Nordic Tales is a collection of 16 traditional tales from the enchanting world of Nordic folklore.Translated and transcribed by folklorists in the 19th century, these stories are at once magical, hilarious, cozy, and chilling.Welcome to a world of mystical adventure—where trolls haunt the snowy forests, terrifying monsters roam the open sea, a young woman journeys to the end of the world, and a boy proves he knows no fear.• Offers a fascinating view into Nordic culture• The tales come alive alongside bold, contemporary art• Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, Tales of India, and Tales of East AfricaNordic Tales will enthrall fans of fairytales and captivate those interested in the rich history of Nordic culture.Ulla Thynell's glowing contemporary illustrations accompany each tale, conjuring dragons, princesses, and the northern lights.• A visually gorgeous book that will be at home on the shelf or on the coffee table• A perfect gift for fairy tale and folklore lovers, fans of Nordic culture, people of Nordic ancestry, collectors of illustrated classics, and bibliophiles looking for a comforting wintertime read• Add it to the collection of books like D'Aulaires' Book of Norse Myths by Ingri d'Aulaire and Edgar Parin d'Aulaire, Norse Mythology by Neil Gaiman, and Mythology: Timeless Tales of Gods and Heroes by Edith Hamilton.People who love Greek mythology, roman mythology, Chinese mythology, Celtic mythology, and folklore and cultural studies from around the globe will love Nordic Tales.

    The poems expertly gathered here offer all that one might hope for in such spiritual friendship: wisdom, compassion, peacefulness, good humor, and the ability to both absorb and express the deepest human emotions of grief and joy.The Poetry of Impermanence, Mindfulness, and Joy offers a wide-ranging collection of 129 ancient and modern poems unlike any other anthology on bookshelves today. It uniquely places Buddhist poets like Han Shan, Tu Fu, Saigyo, Ryokan, Basho, Issa, and others alongside modern Western poets one would not expect to find in such a collection—poets like Wallace Stevens, Robert Frost, Elizabeth Bishop, William Stafford, Denise Levertov, Jack Gilbert, Ellen Bass, Billy Collins, and more. What these poems have in common, no matter whether they are explicitly Buddhist, is that all reflect the essential truths the Buddha articulated 2,500 years ago. The book provides an important poetic complement to the many prose books on mindfulness practice—the poems here both reflect and embody the dharma in ways that can’t be matched by other modes of writing. It’s unique features include an introduction that discusses the themes of impermanence, mindfulness, and joy and explores the relationship between them. Biographical notes place the poets in historical context and offer quotes and anecdotes to help readers learn about the poets’ lives. A short essay at the back of the book on “Mindful Reading” helps readers approach the poems from an experiential, non-analytical perspective and illustrates the similarities between meditation and the mindful reading of poetry. Brehm also includes a guided meditation on sound that helps readers appreciate the sonic qualities of poetry and shows how the anthology might be used in ongoing spiritual practice.

    Leonard Woolley observed that "Amongst the shadowy characters of ancient history, Abraham stands out as a living personality--whom we can know, and with whom we can sympathize...and now, alongside this living personality, we find Sarah--perhaps the most remarkable, yet mysterious woman of all time!"ABRAHAM AND SARAH is an epic love story, an engrossing page-turner for the ages, a must read for every person of faith.

    Written almost entirely in Vimalananda's own words, it presents events from his life, tenets of his philosophy, and highlights from his spiritual practices. Designed partly to shock and partly to comfort, but wholly as an offering to his Beloved, Aghora is as clear a picture as possible of a man who was a riddle wrapped up in an enigma. Vimalananda insisted that this book be published only after his demise, that he might be spared pursuit by those whose curiosity might be inflamed by some of the sensational events described within. He believed in devoting his all to the pursuit of the direct perception of Reality, and advised others to be similarly dedicated to attaining personal experience of God. To readers he offered this warning: "Don't take anything I say as gospel truth. I am human, I make mistakes. Test on yourselves what I've told you. Try it out, experience it, and then you will know whether or not I'm telling you the truth."

    In it, we find the heart of Kierkagaard. It is not innocuous, not genteel, not comfortable. He does not invite the reader to relax and have a little laugh with him at the expense of other people or at his own foibles. Kierkegaard deliberately challenges the reader's whole existence. Nor does he merely challenge our existence; he also questions some ideas that had become well entrenched in his time and that are even more characteristic of the present age. Kierkegaard insists, for example, that Christianity was from the start essentially authoritarian --not just that the Catholic Church was, or that Calvin was, or Luther, or, regrettably, most of the Christian churches, but that Christ was-- and is. Indeed, though Kierkegaard was, and wished to be, an individual, and even said that on his tombstone he would like no other epitaph than 'That Individual, ' his protest against his age was centered in his lament over the loss of authority." --Walter Kaufman, in the Introduction

    Pride and Prejudice, Austen's most well-loved story, tells of Lizzy Bennet and her five sisters as they search for true love-a love Lizzy nearly loses because of pride. Fanny, of Mansfield Park, comes to live with her aunt and uncle in their elegant mansion. But she finds herself both out of place and in love with her handsome cousin Edmund. Can shy Fanny win him from the outgoing and charming Miss Crawford? Persuasion, Austen's last final novel, explores the consequences of giving in to the opinions of others, rather than following one's own heart. Delightfully illustrated with delicate line drawings.

    Contained within these pages are some of the greatest spiritual teachings from the ancient mystery schools, plus instruction on how to apply these teachings to our everyday lives. Some of the information revealed here has not been made available before now. All of the information, if applied to our everyday lives, has the power to revolutionize the world.In the past, only adept, saints, apostles, mystics, and high priests and priestesses were allowed access to this instruction. With this knowledge, these individuals ruled and empowered themselves and civilizations, using the power that came with this knowledge to create and heal. Common folk leaned heavily on these spiritual elite for solutions to their problems, for the masses had acquired neither the discipline nor the strength of will it took to master the teachings on their own. Learning and applying these truths require lifetimes of discipline and dedication. More importantly, mastering the knowledge demanded that one be accountable for his or her own actions – a responsibility the masses were not ready to accept.The Ascended masters, however, decree that the time has come for everyone to learn these teachings and share in the responsibility for transforming life and the world. Admittance into the Fifth Dimension demands this of all. Therefore, all who read this book must be forewarned that access to this knowledge automatically holds the soul accountable for its part of creation and each will be judged accordingly! The portal now stands open for all to pass through to collectively build the Seventh Golden Age on Earth.

    This wonderful introduction to the Buddhist faith puts into perspective one of the world's most significant religions and reveals its relevance throughout its 2,500 year history.

    By thirty-three, she had overthrown her husband in a bloodless coup and established herself as Empress of the multinational Russian Empire, the largest territorial political unit in modern history. Portrayed both as a political genius who restored to Russia the glory it had known in the days of Peter the Great and as a despotic foreign adventuress who usurped the Russian throne, murdered her rivals, and tyrannized her subjects, she was, by all accounts, an extraordinary woman. Catherine the Great, the first popular biography of the empress based on contemporary scholarship, provides a vivid portrait of Catherine as a mother, a lover, and, above all, an extremely savvy ruler. Concentrating on her long reign (1762-96), John Alexander examines all aspects of Catherine's life and career: the brilliant political strategies by which she won the acceptance of a nationalistic elite; her expansive foreign policy; the domestic reforms with which she revamped the Russian military, political structure, and economy; and, of course, her infamous love life. Beginning with an account of the dramatic palace revolt by which Catherine unseated her husband and a background chapter describing the circumstances of her early childhood and marriage, Alexander then proceeds chronologically through the thirty-four years of her reign. Presenting Catherine in more human terms than previous biographers have, Alexander includes numerous quotations from her reminiscences and notes. We learn, for instance, not only the names and number of her lovers, but her understanding of what many considered a shocking licentiousness. The trouble is, she wrote, that my heart would not willingly remain one hour without love. The result of twenty years' research by one of America's leading narrative historians of modern Russia, this truly impressive work offers a much-needed, balanced reappraisal of one of history's most scandal-ridden figures.

    Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"

    This gives her a unique insight into love.We are all born as pure love but Lorna sees 90% of all adults with what looks like a transparent iron band around the body at heart level locking away most of this love. We can't destroy or diminish this love though and Lorna, in this book, teaches us how we can release more of this love and love ourselves and others more.

    One starts with a vision, a moment of insight, then transformation of thoughts, and follows in the light of that truth.This teaching is explored in relation to every aspect of life and is a treasury of wisdom and practical guidance. The reader is taken deeper than in most introductions, while always remaining practical, inspiring, and accessible. This is the first in a new series, Buddhist Wisdom for Today.Sangharakshita is a leading Western Buddhist teacher and a popular author of more than thirty books on Buddhism.

    The New Testament is commonly divided into the Gospels, the Acts of the Apostles, Paul’s epistles, the general epistles, and the book of Revelation. The four Gospels—the books of Matthew, Mark, Luke, and John—are accounts of the life of Christ. The book of Acts records the history of the Church and the Apostles, especially Paul’s missionary travels, after Christ’s death. Paul’s letters give instruction to Church leaders and members. The other letters were written by other Apostles and give additional counsel to the early Saints. The book of Revelation, which was written by the Apostle John, contains mostly prophecies pertaining to the last days.

    Informed by her many years working as a nurse, with more than a decade in palliative care, Tisdale provides a frank and compassionate meditation on the inevitable.From the sublime (the faint sound of Mozart as you take your last breath) to the ridiculous (lessons on how to close the sagging jaw of a corpse), Tisdale leads readers through the peaks and troughs of death with a wise and humorous hand. This is more than a how-to manual or a spiritual bible: it is a graceful compilation of honest and intimate anecdotes based on the deaths Tisdale has witnessed in her work and life, as well as stories from cultures, traditions, and literature around the world.