Two rival football teams. Two legendary coaches. Two talented quarterbacks. Together they broke the color line, revolutionized college sports, and transformed the NFL.1967. TWO RIVAL FOOTBALL TEAMS. TWO LEGENDARY COACHES. TWO STAR QUARTERBACKS. TOGETHER THEY BROKE THE COLOR L INE, REVOLUTIONIZED COLLEGE SPORTS, AND TRANSFORMED THE NFL. In September 1967, after three years of landmark civil rights laws and three months of devastating urban riots, the football season began at Louisiana’s Grambling College and Florida A&M. The teams were led by two extraordinary coaches, Eddie Robinson and Jake Gaither, and they featured the best quarterbacks ever at each school, James Harris and Ken Riley. Breaking the Line brings to life the historic saga of the battle for the 1967 black college championship, culminating in a riveting, excruciatingly close contest. Samuel G. Freedman traces the rise of these four leaders and their teammates as they storm through the season. Together they helped compel the segre­gated colleges of the South to integrate their teams and redefined who could play quarterback in the NFL, who could be a head coach, and who could run a franchise as general manager. In Breaking the Line, Freedman brilliantly tells this suspenseful story of character and talent as he takes us from locker room to state capitol, from embattled campus to packed stadium. He captures a pivotal time in American sport and society, filling a missing and crucial chapter in the movement for civil rights.

    After his older brother stepped down and passed him the throne, Ace is tasked with the difficulties of transitioning from being Underboss to H.N.I.C. The job was tough but flipping the culture of an established drug empire had to be done. His money along with his squad had his foremost attention for the longest time, all he wanted to do was get richer by any means necessary. He wasn't looking for love but there's always the exception to the rule.Bleu Majors was the exception to every rule. When he saw her, he knew he had to have her. She was gorgeous, smart, driven and he felt like she could handle a man of his caliber. But he forgot to read between the lines on the pages and took the woman off face value. You've heard of the saying don't judge a book by its cover right? The blue eyed beauty had an insatiable appetite for bad boys and the fast life, the rush of it all really did something to her. Ace offered her all of that in the most addictive way. But the problemwith living life in the fast lane, is that when you make it to your destination so quickly...you just might not be prepared. Follow them on this rollercoaster ride full of betrayal, steamy romance, lies, murder and deceit as they battle between love versus lust. Will love conquer all or will temptations get the best of the dynamic duo? You know what they say about those temporary fixes… Now ask yourself this question, are you ready for Ace & Bleu?

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    

    Instead of inheriting a life of luxury, she lived hers in poverty. But being the child of a notorious Kingpin, Angel has the spirit of a hustler running through her blood. She uses those skills to change her destiny. Because all Angel sees, is the money.

    There you can see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. William Sturkey introduces us to both old-timers and newcomers who arrived in search of economic opportunities promised by the railroads, sawmills, and factories of the New South. He also takes us across town and inside the homes of white Hattiesburgers to show how their lives were shaped by the changing fortunes of the Jim Crow South.Sturkey reveals the stories behind those who struggled to uphold their southern "way of life" and those who fought to tear it down--from William Faulkner's great-grandfather, a Confederate veteran who was the inspiration for the enigmatic character John Sartoris, to black leader Vernon Dahmer, whose killers were the first white men ever convicted of murdering a civil rights activist in Mississippi. Through it all, Hattiesburg traces the story of the Smith family across multiple generations, from Turner and Mamie Smith, who fled a life of sharecropping to find opportunity in town, to Hammond and Charles Smith, in whose family pharmacy Medgar Evers and his colleagues planned their strategy to give blacks the vote.

    For five straight years, from 1958 through 1963, the home of Knute Rockne and Frank Leahy could not produce one winning season. Plagued by a series of bad coaching choices, inept management, and a loss of institutional support, no one could be sure if the Fighting Irish would ever return to glory. When "Touchdown Jesus" was erected in 1964, it presided over a team so hopeless that the entire football program was on the brink of collapse.Little did anyone know, help was on its way in the form of Ara Parseghian, a controversial choice for head coach---the first one outside of the Notre Dame "family"---who had only set foot on Notre Dame soil when his football teams played (and won) there. It was now his responsibility to rebuild the once-proud program and teach the Fighting Irish how to win again. This was no small task.The men of Notre Dame football were a bunch of unlikelies and oddballs, but Parseghian transformed them into a team: a senior quarterback who would win the Heisman Trophy two weeks before he picked up his first letter jacket; a five-foot-eight walk-on who would go on to make first team All-American; and an exceptionally rare black player, who would overcome much more than his quiet demeanor to rise to All-American, All-Pro, NFL Hall of Famer, and to justice of the Minnesota Supreme Court.Parseghian would change everything, from the uniforms and pads to the offensive strategy. He switched players from position to position like pieces on a chessboard, and just before the season opener, he hung a motto over the locker-room door:"What tho the odds""Be great or small""Notre Dame men""Will win over all"It would be a huge gamble against great obstacles, but Ara Parseghian had that look in his eye. . . ."New York Times" bestselling author Jim Dent chronicles one of the greatest comeback seasons in the history of college football---the first season in what is known as the "Era of Ara." Once again confirming his position as one of the top sportswriters in the country, Dent writes with passion, humor, and incredible insight, bringing the legends of Notre Dame football to life in an unforgettable story of second chances, determination, and unwavering spirit.

    But when his mouth writes a check that his ass can't cash he is forced to pay up & fast. In “Love in the Ghetto”, what do you do when love is evolved from a very sticky situation? Paper is on the run from New York City and lands himself in the Dirty South…. In order to save his life and his family he has to capture the mind and heart of Evelyn “E-Money” Houston. What Paper thinks will be an easy job turns out to be extremely difficult. Evelyn is not one for games and can spot a rat a mile away. Paper soon finds his way behind the chamber that holds her heart and no longer cares about the threats in New York. Big G, Evelyn’s father is a legend in the streets of Atlanta and will go to war about his three daughters, Elise, Gabrielle and Evelyn. Evelyn serves as his right hand and major moneymaker, any distractions that come her way G is quick to dead them. Known in the hood as E-Money, hated by many but respected by all Evelyn lives & breathes the streets, she doesn't believe in settling down or giving a man the time of day. In this riveting series, love is challenged, expressed and felt through every page. Evelyn is faced with choosing between being loyal to the streets or happiness for once. Will someone end up dying in the name of love? Will G be forced to let go of his baby girl? In “Love in the Ghetto" the meaning of real love is exploited.

    It provides scriptural solutions to life altering problems such as low self-esteem, abuse, and depression. Black Girls Don’t Cry frees us from the bondage of regrets, encourages us to drop the baggage from our past, and moves us forward towards a renewed strength in Christ.

    Life may not start out all peaches and cream for Courtney...but with a little savvy and a lot of determination she might just turn it all around. Join her on a journey from innocence to independence. Determined not to be consumed by life's struggles, Courtney learns to take advantage of the obstacles she faces. Will she self-destruct or burn bright?

    Lucky Luciano may have run most of New York City. But from the 1930s to the late 1960s, when it came to Harlem, the undisputed king of the underworld was Ellsworth Bumpy Johnson. Bumpy was a man whose contradictions are still the root of many an argument in Harlem. But there is one thing on which both his supporters and detractors agree in his lifetime, Bumpy was the man in Harlem. Harlem Godfather: The Rap on My Husband, Ellsworth Bumpy Johnson is the first complete biography of a man who for years was Harlem s best kept, and most cherished secret. There is also a full chapter on Madame Stephanie St . Clair, the infamous Harlem numbers banker who instigated the famous fight with Jewish mobster Dutch Schultz. The book is written by Bumpy's widow, Mayme Johnson, and details not only his criminal life but also his personal life. This book also details Bumpy's relationship Harlem dopedealer with Frank Lucas, who has called himself Bumpy's right-hand man, but was -- according to Mrs. Johnson -- little more than a flunky.

    Although these images are sanitized and romanticized in American popular culture, they represent the untold stories of enslaved men and women who had a significant impact on the nation's culinary and hospitality traditions even as they were forced to prepare food for their oppressors.Kelley Fanto Deetz draws upon archaeological evidence, cookbooks, plantation records, and folklore to present a nuanced study of the lives of enslaved plantation cooks from colonial times through emancipation and beyond. She reveals how these men and women were literally -bound to the fire- as they lived and worked in the sweltering and often fetid conditions of plantation house kitchens. These highly skilled cooks drew upon skills and ingredients brought with them from their African homelands to create complex, labor-intensive dishes such as oyster stew, gumbo, and fried fish. However, their white owners overwhelmingly received the credit for their creations.Focusing on enslaved cooks at Virginia plantations including Thomas Jefferson's Monticello and George Washington's Mount Vernon, Deetz restores these forgotten figures to their rightful place in American and Southern history. Bound to the Fire not only uncovers their rich and complex stories and illuminates their role in plantation culture, but it celebrates their living legacy with the recipes that they created and passed down to future generations.

    That was the reason I studied so hard in school, didn’t hang out with the popular kids, and didn’t rebel against my parents. When I turned 17 years old and became the Valedictorian of my class, I knew I was on the right track. I was ready to go to college and embark on my journey towards becoming a corporate lawyer. Never in a million years did I think that by the time I was eighteen years old, I would be pushing out a baby. Never did I think my life could change so drastically. I had no degree, no career, no house, and no husband; but I had a daughter. I still remember the night everything changed between us. Or maybe things had already changed, and it was the first time I noticed it. I know for sure that it was the first time I had ever accepted the fact that I was truly just a “baby mama” and Flip had no real plans of making me his wife. I remember feeling so many emotions that night. I was hurt, angry, confused, disappointed, and betrayed. But I was still very much in love. I loved him too much to hate him so quickly, so I resented him and I hated myself for being so naiive. It didn’t take long for that resentment to magnify because once the truth is out, you begin to connect the dots to every lie you’ve ever been fed and it makes you wonder if any of it was ever real. The moment you lose respect for someone, everything changes. The love is still there, but it’s not the same. You become guarded, you become defensive, and sometimes you just want to hurt them the way they hurt you. That’s when they start to call you bitter. I never pictured myself becoming a bitter baby mama, but you know what? Maybe they’re right. Maybe I am bitter but I feel like I have every damn right to be. This is my story.

    Historian Todd Robinson studies the issues surrounding school integration and bureaucratic reforms as well as the role of black youth activism to detail the diversity of black resistance. He focuses on respectability within the African American community as a way of understanding how the movement was formed and held together. And he elucidates the oppositional role of northern conservatives regarding racial progress. a"A City within a City" cogently argues that the post-war political reform championed by local Republicans transformed the city's racial geography, creating a racialized city within a city, featuring a system of managerial racism designed to keep blacks in declining inner-city areas. As Robinson indicates, this bold, provocative framework for understanding race relations in Grand Rapids has broader implications for illuminating the twentieth-century African American urban experience in secondary cities.

    Black music and with it the private black self were suddenly grossly public—tossed onstage, dressed in clown white, and bandied about with a gleeful arrogance that just yesterday had chosen to ignore and condescend.Blacks, it seemed, had lost the battle for mythological ownership of rock, as future events would prove.Written more than 40 years ago with astonishing prescience, celebrated critic and memoirist Margo Jefferson’s Ripping Off Black Music—her first published essay—is at once unflinchingly honest and dead-on in its critique of appropriation in popular music, from Chuck Berry to Elvis, Jimi Hendrix to the Beatles. Features an introduction by the author.Ripping Off Black Music was originally published in Harper’s, January 1973. Cover design by Adil Dara.