And within their cadence, personalities, conflicts, discoveries, ideas, and nations peal and fade. American history is no different. From the starving time of Jamestown during the Winter of 1609, through the bloody argument of the Civil War, and to today, the United States is a tale best told one day at a time.Best-selling author and educator Dr. William J. Bennett is a master of the story that is the United States. And in "The American Patriot's Almanac," Bennett distills the American drama into three hundred sixty-five entries-one for each day of the year. Fascinating in its detail and singular in its grasp of the big themes, Bennett's "Almanac" will make anyone a fan of history, assembling even some of the most obscure details. Even better, it will make of everyone a patriot.

    You'll learn about styles like Art Deco, Modernism, and High-Tech, and find inspiration in galleries of LEGO models. Then take your turn building 12 models in a variety of styles. Snap together some bricks and learn architecture the fun way!

    Originally in paperback.

    Paul Wilson, the best-selling and acclaimed author of the Repairman Jack series, comes a lightning-paced, whip-smart thriller sure to please both die-hard fans and newcomers to Wilson's spellbinding world. Will Burleigh is a hard-nosed, no-nonsense M.D. totally dedicated to the health and welfare of the patients in his practice. But when he himself is diagnosed with throat cancer, he can't bear the idea of undergoing massive radiation and radical surgery that will leave him permanently disfigured--all with no guarantee he will live at all.Having made peace with his decision to die, Will is nonetheless convinced by a former patient to visit a healer, a mysterious and beautiful woman named Maya who claims she can help him, but only if he opens himself up completely to her and the harmony of the world around him.To find that harmony, she insists, Will must follow her to Mesoamerica, to the home of her people, to search for what she calls the Fifth Harmonic. Will agrees, but he secretly brings along what he calls a "Kevorkian Kit" to give him a quick end in case his rapidly spreading tumor gets the best of him. Maya too, has her secrets, and as Will unravels them, he begins to fear he might have made a terrible mistake.

    Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack. Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan - Mo - an enigmatic Muslim-American who, it seems, feels no need to represent anyone's beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city - and a country - fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

    Handsome and clever, Robert glides into the cloistered universities of New England, where scions of unimaginable wealth and influence stand shoulder to shoulder with scholarship paupers like himself who wash dishes for book money. The doors that open there lead Robert to the highest circles of Manhattan society during the heart of the Reagan boom where everything Robert has learned about women, through seduction and heartbreak, pays off. For a brief moment, he has it all-but the world in which he finds himself is not the world from which he comes, and a chance encounter with a beautiful girl from the old neighborhood-and the forgotten life she reawakens-threatens to unravel his carefully constructed new identity.

    It is a letter written to a Muslim cleric, a violent opponent of the Bahá'ís who, along with his father (called by Bahá'u'lláh "the wolf"), also a Muslim cleric, had put to death a number of Bahá'ís. In this work Bahá'u'lláh quotes extensively from his own previously revealed scriptures. This makes a large portion of the work a summary of excerpts on critical concepts expressed in previous works in a condensed form.-"Baha'u'llah (November 12, 1817 - May 29, 1892), born Mirza Husayn-'Ali Nuri, was the founder of the Baha'i Faith.He claimed to fulfill the Babi prophecy of "He whom God shall make manifest", but in a broader sense he also claimed to be the "supreme Manifestation of God", referring to the fulfillment of the eschatological expectations of a prophetic cycle beginning with Adam, and including Abrahamic religions, as well as Zoroastrianism, the Indian religions, and others. Baha'is see Baha'u'llah as the initiator of a new religion, as Jesus or Muhammad - but also the initiator of a new cycle, like that attributed to Adam.Baha'u'llah authored many religious works, most notably the Kitab-i-Aqdas and the Kitab-i-lqan. He died in Bahji, Palestine, present-day Israel, and is buried there.

    Why is glass see-through? What makes elastic stretchy? Why does a paper clip bend? Why does any material look and behave the way it does? These are the sorts of questions that Mark Miodownik a globally-renowned materials scientist has spent his life exploring In this book he examines the materials he encounters in a typical morning, from the steel in his razor and the graphite in his pencil to the foam in his sneakers and the concrete in a nearby skyscraper.

    Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organized into chapters on "Raw Materials/Building Materials (Modules)," "Building Components (Elements)," "Building Methods (Structures)," and "Buildings (Examples)," the book now includes a new section on translucent materials and an article on the use of glass. The chapter on "Building Elements" now includes a discussion of facades, and the chapter on "Structures" has been expanded to cover "Principles of Space Creation." The examples section now includes extensive documentation of current projects whose systematic character is oriented around the production process.Experience with the preceding edition has shown that the book has become an indispensable handbook for reference and reading not only for students and teachers but also for architects.

    And he has boiled it down to one key factor: walkability. The very idea of a modern metropolis evokes visions of bustling sidewalks, vital mass transit, and a vibrant, pedestrian-friendly urban core. But in the typical American city, the car is still king, and downtown is a place that's easy to drive to but often not worth arriving at. Making walkability happen is relatively easy and cheap; seeing exactly what needs to be done is the trick. In this essential new book, Speck reveals the invisible workings of the city, how simple decisions have cascading effects, and how we can all make the right choices for our communities. Bursting with sharp observations and real-world examples, giving key insight into what urban planners actually do and how places can and do change, Walkable City lays out a practical, necessary, and eminently achievable vision of how to make our normal American cities great again.

    

    While Horses pays homage to the record's origins in the nascent New York punk scene, the book's core lies in a detailed analysis of Patti Smith's lyrics and includes discussions of lyrical preoccupations: love, sex, gender, death, dreams, god, metamorphosis, intoxication, apocalypse and transcendence. Philip shaw demonstrates how Horses transformed the possibilities of both poetry and rock music; and how it achieved nothing less than a complete and systematic derangement of the senses.

    There, he befriended a Japanese family, the Takishitas. After musing offhandedly that he would like to one day have his own house in Japan, the familyunbeknownst to Johnset out to grant his wish. They found Roderick a 250-year-old minka, or hand-built farmhouse, with a thatched roof and held together entirely by wooden pegs and joinery. It was about to be washed away by flooding and was being offered for only fourteen dollars. Roderick graciously bought the house, but was privately dismayed at the prospect of living in this enormous old relic lacking heating, bathing, plumbing, and proper kitchenfacilities. So the minka was dismantled and stored, where Roderick secretly hoped it would stay, as it did for several years.But Roderick's reverence for natural materials and his appreciation of traditional Japanese and Shinto craftsmanship eventually got the better of him. Before long a team of experienced carpenters were hoisting massive beams, laying wide wooden floors, and attaching the split-bamboo ceiling. In just forty days they rebuilt the house on a hill overlooking Kamakura, the ancient capital of Japan. Working together, they renovated the farmhouse, adding features such as floor-to-ceiling sliding glass doors and a modern kitchen, bath, and toilet. From these humble beginnings, Roderick's minkahas become internationally known and has hosted such luminaries as President George H. W. Bush, and Senator Hillary Clinton. John Roderick's architectural memoir Minka tells the compelling and often poignant story of how one man fell in love with the people, culture, and ancient building traditions of Japan, and reminds us all about the importance of craftsmanship and the meaning of place and home in the process.

    Hence a new architectural discourse has emerged: landscape urbanism.In The Landscape Urbanism Reader Charles Waldheimwho is at the forefront of this new movementhas assembled the definitive collection of essays by many of the field's top practitioners. Fourteen essays written by leading figures across a range of disciplines and from around the worldincluding James Corner, Linda Pollak, Alan Berger, Pierre Blanger, Julia Czerniak, and morecapture the origins, the contemporary milieu, and the aspirations of this relatively new field. The Landscape Urbanism Reader is an inspiring signal to the future of city making as well as an indispensablereference for students, teachers, architects, and urban planners.