Slowed by a wooden leg and haunted by memories of the Korean War, Rory runs bootleg whiskey for a powerful mountain clan in a retro-fitted '40 Ford coupe. Between deliveries to roadhouses, brothels, and private clients, he lives with his formidable grandmother, evades federal agents, and stokes the wrath of a rival runner.In the mill town at the foot of the mountains - a hotbed of violence, moonshine, and the burgeoning sport of stock-car racing - Rory is bewitched by the mysterious daughter of a snake-handling preacher. His grandmother, Maybelline “Granny May” Docherty, opposes this match for her own reasons, believing that "some things are best left buried." A folk healer whose powers are rumored to rival those of a wood witch, she concocts potions and cures for the people of the mountains while harboring an explosive secret about Rory’s mother - the truth behind her long confinement in a mental hospital, during which time she has not spoken one word. When Rory's life is threatened, Granny must decide whether to reveal what she knows...or protect her only grandson from the past.With gritty and atmospheric prose, Taylor Brown brings to life a perilous mountain and the family who rules it.

    Ranging from haunted deserts to alligator-filled swamps, these are stories of foul luck and strange visitations, delivered with deadpan humor by an unforgettable voice.The New York Times praised Brandon's last novel for a style that combined Elmore Leonard and Charles Portis, and now Brandon brings that same darkly American artistry to his very first story collection, demonstrating once again that he belongs in the top ranks of contemporary writers.

    Bob Seger growls from a transistor radio. And down by the river, girls line up on lawn chairs in pursuit of the perfect tan. Yet for ten-year-old Eli Book, the summer of 1976 is the one that threatened to tear his family apart. There is his distant mother; his traumatized Vietnam vet dad; his wild sister; his former warprotester aunt; and his tough yet troubled best friend, Edie, the only person with whom he can be himself. As tempers flare and his father’s nightmares rage, Eli watches from the sidelines, but soon even he cannot escape the current of conflict. From Silas House comes a tender look at the complexities of childhood and the realities of war — a quintessentially Southern novel filled with music, nostalgic detail, a deep respect for nature, and a powerful sense of place.

    Taught to shoot in the rough logging camps of the North Carolina swamps, Wes Ross remembers his lessons well. Dodging hostile gunfire with dozens of other young Marines, he storms a remote Pacific island as one of Carlson's Raiders in the first commando-style attack of World War II. He blasts several Japanese snipers from their palm-tree hideouts with buckshot before an enemy bullet sends him home. The Carolina homefront includes a new girlfriend and a new occupation, learning to be a rural lawyer in his uncle's law office, including courtroom intrigue and what goes on behind the scenes. Wes, like his uncles, is a good man, the kind who takes up for the poor and downtrodden, looking out for those who are easy prey for bullies. Frog Cutshaw is the storekeeper in the Caney Fork backwoods, a swaggering ex-moonshiner who is deadly with his ever-present .45 auto pistol. Frog's daylight rape of a married woman and the brutal killing of her husband bring on Bible Belt vigilante justice, an eye for an eye, a life for a life. Wally Avett is a retired newspaperman. He lives in North Carolina.

    Life is perfect. It's true that his grandfather just died in the attic and that wild dogs kill a baby llama now and then, and it's true that one little sister curses him and the other one wets her pants. But up to the day Uncle Harris moves in, life looks like it's right out of a Walt Disney movie. No wonder the llamas greet each morning with a song. Uncle Harris arrives in a sports car, full of funny stories and new ideas. He manages to persuade Leroy's straitlaced parents to join him for cocktails in the evening. He sets up a pretty grand bachelor pad in the Dearman attic, with a telephone, a TV set, and a stack of Playboy magazines. He is, you might say, Romance itself. Once Uncle Harris moves in, life on the llama farm takes on an entirely different flavor. Leroy discovers those magazines. Electricity fills the Dearman house. Equilibrium tilts, conversation trails off, the atmospheric pressure twists--and lightning strikes. Leroy starts seeing things he's never seen before, like the very gifted baton-twirling teacher, and his world changes forever. Not since PORTNOY'S COMPLAINT has a novel looked so directly, hilariously, and bittersweetly at the heartbreak of puberty.

    But her last project literally went up in flames, and her career is on the verge of flaming out. Greer has been given one more chance, if she can find the perfect undiscovered beach hideaway for a big-budget movie. She zeroes in on a sleepy Florida panhandle town called Cypress Key. There's one motel, a marina, a long stretch of pristine beach and an old fishing pier with a community casino-which will be perfect for the film's explosive climax.There's just one problem. Eben Thibadeaux, the town mayor, completely objects to Greer's plan. A lifelong resident of Cypress Key, Eben wants the town to be revitalized, not commercialized. After a toxic paper plant closed, the bay has only recently been reborn, and Eb has no intention of letting anybody screw with his town again. But Greer has a way of making things happen, regardless of obstacles. And Greer and Eb are way too attracted to each other for either of them to see reason.Between an ambitious director and his entourage-including a spoiled "It Boy" lead actor-who parachute into town, a conniving local ex-socialite, and a cast of local fangirls and opportunists who catch the movie bug, nothing is going to be the same in Cypress Key. Now Greer is forced to make some hard choices: about the people and the town she's come to care about, and about her own life. True love is only for the movies, right? Can Greer find a way to be the heroine in her own life story? Told with inimitable heart and humor, Mary Kay Andrews' Beach Town is the perfect summer destination.

    Having been mentored by his hometown newspaper's publisher, a survivor of the civil rights turmoil, he now passes these stories along to students far too young to have experienced or, in some cases, even heard about them. But when a long-lost friend suddenly returns to Loring, where years ago her family had been shattered by an act of spectacular violence, Luke begins to realize that his connection with her runs deeper, both personally and politically, than he ever imagined. Just children in 1962, they had no sense of what was happening when James Meredith's enrollment at Ole Miss provoked a bloody new battle in the old Civil War, much less its impact on their fathers' ambiguous friendship. Once his daughters leave for Ole Miss, and with his marriage at an impasse, Luke's investigation of this decades-old trauma soon spills over into his own life. With his parents unwilling, or unable, to help him unlock secrets whose existence he'd never suspected, this amateur historian is soon entirely consumed by an obscure past he can neither explain nor control--a gripping reminder that the past isn't dead, or even past. Once again Steve Yarbrough powerfully evokes--as David Guterson put it--"not only historical grief but the grief of our own time."

    If you're like most players, you struggle with nearly every aspect of the game: offense, defense, execution and combos, and generally having a game plan that is more complex than just mashing buttons at every opportunity. A Road Map Toward Improvement Street Fighter is a game that requires practice, finesse, and knowledge. Unfortunately, most players don't have any guidance on where to begin when learning the game which leads to lots of frustration and losses. This guide is designed to give you a road map for improving your skills so that when SF5 drops you can hit the ground running!Lots of players are under the misconception that since SF5 is a brand new game, there's no point in playing SF4 and improving. While it is true that there will be lots to learn in SF5 such as new engines and characters, this is not a reason not to improve on your Street Fighter fundamentals in the meantime. The Importance of a Solid Foundation Like anything else worth doing in life, developing a foundation of solid fundamentals is the key to improving. Even though SF5 will have brand new characters and mechanics, the core elements of Street Fighter remain the same throughout the franchise. Execution, footsies and space control, combos, punishing, and resource management are important in all Street Fighter games and this guide will show you how to use SF4 to improve on these aspects of your game. Who is gootecks and why should I bother? I've played Street Fighter competitively since 2003, starting with Street Fighter III: 3rd Strike and continuing with Street Fighter 4. I've traveled to compete in tournaments around the world, including places like Japan, Singapore, Australia, Canada, and Europe.A lot of people may know me as the co-host of Excellent Adventures of gootecks & Mike Ross, or perhaps from my work on Cross Counter TV, the entertainment network for fighting game fans.Recently, I've begun training players just like yourself through Cross Counter Training, where players like EG.Justin Wong, EG.K-Brad, Alex Myers are available for helping players of all skill levels improve. Through working with my students, I've developed what I believe to be an extremely effective method of learning how to play Street Fighter. This method is based on the idea of learning one tiny aspect of the game at a time through the eyes of the poster boy of Street Fighter, Ryu. "But Ryu is boring, gootecks!" I know, I know, you think Ryu is boring and everybody plays him and you want to play a cool, flashy character so you can style on people on stage at Evo someday. Unfortunately, you'll need to learn how to walk before you can run and there is no better investment of time as a new player than to learn Ryu in order to build a strong foundation.Taking this time now to develop your fundamentals will serve you well as you transition to Street Fighter 5. Ryu is definitely different in SF5, but the tools and concepts you'll learn in this guide will give you a leg up on the competition when SF5 drops.

    Fortunately, poison is the very superfood of the satirist. Patty Friedmann, the reigning queen of black comedy, hits one out of the park with her family straight out of Tolstoy--unhappy in its own way, a uniquely twisted Southern way. Meet the Baileys. Born and bred in a working class New Orleans neighborhood, Zib and Wilson think the thick cloud of cigarette smoke enveloping their mother is what probably killed their father. Certainly the toxicity of Jerusha’s dark, cynical attitudes has driven her children far from the nest. Wilson has escaped to Chicago, married a woman who hates him, converted to Judaism, and become a decorated professor of Organic Evolution. Zib, almost forty, has made it only as far as the Florida Panhandle, where she's an assistant manager at the local Winn-Dixie, doomed to fending off a sleazy boss given to late night phone calls. Only one person, as isolated as she is, shows Jerusha any affection: Dustin Puglia, chubby, wise, and fearless, a ten-year-old living next door with a poisonous mother of his own. Although Wilson and Zib have forged independent lives away from their mother—as well as each other—their father's death brings them back together for a darkly droll, yet heart-wrenching round of domestic insanity. Does it remind you of AUGUST: OSAGE COUNTY? Or THE ROYAL TENENBAUMS? Patty Friedmann got there first! And she’s just as funny and observant as the authors of those splendid screenplays. Who Will Like It: Fans of off-beat dark comedies like AUGUST: OSAGE COUNTY, THE ROYAL TENENBAUMS, family dramas with a lot more humor than THE CORRECTIONS, the incomparable CONFEDERACY OF DUNCES, and another mistress of the twisted, Flannery O’Connor. Not to mention Patty Friedmann's other books: TOO JEWISH #1 TOO JEWISH: THE NEXT GENERATION (formerly The Exact Image of Mother) PICK-UP LINE (formerly Side Effects) ELEANOR RUSHING A LITTLE BIT RUINED ODDS “Secondhand Smoke does not seek life in fancy words and clever euphemisms. It tingles because it’s raw and true … The way [Friedmann] carves a sentence gives you the sense that she’s always known how to do it.” –Critique Magazine

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    The story of a murderous battle for control, and a wise, compassionate investigation into the bonds of love and family and of what sustains people through loss.