conflicts in Europe in the twentieth century, including former Serbian president Slobodan Milošević; Radislav Krstić, the first to be sentenced for genocide; Biljana Plavšić, the only woman accused of war crimes; and Ratko Mladić, now in hiding. With clarity and emotion, Drakulić paints a wrenching portrait of a country needlessly torn apart.

    Desperate to escape, the two teenagers embark on a perilous journey back to England to the safety of their grandparents.But there are eyes everywhere.Luke and Christine band together with fugitive Allied airmen, thinking they will keep them safe and help them on their treacherous journey.But their new partnership could be putting them in more danger than they realize. Especially when there are hostile forces at work determined to scupper any plans to get the teenagers and airmen safely back to England.With secret operations mounting against the enemy, there is one path which remains unguarded: a risky escape route via the canals.Luke and Christine take refuge on a canal barge and find themselves immersed in the complex Operation Kingfisher.Can two teenagers make it across occupied France in one piece? Or will betrayal put them and the lives of others at great risk?

    Carrying razor blades in their mouths and guns in their jackets for defense, they initiate drive-by shootings, carry out car jackings, stomp outsiders who stumble onto or dare to enter the neighborhood, viciously retaliate against other gangs and ferociously guard their home turf.But Sikes also captures the differences that distinguish girl gangs-abortion, teen pregnancy and teen motherhood, endless beatings and the humiliation of being forced to have sex with a lineup of male gangbangers during initiation, haphazardly raising kids in a household of drugs and guns with a part-time boyfriend off gangbanging himself. Veteran journalist Gini Sikes spends a year in the ghettos following the lives of several key gang members in South Central Los Angeles, San Antonio, and Milwaukee. In 8 Ball Chicks, we discover the fear and desperate desire for respect and status that drive girls into gangs in the first place--and the dreams and ambitions that occasionally help them to escape the catch-22 of their existence.

    She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm.

    The two form their own band, but the metal scene turns out to be no different than the misogynist world they want to change. Violent encounters escalate, and the friends decide there’s only one way forward . . .A bloodstained journey into the dark heart of the music industry, Boring Girls traces Rachel’s deadly coming-of-age, Fern at her side — as the madness deepens, their band’s success heightens, and their taste for revenge grows ravenous.

    Turned out of their home by the ruthless pit owner, Fern and her mother Wynne are forced to seek a new life in Cardiff. Whilst Wynne finds work in a factory, Fern attends the local school. But here she is bullied and is soon selling flowers outside Cardiff Central station to help make ends meet. When her mother is taken from her in an influenza epidemic, Fern has no one to protect her from her violent and possessive uncle. She longs to escape from the brutality and squalor around her and make something of herself. But with no money and her only friend away at sea, there seems little hope of her ever leaving her life of poverty behind, let alone finding the love she so yearns for.

    Full of hope and courage, she leaves home forever. But Koly's story takes a terrible turn when in the wake of the ceremony, she discovers she's been horribly misled about exactly what she is marrying into. Her future, it would seem, is lost. Yet this rare young woman, bewildered and brave, sets out to forge her own exceptional future.

    That’s what fifteen-year-old Naomi learns after she escapes the brutal confines of life on an Alabama plantation. Striking out on her own, she must leave behind her beloved Momma and sister Hazel and takes refuge in a Georgia brothel run by a freewheeling, gun-toting Jewish madam named Cynthia. There, amidst a revolving door of gamblers, prostitutes, and drunks, Naomi falls into a star-crossed love affair with a smooth-talking white man named Jeremy who frequents the brothel’s dice tables all too often.The product of this union is Josey, whose white skin and blonde hair mark her as different from the other slave children on the plantation. Having been taken in as an infant by a free slave named Charles, Josey has never known her mother, who was murdered at her birth.Deftly weaving together the stories of Josey and Naomi—who narrates the entire novel unable to leave her daughter alone in the land of the living—Grace is a sweeping, intergenerational saga featuring a group of outcast women during one of the most compelling eras in American history.

    In lucid, persuasive prose, Brownmiller has created a definitive, devastating work of lasting social importance.Chosen by THE NEW YORK TIMES BOOK REVIEW as One of the Outstanding Books of the Year

    In her most impassioned and personal book to date, Judith Butler responds in this profound appraisal of post-9/11 America to the current US policies to wage perpetual war, and calls for a deeper understanding of how mourning and violence might instead inspire solidarity and a quest for global justice.

    . . most thought-provoking."--BooklistIn 1997 twenty-year-old Colleen Stan left home to hitchhike from Oregon to California. Seven years later she emerged from hell, the victim of a bizarre and extraordinary crime.This is Colleen's incredible true story, told by the determined young district attorney who prosecuted the man who had forced her to endure years of sexual perversion . . . and held her captive in a coffin-like box under his and his wife's bed. A story of riveting psychological intensity and gripping courtroom drama, Perfect Victim reveals the whole truth about Collen Stan's real-life nightmare . . . and the psychopath who enslaved her body and her mind."Horrifying!"--The Cincinnati Post"Hard to put down!"--Chicago Tribune"A gripping and disturbing story of the secret life of apparently normal people. At once, horrific and engrossing."--Vincent Bugliosi, author of Helter Skelter