Partita has invited her friend, Kitty to stay at her ancestral home, Borders Castle. The grandeur of Partita’s family seat is in stark contrast to Kitty’s home in London where she and her mother, Violet, struggle to maintain appearances despite Kitty’s father gambling away the family money. Kitty is introduced to the aristocracy — a world she finds fascinatingly decorative and theatrical. She is enthralled by it, and desperately wants to be part of this way of life that is so far removed from the genteel poverty in which she and her mother are forced to exist.But war breaks out, not only irrevocably changing society, but also the lives of these two beautiful young women. The headstrong Partita and down-to-earth Kitty become nurses, caring selflessly for men who have been horrifically injured in the trenches.In Distant Fields is about the mothers and daughters, sisters and wives who are left holding things together on the home front and caring for their men. But, more importantly, it’s about the nature of female friendship.

    Set in the aftermath of WW2, this gripping saga is richly evocative of the period and shows the true grit of our heroine Ruby.

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    In this superb anthology can be found the best of the English-speaking world’s inspirational and reassuring verse, including such classics as Rudyard Kipling’s ‘If’ and W.H. Davies’ ‘Leisure’. This beautifully illustrated collection of over 120 poems is sure to offer solace, hearten the soul and motivate the human spirit.

    A title guaranteed to generate "No, wait, read this one!" responses, "The Armpit of Doom" is more mayhem from one of the masters. (J. Patrick Lewis, US Children's Poet Laureate, author of "Please Bury Me in the Library")Kenn Nesbitt wrote a book of poems A funny one I think. And though it's colored black and white Watch it tickle you PINK! (Douglas Florian, author and illustrator of "Comets, Stars, the Moon, and Mars: Space Poems and Paintings")Kenn Nesbitt's brain is the clown car of children's poetry. I don't know how they all fit in there, but they keep tumbling out, one after another, each one funnier than the one before it. (Eric Ode, poet and songwriter. Author of "When You're a Pirate Dog and Other Pirate Poems")I liked "Armpit" (the book) a lot. Armpits aren't my favorite body part. (Bruce Lansky, author of "If Pigs Could Fly... And Other Deep Thoughts" and "My Dog Ate My Homework")Despite the many warnings ("Please Don't Read This Poem!") kids cannot escape the odorous allure of Nesbitt's THE ARMPIT OF DOOM! No problem. They won't want to! Instead they will find "There's only one solution. Here's what you'll have to do: Tell all your friends and family they shouldn't read it too!" (Charles Ghigna, AKA "Father Goose," author of "Score! 50 Poems to Motivate and Inspire")What makes this collection most special are the contemporary details sprinkled throughout (the iPod, XBox, and Kindle, Red Bull, J.K. Rowling, scrunchies, computer woes). Kids will really love the clever nonsense in poems like "On the Thirty-Third of Januaugust" and "It's Fun to Leave the Spaces Out." Teachers, beware: theirsentencesmightlooklikethisforafewdaysafterreadingthisbook!" (Janet Wong, author of "You Have to Write")Fans of Kenn Nesbitt will gobble up this new offering, which combines his infallible command of rhyme scheme with the hilarious--yet oddly contemplative--wisdom of a child pondering the world. (Joyce Sidman, author of "Swirl by Swirl: Spirals in Nature")

    Handed a sacred scroll from Atlantis by a dying Tibetan monk, Marcus, Joanna and Helen are propelled into adventure as they race to get it translated and follow its instructions.

    

    Howard's stories about Conan the Barbarian.These stories were originally published in Weird Tales magazine between 1933 and 1936.The Conan stories included in the collection are:1. The Frost Giant's Daughter (Gods of the North)2. The Tower of the Elephant3. Rogues in the House4. Shadows in the Moonlight (Iron Shadows in the Moon)5. Black Colossus6. Queen of the Black Coast7. The Slithering Shadow (Xuthal of the Dusk)8. A Witch Shall Be Born9. The Devil in Iron10. The People of the Black Circle11. Shadows in Zamboula (Man-Eaters of Zamboula)12. The Pool of the Black One13. Beyond the Black River14. Red Nails15. Jewels of Gwahlur (The Teeth of Gwahlur)16. The Phoenix on the Sword17. The Scarlet Citadel18. The Hour of the Dragon (Conan the Conqueror)As an added bonus, also included in the set are:Cimmeria—A PoemThe Hyborian Age—Conan's World (This is Howard's background essay on the world of Conan)For ease of navigation, the anthology includes an interactive table of contents. The stories in this collection are ordered roughly in chronological order from Conan's first adventures as a young mercenary adventurer and thief to his final epic clashes as a king and are based on the Rippke chronology.About Conan:Conan the Barbarian (also known as Conan the Cimmerian) is a fictional sword and sorcery hero who originated in pulp fiction magazines and has since been adapted to books, comics, several films (including Conan the Barbarian and Conan the Destroyer), television programs (cartoon and live-action), video games, role-playing games and other media. The character was created by writer Robert E. Howard in 1932 via a series of fantasy stories published in Weird Tales magazine.Conan the Character:Conan is a Cimmerian. From Robert E. Howard's writings (The Hyborian Age among others) it is known that the Cimmerians were based on the Celts or Gaels. He was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian outpost of Venarium. After its demise, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary, and pirate. As he grew older, he began commanding larger units of men and escalating his ambitions.

    War is on the horizon but on Monk Island, Maine life goes on as usual. As the daughter of a lobsterman, Ellie Ames’ future seems limited until a mysterious German couple comes off the ferry with their nineteen-year-old son. From the moment she meets Karl Brink, the two become inseparable and not everyone approves because locals are suspicious of outsiders. Ellie ignores their scorn, however, and the secret she learns about Karl’s family makes her even more determined to be with him. The magical summer ends when the Brinks suddenly have to go home. And although Karl promises to return in the fall, by then Europe is at war. Two years pass and Ellie has all but given up hope when she gets a letter in the mail that will change her life forever.The Storm Beyond The Tides is the story of the unlikely romance between a small-town girl and a German on the eve of the Second World War and explores a frightening time in America’s past—when U-Boats prowled the East Coast and put small, coastal communities on the frontline of a global conflict.

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    J. Robinson comes a family saga amidst the backdrop of the Civil War and a deadly hurricane, rising floodwaters in the Big Easy, or Crescent City, as a plantation on River Road in Vacherie, Louisiana, is threatened. Will Hurricane Katrina destroy what the Civil War spared? Margaret Jane Turnrow first laid eyes on River Oaks Plantation amid lush foliage and oak trees dripping with Spanish moss when she returned from her honeymoon as a petite hazel-eyed fifteen-year-old bride to the antebellum mansion. She immediately fell in love with the house and grounds and beautifying the garden with plants. Her first task involved lining the oak drive with azaleas. Determined to have the best plantation gardens, she soon recreated formal ones designed from precious memories of France, Italy, and England she'd toured on her honeymoon. Before the Civil War, she imported plants, and gardening became her passion. During the war, it was her only one. The fertile Louisiana soil loved and nursed her plants as much as she did, and they grew like the cotton and sugarcane. Pale as a magnolia blossom, she sparkled like the sun reflecting off Lake Pontchartrain when she flashed pearly white teeth with her camellia red smile, but small white hands tucked demurely into the folds of her gown as she sat quietly during elegant dinners, concealed her true vivacious spirit. The war would change the shy woman-child as it ravaged through her life and took its toll on the home and family life she came to know and love with all of her heart. Before the Civil War, dashing Danny Paul Turnrow stood six-foot-two-inches, as tall and elegant as the white-columned plantation home he'd purchased on the banks of the Mississippi River. He led a charmed life as a charismatic cotton baron known as one of the richest men on River Road. River Oaks boasted over thirty-five-hundred acres of fertile Louisiana soil, mostly planted in cotton with the exception of some sugarcane along the Mississippi River banks and his wife's gardens. He returned from the war a different man, as broken as the pillared splendor of the South. Surrounded by cypress swamps and sugarcane fields on the river's end and white blankets of cotton edging the dirt roads, River Oaks Plantation still stood, but the grand life he'd led turned to one of backbreaking toil. He no longer stood so tall and proud with an aching back hunched over Louisiana cotton fields. With the future uncertain, fear lurks in his heart and soul and clouds his mind. What will sustain his marriage through the loss? Can they defend what's most precious to them and maintain River Oaks as a working plantation? The manor home is the only legacy he has left and the only life he has ever known. Will he lose it? Years later, Amaryllis Camilla O'Brien is stranded alone with two dogs on the top floor of an antebellum plantation in Vacherie, Louisiana, as a deadly hurricane rips and roars through the city and raging floodwaters threaten to devour the old home. She discovers a yellowed diary. Will family secrets drown in the flood with her? Will the diary matter? She's determined to save it and the dogs, or die trying. Has her grandmother left her a sinking ship? Noah Gautreaux, the plantation manager, took vehicles to higher ground and is supposed to return, but will he make it in time to save Amaryllis and his pet girls? The old house withstood the floods of 1973, 1983, and 1993. He doesn't think he has to worry about it floating off down the Mississippi River, but as excessive rain and wind continue to batter the area and the water continues to rise when the levee breaches, he realizes there's a first time for everything and this could be it for the white-columned beauty of ages past.

    Don Marquis' creations have been constantly in print since 1934.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.