Includes a "How-To" CD.

    Eye-witness perspective of founding band member Richie Furay, the story of an influential group, pop culture, and politics in the 60's and 70's.

    With his gorgeous, successful wife, Jenny, his country pile, and gold discs hanging in his plush bathroom, he seems to have it all. But all is not well between Jenny and Solomon; as her business continues to grow, her affection for her husband begins to diminish, and soon divorce is on the cards. To try and win Jenny back, Solomon throws his bruised heart into trying out for a reality TV show that turns lapsed pop acts into opera singers. The ace up his sleeve is an eccentric octogenarian opera coach he employs to get ahead of the competition but, to his surprise, Solomon learns far more than how to improve the quality of his vibrato; especially when his coach asks Solomon to duet with newly single Samantha... Sex, Drugs & Opera is the debut novel of Tears for Fears musician, Roland Orzabal.

    Jarvis may be an all-round irritant, but he's harmless & deep down he's got a heart of gold. As his oldest (& only) friend reflects on his life with Jarvis Ham, he wonders what it would have been like if they had never met.

    Along with that song, every one of these singles helped reshape the culture’s style, language, and performance. This is the story of how music and the world change, how bands reach a peak and dominate the scene briefly before fading away, and about the undeniable power of certain songs (Nirvana’s “Smells Like Teen Spirit,” for example). Here are punk and grunge, disco and rock, funk and electronica, rap and hip-hop. Every incisive, illuminating, and outspokenessay defies the accepted view of music journalism. From Elvis Costello’s “Alison” and The Bee Gees’ “Stayin’ Alive” to Bjork’s “Hyperballad” and Missy Elliot’s “The Rain”, it’s a truly provocative read.

    Now Christian Scharen provides a thoughtful look at the driving force behind the band. Bono and other band members are marked by the Christian faith of their Irish backgrounds. Scharen reflects on how U2 "fits within the longer Christian tradition of voices that point us to the cross, to Jesus, and to the power of God's ways in the world" as he explores the music's honest spiritual questioning. Music lovers, pastors, and anyone on the path to God will value this book.

    Now she’s back − a return less anticipated than a Browns’ Super Bowl win − to help her mom out of a funk. Sam heard it was bad, but now Mom's blowing off bingo? Sam begins to suspect that her mom’s depression may not be all it appears, but she gets side-tracked when her investigator brother Paul tosses her into a case. They’re on the hunt for a client’s missing wife, Tracy. Sam discovers she has an old connection to Tracy, but will that help Sam find her, or will it land her in a trap she can’t escape? Shadowing Sam in her hunt is Johnny Rosato, a warmer complication from her past. Sam's emotions are mixed, but her lower half has a strong opinion. An ancient and unfinished crush, a secretive mother, an aiding and abetting best friend, a hot cop, a salacious uncle, and a living garden gnome all compete to distract Sam as she stumbles down a distorted path. Can she find Tracy? And will childhood ties suck her back in for good?

    But when Alan Horne and Edwyn Collins decided to start their own label from a shabby Glasgow flat in 1979, nobody was going to stand in their way.Postcard Records was the mad, makeshift and quite preposterous result. Launching the careers of Orange Juice, Aztec Camera and cult heroes Josef K, the self-styled 'Sound of Young Scotland' stuck it to the London music biz and, quite by accident, kickstarted the 1980s indie music revolution.Simon Goddard has interviewed everyone involved in the making of the Postcard legend to tell this thrilling rock'n'roll story of punk audacity, knickerbocker glories, broken windscreens, raccoon-fur hats, comedy, violence and creating something beautiful from nothing, against all the odds.

    Freak Out the Squares is Russell's exceptionally witty, unusual and enlightening account of the heady times being a key member of Britpop's best-loved and most enduringly relevant band. The first account of life in Pulp, it takes as its starting point the band's reunion tour in 2011, which culminated in a triumphant Glastonbury performance. It's packed with good stories about Britpop luminaries, including Jarvis of course, and digs back into Pulp's origins in Sheffield and to their glory days at the height of Britpop. Russell Senior is a man too smart to have ever been a pop star. And Pulp were too odd a band ever to have become so big. But we can only be grateful that he was, and they did – and that Freak Out the Squares tells the story in Russell's inimitable, entertaining and fascinating way.

    

    As he learned valuable lessons in self-sufficiency, taking responsibility, and how to avoid (for the most part but not always) getting punched in the face by irate hippies, Larry also found his place and made his home in the far-flung, disjointed and eccentric community he encountered in the anarchic realm that begins where Highway 101’s tattered tarmac dissolves into the dust of Spy Rock Road.

       A great cover only makes a song stronger. Jimi Hendrix’s version of Bob Dylan’s “All Along the Watchtower.” The Beatles rocking out with “Twist and Shout.” Aretha Franklin demanding “Respect.” Without covers, the world would have lost many unforgettable performances. This is the first book to explore the most iconic covers ever, from Elvis’s “Hound Dog” and the Rolling Stones’ “Not Fade Away” to Led Zeppelin’s “Dazed and Confused,” the Talking Heads’ “Take Me to the River,” and Adele’s “Make You Feel My Love.” Written by the founder of the website covermesongs.com, each of the 20 chapters investigates the origins of a classic cover—and uses it as a framework to tell the larger story of how cover songs have evolved over the decades. Cover Me is packed with insight, photography, and music history.

    The Devas or Gods of the Vedic age were eternal enemies of the Asuras or Demonic races. How could the son of the preceptor of the Gods possibly hope to find love and happiness with the daughter of the preceptor of the Demons? Yet love flowers in the unlikeliest places and so Kacha and Devayani began to dream the impossible dream. Their love was doomed to end tragically but the how and wherefore of the tragedy is what makes their story so unforgettable. But the story doesn’t end there. Instead, it segues (after a gap of a few years) into another: the love triangle of Devayani, her former friend Sharmishtha, and the man they both loved, Yayati. After a quarrel with her friend Sharmishtha, Devayani used her father’s influence and power to force her friend Sharmishtha to live out the rest of her life as Devayani’s personal maidservant. One day, Devayani found herself trapped at the bottom of a well deep in the forest. Soon after, a stranger wandering through the forest, chanced across her.. On learning that he was Yayati, king of a powerful nation, she blackmailed him into a relationship. But unknown to Devayani, Yayati fell in love with Sharmishtha, resulting in a love triangle that presages the plots of countless present-day soap operas. Read on to see how Ashok’s storytelling shines brilliant light upon this gem pried loose from the mosaic of his own Mahabharata Series.

    It begins with the painstakingly assembled, never before told story of the murder of a Mongols Motorcycle Club member named Manuel Vincent "Hitman" Martin. Martin was shot off his motorcycle on the Glendale Freeway in Los Angeles about 2 a.m. on October 8, 2008. Initial reports alleged that Martin had been murdered by the Hells Angels and that he died as part of an ongoing, "furious feud" between the two groups. The truth behind the murder is much more interesting and disturbing than that. Martin died on the final day of a three-year-long, undercover investigation of the Mongols by the Bureau of Alcohol, Tobacco, Firearms and Explosives. The ATF called it "Operation Black Rain." Both Black Rain, and the federal prosecution that followed, were so cynically unfair and corrupt that some Mongols still believe that Martin was actually murdered by government agents. Together, the investigation and the prosecution probably cost $150 million. The initial press coverage of the case was manipulated by the ATF. News of the subsequent legal wrangling was virtually non-existent because the Department of Justice wanted to keep the case as secret as possible. Out Bad, draws on numerous public and confidential sources including numerous sources within the Mongols, the Hells Angels and the ATF to accurately reveal what really happened. Out Bad is a startling ride down a dark road nobody yet knows. Here's your ticket. Climb on. There ain't no seatbelt.

    Includes lead sheets for such standard vocal repertoire pieces as: Yesterday * I'm Beginning to See the Light * and I Heard it Through the Grapevine. Maximize your vocal potential with this outstanding guide