Filled with poignancy and humor, The Eves captures the conversations we wish we had had with our parents, if we had taken the opportunity, and the lessons we would want to impart to our children, if they were ready to listen.Told through the voice of the psychologically complex Jessica Barnet, this is her story. As the primary witness in a messy trial she has been torn from the foundation of her existence—her connection to her children. With a partially finished doctoral degree, and incomplete renovations on her Washington, DC row house, she has let go of her ambitions and her appearance, but not her vodka or her sense of loss and guilt. When Jessica meets five diverse, determined, and sometimes ditzy old women living in a sustainable community everything and everybody changes. Through plot twists and turns that cover three continents, we learn the truth of Jessica’s life and lies just as we fall in love with the vividly drawn characters and the vibrantly described settings.

    Fern, married and the mother of three boys takes us into her modern middle-class suburban Long Island world where one day she gets the "Big Idea" to learn the Chinese tile game called mah jongg. Weekly games provide the setting for deep-seeded friendships to form around the mah jongg table. These Monday gatherings become a source of support and strength for Fern as her husband is diagnosed with cancer. Fear, insecurity and potential heart-wrenching loss become challenges she must overcome. The author weaves the themes of destiny, faith, friendship, time and love throughout the story. Fern takes us on her journey around the mah jongg table, eastward to the seaport town of Greenport and through her husband's battle with cancer as she relies on faith, friendship and her personal relationship with God. Read this heartwarming story about the wonderful things that can happen when five women are destined to come together to play an old Chinese game, sitting around a table with 152 tiles, dice and a mah jongg card. Love always; love all ways, for time has no guarantees.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    His loyalty to his family is what put him behind bars, so it only seems fair that his older brother gets him a job working security for his boss – Oxford Pierce – owner of one of the wealthiest tobacco companies in America. Lexie Pierce has never been swayed by her father’s wealth. If anything, being heir to Oxford Pierce’s tobacco throne has given Lexie a hunger for independence outside of her father’s name and fame. All of her life she’s had one dream… one goal… and the will to achieve it on her own – until her father makes her an offer she can’t refuse. When Aali joins Lexie’s security team, he immediately finds himself enraptured by her. There are just two problems – Lexie is promised to another man, and even if she wasn’t… Oxford has absolutely forbid Aali to even lust after his daughter mentally. Unintentionally, Lexie uses her feminine influence just as Eve did in the garden of Eden. And just like Adam… Aali is forced to choose between obeying Oxford or satisfying his desire for Lexie. Will he take of her forbidden fruit and eat… or will he have the strength to resist a temptation that has never looked so sweet?

     Through thirteen wildly imaginative short stories and a passional essay on colonialism and Southeast Asia, Cambodia: A Book for People Who Find Television Too Slow startles, amuses, and infuriates its readers with juxtaposed images and penetrating insights into the media jungle. Like subtitles read in a foreign film, the pace of Brian Fawcett’s intoxicating prose accelerates quickly and unfolds right before the readers eyes until it is moving more swiftly than the imagines on the evening moves. Passion stirs in the pages of Fawcett’s book, urging readers to resist the annihilation of memory and imagination in our society.

    Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    The place is a small town in rural England, and the setting a snow-laden winter. A small troupe of actors accompanied by Nicholas Barber, a young renegade priest, prepare to play the drama of their lives. Breaking the longstanding tradition of only performing religious plays, the groups leader, Martin, wants them to enact the murder that is foremost in the townspeoples minds. A young boy has been found dead, and a mute-and-deaf girl has been arrested and stands to be hanged for the murder. As members of the troupe delve deeper into the circumstances of the murder, they find themselves entering a political and class feud that may undo them. Intriguing and suspenseful, Morality Play is an exquisite work that captivates by its power, while opening up the distant past as new to the reader.

    Topics cover civil rights, road trips in Baja, and Elvis' s visits to his aging mother. Also tributes by authors such as Donna Tartt and Ron Rosenbaum.

    A dead baby. An arrest. And now, if the court-appointed psychiatrist found her sane, a long, sensational trial. But Dr. Martha Livingston knew it was more complicated than that. How did you judge a twenty-one-year-old girl who wasn't sure where babies came from? Who didn't even remember having one . . . or what happened to him? Especially when a strong-willed Mother Superior is battling you every step of the way - and your own searing memories of a similar tragedy threaten to make you lose whatever objectivity you still possess.

    By turns sad and funny, satiric and moving, Alan Ayckbourn's intelligent British comedy Woman in Mind charts, without sentimentality or heartless irony, a frowsy middle-aged Englishwoman's hopeless descent into psychosis.

    Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the "Tongue of the Invisible."With this stunning collection of 250 of Hafiz's most intimate poems, Daniel Ladinsky has succeeded brilliantly in capturing the essence of one of Islam's greatest poetic and religious voices. Each line of THE GIFT imparts the wonderful qualities of the spiritual teacher: an audacious love that empowers lives, profound knowledge, wild generosity, and a sweet, playful genius unparalleled in world literature.

    These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.

    While Roxane is in love with the beautiful but inarticulate Christian.Cyrano's generous offer to act as go-between sets in motion a poignant and often hilarious love-triangle, in which each character is torn between the lure of physical attraction and the seductive power of words.Martin Crimp's adaptation of Edmond Rostand's Cyrano de Bergerac premiered at the Playhouse Theatre, London, in November 2019.

    After a particularly gruelling assignment, she checks into an expensive hotel. Unfortunately she has chosen the exact moment terrorists attack the hotel. Abhi, the hotel manager, begs her to stay quiet and stay put. Abhi has never wanted to be a hero; a disappointment to his army father and brother. He thought he'd come to a safe haven at the hotel, a place where he could be himself. Now stuck inside the sealed-off manager's office in the middle of a terrorist attack, he is desperately trying to keep those still alive safe. His lover Dieter is amongst the hostages in the bar and the photographer Sam, refusing to stay in her room, is roaming through the hotel taking pictures, potentially coming face to face with the terrorists at any moment. A small child, Billy, is found alive under the bodies of his dead parents and Abhi has to persuade the non-maternal Sam to bring him back to her room. He's hurt and Sam has no clue how to look after a child. As the tension mounts and more people are killed, the bond between Sam and Abhi, between Sam and Billy, grows. If any of them get out alive, none of them will ever be the same...

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