As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day.When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That's when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he's writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that's been staring these men in the face all along: In Rotter House, who's haunting who?

    Or perhaps it's only gathering itself for the coming weekend. As a massive storm dumps rain on the isolated campus, four other lonely students reveal themselves: Patrick, a handsome jock; Lisa, a manipulative tease; Cain, a brooding musician; and finally Martin, a scholarly eccentric. Each has forsaken a long weekend at home for their own secret reasons. The five unlikely companions establish a tentative rapport, but they soon become aware of a sixth presence disturbing the ominous silence that pervades the building. Are they the victims of a simple college prank taken way too far, or is the unusual energy evidence of something genuine---and intent on using the five students for its own terrifying ends? It's only Thursday afternoon, and they have three long days and dark nights before the rest of the world returns to find out what's become of them. But for now it's just the darkness keeping company with five students nobody wants and no one will miss.

    . . In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.

    Some might even call it magical… To the uninitiated, Savannah shows only her bright face and genteel manner. Those who know her well, though, can see beyond her colonial trappings and small-city charm to a world where witchcraft is respected, Hoodoo is feared, and spirits linger. Mercy Taylor is all too familiar with the supernatural side of Savannah, being a member of the most powerful family of witches in the South.Despite being powerless herself, of course.Having grown up without magic of her own, in the shadow of her talented and charismatic twin sister, Mercy has always thought herself content. But when a series of mishaps—culminating in the death of the Taylor matriarch—leaves a vacuum in the mystical underpinnings of Savannah, she finds herself thrust into a mystery that could shake her family apart…and unleash a darkness the line of Taylor witches has been keeping at bay for generations.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    . .  A boy literally disappears from Main Street.  A security camera captures the moment of his instant, inexplicable vanishing. An audacious bank robbery goes seriously wrong: four cops are gunned down; a TV news helicopter is shot and spins crazily out of the sky, triggering a disastrous cascade of events that ricochet across twenty different lives over the course of just thirty-six hours.Nick Kavanaugh, a cop with a dark side, investigates. Soon he and his wife, Kate, a distinguished lawyer from an old Niceville family, find themselves struggling to make sense not only of the disappearance and the robbery but also of a shadow world, where time has a different rhythm and where justice is elusive.  . . .Something is wrong in Niceville, where evil lives far longer than men do.Compulsively readable, and populated with characters who leap off the page, Niceville will draw you in, excite you, amaze you, horrify you, and, when it finally lets you go, make you sorry you have to leave.Read the first thirty-five pages.  Find out why Harlan Coben calls Carsten Stroud the master of “the nerve-jangling thrill ride.”

    In this stunning 40th Anniversary Edition, a desperate mother and two priests fight to free the soul of a little girl from a supernatural entity of pure malevolence.

    She is the sole survivor of a nightmare that claimed her friends, and even as she prays for rescue, the killers — a family of cannibalistic lunatics — are closing in.A soldier suffering from post-traumatic stress disorder returns from Iraq to the news that his brother is among the murdered in Elkwood.In snowbound Detroit, a waitress trapped in an abusive relationship gets an unexpected visit that will lead to bloodshed and send her back on the road to a past she has spent years trying to outrun.And Claire, the only survivor of the Elkwood Massacre, haunted by her dead friends, dreams of vengeance... a dream which will be realized as grief and rage turn good people into cold-blooded murderers and force alliances among strangers.It's time to return to Elkwood.In the spirit of such iconic horror classics as The Texas Chainsaw Massacre and Deliverance, Kin begins at the end and studies the possible aftermath for the survivors of such traumas upon their return to the real world — the guilt, the grief, the thirst for revenge — and sets them on an unthinkable journey... back into the heart of darkness.

    A child alone in the nineteenth-century French countryside, she makes her way to the secluded convent, where she is taken in as a foundling orphan and raised by nuns who teach the children of the privileged to fear a wrathful God. But shy, unworldly Herculine is not like the others in this cold, forebidding place. And when she is led down a dark path by a rebellious fellow student, she soon finds herself convicted of crimes unimaginable.But death at the hands of the ignorant and falsely pious is not to be Herculine's lot. Held captive in the convent library, she is visited by four unexpected saviors with timeless needs of their own: the incubus priest Father Louis; the tragic, damned beauty Madeleine; the demonic Asmodei; and Sebastiana d'Azur, a witch. By dawn, Herculine is free yet forever changed as she follows her liberators into a world of sensuous pleasures and great mysteries both wondrous and strange.Secreted away in Sebastiana's once-grand manor high above the Breton sands, Herculine sets out to find out why she has been "chosen" and for what purpose. Her quest - ripe with erotic discovery, dark magic, heresy, and blood - propels her headlong through the perils of the age, across borders between the living and the dead, and back through a time when hysteria and madness reigned, when noble heads were impaled and paraded through the streets of Paris. For only when her mysterious mission is completed - and the terrible, otherworldly roots of a gruesome Revolution are finally revealed - can she understand who and what she truly is. Until then, she must simply trust...and learn.

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

    From Vaudeville, through the big bands and up to the hottest rock acts, the Luxor had them all. It's closed now, a boarded-up relic, standing alone in a run down industrial part of town. But the old dance hall isn't empty. A hideous presence lives there, a monstrous evil that has the ability to invade people's fantasies and nightmares . . . and bring them to life. Three strangers will soon learn the extent of the dance hall's power. As their lives become more and more entangled in its inescapable web, they will come to see that what haunts the Luxor is far worse than any ghost.

    A rich, gothic story of murder and mystery, A God in The Shed is quite possibly one of the most enthralling novels I've read in the last ten years. Dubeau is a force to be reckoned with.- --Jerry Smith, Fangoria Magazine and Blumhouse.com The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafes, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing--a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play. When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand's teenage residents, she learns that this creature's power has a long history with her town--and that the serial murders merely scratch the surface of a past burdened by evil secrets.

    The government wanted to unlock hidden abilities in the human mind.They put subjects in extreme sensory deprivation.All the test subjects went violently insane.But the research continued.Today it has been perfected.Almost perfected.From the author of In My Father's Basement comes another chilling novel that's a must-read for fans of horror. "Gruesome, gripping, and terrifyingly real!"

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    There they will confront madness, murder, and the ultimate evil so that their billionaire host might find the key to life beyond the grave. But as they learn, dead souls dwell in The Pines. And death is just the beginning...