Boasting capes and costumes and amazing super-powers that only make sense if you don't think about them too hard, they fight an eternal battle for truth and justice . . . mostly.Darklings are creatures of myth and magic: ghosts, vampires, were-beasts, and the like. Their very presence warps reality. Doors creak at their approach. Cobwebs gather where they linger.Kim Lam is an ordinary college student until a freak scientific accident (what else?) transforms Kim and three housemates into Sparks--and drafts them into the never-ending war between the Light and Dark. They struggle to master their new abilities--and (of course) to design cool costumes and come up with great hero-names.Turns out that "accident" was just the first salvo in a Mad Genius's latest diabolical scheme. Now it's up to four newbie heroes to save the day, before they even have a chance to figure out what their team's name should be!

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    “As long as there is money to be made, there will be Wildcatters” — Dave Duncan  Throughout human history wildcatters, the first great explorers and prospectors to lay claim to newly discovered lands, have marched to the beat of a different drummer — motivated by a deep yearning to be the first to walk on uncharted land and benefit from treasures yet to be discovered. In the future, wildcatters in space will travel to exoplanets, located in The Big Nothing, to search for new chemicals which, when transformed into pharmaceuticals, might bring untold wealth and fame to the individuals and corporations that stake their claim for exclusive exploitation rights. Such is the quest of the crew of the independent starship Golden Hind, whose mission is to travel a year and a half to “Cacafuego”, beat the larger corporations to the exoplanets’ resources, and strike it rich for themselves. But will a yellow warning flag, already planted above the planet, stop them? Or will the Golden Hind’s prospector foray to the planet’s surface, possibly never to return alive? Wildcatter is a raucous tale of mystery, greed and passion, told by master story teller Dave Duncan, once himself a real wildcatter!

    A pandemic called 'The Sweats' is sweeping the globe. London is a city in crisis. Hospitals begin to fill with the dead and dying, but Stevie Flint is convinced that the sudden death of her boyfriend Dr Simon Sharkey was not from natural causes. As roads out of London become gridlocked with people fleeing infection, Stevie's search for Simon's killers takes her in the opposite direction, into the depths of the dying city and a race with death. A Lovely Way to Burn is the first outbreak in the Plague Times trilogy. Chilling, tense and completely compelling, it's Louise Welsh writing at the height of her powers.

    There's just one problem: They're hideously ugly and they smell like rotting fish. So getting humanity's trust is a challenge. The Yherajk need someone who can help them close the deal. Enter Thomas Stein, who knows something about closing deals. He's one of Hollywood's hottest young agents. But although Stein may have just concluded the biggest deal of his career, it's quite another thing to negotiate for an entire alien race. To earn his percentage this time, he's going to need all the smarts, skills, and wits he can muster.

    But Watkins has embarked on a tremendous psychological adventure where, after spinning endlessly on a raft in the Atlantic, he lands on a tropical island inhabited by strange creatures with strange customs. Later, he is carried off on a cosmic journey into space…

    Janis Taine is a scientist working on memory-enhancing drugs, fleeing the US/UN's technology cops. Jordan Brown is a teenager in the Christian enclave of Beulah City, dealing in theologically-correct software for the world's fundamentalists-and wants out.In a balkanized twenty-first century, where the "peace process" is deadlier than war, the US/UN's spy satellites have everyone in their sights. But the Watchmaker has other plans, and the lives of Moh, Janis, and Jordan are part of the program. A specter is haunting the fight for space and freedom, the specter of the betrayed revolution that happened before... With The Star Fraction, Ken MacLeod burst onto the SF scene and began the Fall Revolution sequence that continued with The Stone Canal, The Cassini Division, and The Sky Road.

    With Larry Niven he has collaborated on a string of bestselling novels, including Lucifer's Hammer, The Mote in God's Eye, Footfall, and many more. He holds advanced degrees in psychology, statistics, engineering, and political science, and has been involved professionally in all these fields. He and his wife live in Los Angeles.

    And nobody talks about their past.But when a face from Captain Ichabod Drift’s former life send them on a run to Old Earth, all the rules change.Trust will be broken, and blood will be spilled.

    Dunn, a literary artist of extraordinary vision and courage, comes a haunting exploration of life, death, responsibility, and the devastating power of choice--a gripping and provocative novel that shines a beacon of moral possibility into the darkest corners of the human soul.In the future--when the barriers of Time are barriers no longer--a woman of uncommon strength and character will be recruited to help preserve the integrity of past events; to keep the wheel of history turning so that what is to come remains uncompromised and uncorrupted. But Alma Levin will go renegade, vanishing somewhere into the most violent years of the mid-twentieth century. And it will be the responsibility of her mentor, Gasper James, to bring her back. For useless he can stop her, Alma Levin intends to change history--and the future--with a plan to prevent the slaughter of six million--a plan that is puling former teacher and protigi both into the most terrible place ever conceived by man: Auschwitz.

    But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news. The entire cosmos, they tell him, has been hopelessly hooked on humanity’s music ever since “Year Zero” (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything—and the aliens are not amused. Nick now has forty-eight hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.

    Harvest is a peaceful, prosperous farming colony on the very edge of human-controlled space. But humanity has unknowingly trespassed on holy ground—straying into the path of the aggressive, theocratic empire known as the Covenant. What begins as a chance encounter between an alien privateer and a human freighter soon catapults all of mankind into a struggle for its very existence. But humanity is also currently locked in a bitter civil war of its own: the Insurrection. With resources strained to the breaking point, the ultimate survival of Harvest’s citizens falls to a squad of battle-weary UNSC Marines and their inexperienced colonial militia trainees. In this unlikely group of heroes, one will stand above the rest—a young Marine staff sergeant named Avery Johnson....

    He is warm, breathing and healthy -- but empty.

     Retired stage magician turned professional mystic debunker, John Barker, finds his sceptical beliefs under fire when he encounters a strange man who claims to be Merlin. After several unsuccessful attempts to rid himself of his increasingly unpredictable companion, John finally relents and agrees to assist in the man’s crazy mission, to find the true grave of the mythical King Arthur. Following a hidden code contained within the text of a soft porn novel, they gather a growing entourage of hippies, mystic seekers and alien hunters as they leave a trail of chaos across the south west of England. When the group comes to the attention of a TV Reality Show producer looking to make a fast profit out of harmless eccentrics and fading celebrities, John decides it’s time to take charge and prove one way or the other, the identity of this mysterious person who claims to be a fictional wizard. “Whose reality is this anyway?” is a warm-hearted tale of what it means to be an individual and to follow one’s dreams. With his trademark cast of oddball characters and absurd situations, David Luddington once more transports us into a world where who you are is more important than what you are. “David Luddington epitomizes the elusive quality of writing that he perpetuates - the British Comedy.” – Grady Harp

    It never opened its doors, and for all that time, the townspeople have wondered why the ship landed there, and what—or who—could be inside. Then one day a government operative—posing as a journalist—arrives in town, asking questions. He discovers sixteen-year-old Annie Collins, one of the ship’s closest neighbors and a local fixture known throughout the town, who has some of the answers. As a matter of fact, Annie Collins might be the most important person on the planet. She just doesn’t know it.