It is also a school of thought popular because of its rejection of the supposedly universalizing categories of the Enlightenment. In this devastating critique, mounted on behalf of the radical Enlightenment tradition, Vivek Chibber offers the most comprehensive response yet to postcolonial theory. Focusing on the hugely popular Subaltern Studies project, Chibber shows that its foundational arguments are based on a series of analytical and historical misapprehensions. He demonstrates that it is possible to affirm a universalizing theory without succumbing to Eurocentrism or reductionism.Postcolonial Theory and the Specter of Capital promises to be a historical milestone in contemporary social theory.

    Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.

    With God's Choice, he gives us an extraordinary chronicle of the rise of Pope Benedict XVI as well as an unflinching view of the Catholic Church at the dawn of a new era.When John Paul II lapsed into illness for the last time, people flocked from all over the world to pray outside his apartment. He had become a father figure to millions in a world bereft of strong paternal examples, and those millions now felt orphaned. After more than twenty-six years of John Paul II's guidance, the Catholic Church is entering a new age, with its bedrock traditions intact but with pressing questions to address in a rapidly changing world. Beginning with the story of John Paul's final months, God's Choice offers a remarkable inside account of the conclave that produced Benedict XVI as the next pope, drawing on George Weigel's unrivaled access to this complex event.Weigel also incisively surveys the current state of the Church around the world: its thriving populations in Africa, Latin America, and parts of the post-communist world; its collapse in western Europe; its continued struggles in Asia; and the vibrancy of many aspects of Catholic life in the United States, even as the Church in America struggles to overcome its recent experience of scandal.Reflecting on John Paul II's greatness, drawing on firsthand interviews to paint an intimate portrait of the new Pope, and boldly assessing the Church's current condition, God's Choice is an invaluable book for anyone seeking to understand the Catholic future and the larger human future the Church will help to shape.

    It will give Christians a deeper understanding of Judaism, both as a religion in itself and as a central component of Christian salvation.To Jews it reveals the incomprehensible importance, nobility and glory that Judaism most truly has. It examines the unique and central role Judaism plays in the destiny of the world. It documents that throughout history attacks on Jews and Judaism have been rooted not in Christianity, but in the most anti-Christian of forces.Areas addressed include: the Messianic prophecies in Jewish scripture; the anti-Christian roots of Nazi anti-Semitism; the links between Nazism and Arab anti-Semitism; the theological insights of major Jewish converts; and the role of the Jews in the Second Coming.

    Lehner reintroduces Christians to the true God—not the polite, easygoing, divine therapist who doesn’t ask much of us, but the Almighty God who is unpredictable, awe-inspiring, and demands our entire lives.  Stripping away the niceties with a sling blade, Lehner shows that God is more strange and beautiful than we imagine, and wants to know and transform us in the most intimate way. With his iconoclastic new book God Is Not Nice, Lehner, one of the most promising young Catholic theologians in America, challenges the God of popular culture and many of our churches and reintroduces the God of the Bible and traditional Christianity. As Lehner writes in the book’s introduction, "We all need the vaccine of the true transforming and mysterious character of God: The God who shows up in burning bushes, speaks through donkeys, drives demons into pigs, throws Saul from his horse, and appears to St. Francis. It’s only this God who has the power to challenge us, change us, and make our lives dangerous. He sweeps us into a great adventure that will make us into different people." This book is not safe. It may startle and annoy many people—including those who purport to teach and preach the Gospel, but are missing it, according to Lehner. God Is Not Nice intends to overthrow all of our popular misconceptions about God, inviting us to ask deeper questions about the nature of our lives and our relationship with him. When you're finished with God Is Not Nice, you may find the idols you constructed in God’s name smashed, replaced with a God who will ask you to live an entirely different life full of hope and transformation.God Is Not Nice has been translated into several foreign languages.

    PRESENTED BY KNOWLEDGE PRODUCTS AND NARRATED BY CHARLTON HESTON. A 2-AUDIOTAPE CASSETTE AUDIOBOOK. APPROX. 3 HOURS TIME.

    Carlos Eire, popular professor and gifted writer, chronicles the two-hundred-year era of the Renaissance and Reformation with particular attention to issues that persist as concerns in the present day. Eire connects the Protestant and Catholic Reformations in new and profound ways, and he demonstrates convincingly that this crucial turning point in history not only affected people long gone, but continues to shape our world and define who we are today.   The book focuses on the vast changes that took place in Western civilization between 1450 and 1650, from Gutenberg’s printing press and the subsequent revolution in the spread of ideas to the close of the Thirty Years’ War. Eire devotes equal attention to the various Protestant traditions and churches as well as to Catholicism, skepticism, and secularism, and he takes into account the expansion of European culture and religion into other lands, particularly the Americas and Asia. He also underscores how changes in religion transformed the Western secular world. A book created with students and nonspecialists in mind, Reformations is an inspiring, provocative volume for any reader who is curious about the role of ideas and beliefs in history.

    Alfred R. Ferguson was founding editor of the edition, followed by Joseph Slater (until 1996).

    Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst.From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

    Weaver unsparingly diagnoses the ills of our age and offers a realistic remedy. He asserts that the world is intelligible and that man is free. The catastrophes of our age are the product of unintelligent choice and the cure lies in man's recognition that ideas--like actions--have consequences. A cure, he submits, is possible. It lies in the right use of man's reason, in the renewed acceptance of an absolute reality, and in the recognition that ideas like actions have consequences.

    Pier Giorgio turned from a life of privilege to one devoted to working with the poor, and was a courageous witness of Christian faith and charity to many others.Discouraged by his affluent parents from his religious involvement and deep spiritual life, Pier Giorgio secretly ministered to the poor and marginalized, and was a leader of youth whose love of God transformed the lives of all those around him. He died of the polio virus at the age of 24, and the story of his life and death spread throughout Europe, influencing the young Karol Wojtyla, who as Pope John Paul II described Frassati as "a man of the eight beatitudes, a modern youth and great mountaineer who was keenly interested in the problems of culture, sports and social questions, as well as the true values of life." Pier Giorgio is a patron saint of World Youth Days.

    In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose materialist metaphysics he admired) were the prototype, the 19th century ur-form of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time--from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons--as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south--Moscow Paris, Berlin-Naples--and shows how such thinking in coordinates can explain his understanding of dialectics at a standstill. She argues for the continuing relevance of Benjamin's insights but then allows a set of afterimages to have the last word.

    But in ten thoughtful chapters, he lines up evidence from the Scriptures, Christian tradition and liturgy, and the life and teachings of St. Francis of Assisi, that God desires all creatures (yes, including our beloved pets!) in the afterlife.