Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city—the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane’s own contribution—the longest story in the volume—is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader. In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen. Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award–winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.PART I: FEAR & LOATHINGLYNNE HEITMANExit InterviewFinancial DistrictDENNIS LEHANEAnimal RescueDorchesterJIM FUSILLIThe Place Where He BelongsBeacon HillPATRICIA POWELLDark WatersWatertownPART II: SKELETONS IN THE CLOSETDANA CAMERONFemme SoleNorth EndBRENDAN DUBOISThe Dark IslandBoston HarborSTEWART O'NANThe RewardBrooklineJOHN DUFRESNEThe Cross-Eyed BearSouthiePART III: VEILS OF DECEITDON LEEThe Oriental Hair PoetsCambridgeITABARI NJERIThe CollarRoxburyRUSS ABORNTurn SpeedNorth Quincy

    An essential book for a full understanding of one of our major poets.Color woodcut, Night Scene, by Neil Welliver. Courtesy of the artist.

    A missing woman.  A killer on the loose.  And an Atlanta private eye who meditates his way to the truth....Check out the Majestic Diner At 3 a.m.  Look for a man named Flap and a woman named Dalliance...Flap Tucker isn't like other private eyes.  He's a mystic, a finder of lost things, a veteran of a foreign war who lives on the wrong side of town and lets his mind go freely to nirvana.  Now, in the city that Sherman burned but didn't bury, where good ol' boys and transvestite hookers pass in the downtown Atlanta night, Flap Tucker is beginning the strangest case of his already strange career.Flap's best friend, the beautiful nightclub owner Dalliance Oglethorpe, wants Flap to find the vanished wife of a millionaire scion--a half-wit who may have made the woman up in the first place.  Real or not, Flap starts looking for one Augusta Donne, and finds, instead, the brutal murders of two topless dancers and a transvestite who was ritually slain.  Each step of the way, the case grows more sinister, until Flap suddenly reaches that place only he can go: where all the universe is interconnected, where a Zenlike truth illuminates the path, and where Flap Tucker, the man with all the answers, is standing in a killer's way....Phillip DePoy has published short fiction, poetry, and criticism in Story, The Southern Poetry Review, Xanadu, Yankee, and other magazines.  He is currently the creative director of the Maurice Townsend Center for the Performing Arts at the State University of West Georgia, and has had many productions of his plays at regional theaters throughout the south.  He is the recipient of numerous grants from the National Endowment for the Arts, the state of Georgia, the Georgia Council for the Arts, the Arts Festival of Atlanta, the South Carolina Council for the Arts, etc.  He composed the scores for the regional Angels in America and other productions and has played in a numerous jazz and folk bands.  In his work as a folklorist he has collected songs and stories throughout Georgia and has worked with John Burrison, the foremost folklorist in the south and with Joseph Cambell.  Nexus Press published his nonfiction essay and photo collection, Messages from Beyond.  Easy is his first novel.

    As Roger Reeves said in an interview, "While writing King Me, I became very interested in the mythology of king, the one who is sacrificed at the end of the harvest season. . . . For me, the myth manifests in the killing of young black men, Emmett Till, and in the ways America deems young, black male bodies as expendable—Jean Michel Basquiat, Mike Tyson, Jack Johnson. These are the young kings whom we love to kill—over and over again."From "Some Young Kings":The hummingbirds inside my chest,with their needle-nosed pliers for tonguesand hammer-heavy wings, have left a messof ticks in my lungs and a punctured lullabyin my throat. Little boy blue come blowyour horn. The cow's in the meadow. And Dorothy's alone in the corn with Jack, his black fingers, the brass of his lips, the half-moons of his fingernails clickingalong her legs until she howls—Charlie Parker. Charlie Parker. Charlie Parker . . .

    Schmidt offers the first anthology to gather poems by the 43 poets laureate of the United States.

    In this volume, best-selling writers such as Mary Higgins Clark, Walter Mosley, Lawrence Block, Jay McInerney, and Donald E. Westlake stand alongside an impressive array of new talent. As Grafton writes in her introduction, "Nowhere is iniquity, wrongdoing, and reparation more satisfying to behold than in the well-crafted yarns spun by the writers represented here." Already a bestseller in its first year, this year's collection of The Best American Mystery Stories promises to keep readers intrigued and coming back for more.

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    Since 1988, The Best American Poetry anthology series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume in the series presents some of the year’s most remarkable poems and poets. Now, the 2020 edition is guest edited by Utah’s Poet Laureate Paisely Rekdal, called “a poet of observation and history...[who] revels in detail but writes vast, moral poems that help us live in a world of contraries” by the Los Angeles Times. In The Best American Poetry 2020, she has selected a fascinating array of work that speaks eloquently to the “contraries” of our present moment in time.

    Ott --Ideas / Patricio Pron --Vanish / Evan Ratliff --Seven months, ten days in captivity / David Rohde --Tent City, U.S.A. / George Saunders --The nice little people / Kurt Vonnegut --Freedom / Amy Waldman

    And here, for the first time, is an anthology of poems from the show, chosen by Keillor for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." Good Poems includes verse about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.

    This volume contains the finest short poetry Donald Hall has written, poems of landscape and love, of dedication and prophecy, poems that have won thousands of readers, as well as various prizes and honors.

    There is something special about Nell’s vision and how she’s able to see the world. One afternoon, a woman enters the sisters’ shop, and while Nell is in the backroom studio, she takes a quick look at the customer and sees something disturbing. When the woman leaves the store, a terrible accident happens, and after the police investigate, they discover a killer is on the loose. The police ask Nell to help them find the criminal, but she hesitates. Will Nell get involved in the investigation before someone gets away with murder? This book has mild paranormal elements.

    In trade paperback and priced at $19.00, readers of the Baer will now be able to buy the trilogy in one handy volume. The novels follow antihero Phineas Poe, ex cop and his love for Jude. Together they try to make sense of their past and navigate the internal landscape he calls hell's half acre. The Phineas Poe trilogy includes Kiss Me Judas, Penny Dreadful, Hell's Half Acre

    That is until local businessman, Donald Sands, is found murdered on the local golf course. Young and inexperienced Sheriff, Steve Calder, needs help and turns to Jenny to assist him in his investigation. Suddenly Jenny is plunged into a mystery unlike any other she has encountered and faces a multitude of suspects who all have a reason to rejoice the victim's death. It isn’t going to be as easy as Jenny thought, as she tries to find out who killed the most unpopular man in town. A string of mistresses, a jealous husband, a shady realtor as well as a down on his luck store owner, who couldn't repay a debt, are just some of the suspects as the plot thickens, and twists abound. Meanwhile, skeletons from Jenny's past are rattling their unwelcome bones. The truth contorts to a climax that will leave readers breathless.

    Volkman develops a new lyric density that marries the immediacy of image-centered poetry to the rhythmic resources of prose. Her first poem begins, Someone was searching for a Form of Fire, and this wild urge to seek form- and thus definition-in the most uncontainable of elements propels the book forward; each poem maps the mind's evolving positions in response to its variable and perilous encounters. Sometimes the encounter is romantic or purely carnal, a sensual landscape of human relations. At other times, nature itself has an almost humanly emotional connection to the speaker. While very much a living voice, the poems' speaker is not a consistent self but a mutable figure buffeted by tenderness, terror, irony, or lust into elaborate evasions, exclamations, verbal hijinks, and lyric flights. As its title suggests, Spar embodies both resistance and aspiration, while its epigraphs further emphasize the simultaneous allure and danger of the unknown within the sensual and material worlds and in the mind itself.