With peace in their lands, Levi and Reece have been living a life of serenity and peace, raising their three young children at Oxley Manor. Everything seems perfect and well until Levi realizes something: a holiday he knows his wife as always loved on her home planet of Earth has never been celebrated in his realm. In fact, Reece hasn't had the privilege of enjoying her favorite holiday in over six years, and Levi vows to change that. But can he? With his sister's wedding at hand, his own daughter professing her love for another as well, and wanting to have a new holiday introduced to Pemdas...Levi is determined to find a way to make all of this work no matter the sacrifices he must make.

    For years, Paula Woodley has suffered the broken bones and shattered self-esteem caused by an abusive marriage. But what can she do? Her high-profile, Washington power-broker husband is not a man to be crossed. Or so he thinks. The Sisterhood may not be an organization found in any of his memos, but he’s about to take a meeting with them—and they’ll be setting the agenda.… Sweet Revenge Isabelle Flanders’ former colleague, the conniving Rosemary, did everything in her power to ruin Isabelle, from framing her for a terrible drunk driving accident to stealing her husband and her architecture firm. Now, Isabelle’s formerly lovely life is in tatters while Rosemary scoops up the spoils. It’s enough to make any friend’s blood boil. Rosemary may think she’s flying high, but she’s about to tangle with the Sisterhood. Lethal Justice Alexis Thorn, once a successful securities broker, spent a hellish year behind bars for a crime she never committed. Now she has her freedom, but she’s left with haunting memories of being hauled from her office in handcuffs…of the cell door clanging shut behind her…of her pleas going unheard. Alexis dreams of getting even. The legal system failed her, but the Sisterhood won’t.

    Introducing two eccentric ladies who form an unlikely friendship.Meet Mavis and Dot - two colourful, retired ladies who live in Worthington-on-Sea, where there are charity shops galore. Apart from bargain hunting, they manage to tangle themselves in escapades involving illegal immigrants, night clubs, nude modelling, errant toupees and more. And then there’s Mal, the lovable dog who nobody else wants. A gently humorous, often side-splitting, heart-warming snapshot of two memorable characters with past secrets and passions. Escape for a couple of hours into this snapshot of a faded, British seaside town. You'll laugh and cry but probably laugh more."This book is quirky and individual, and has great pathos...[it] will resonate with a lot of readers." Gill Kaye - Editor of Ingenu(e). Written with a light touch in memory of a dear friend who passed away from ovarian cancer, Angela Petch’s seaside tale is a departure from her successful Tuscan novels. All profits from the sale of the books will go towards research into the cure for cancer.

     It was supposed to be a place where every child’s favorite characters came to life. And, it was, until those characters went nuts and started killing everyone. Then it wasn’t so happy. Ten years later Jake and his team of robot reclamation specialists are heading to the island theme park to confront the evil machines, discover Kat’s connection to the disaster and boost the flagging ratings on their reality show, Scrappers. Fearless Monkeynauts, overly friendly Bearberry Bears, feuding Presidents, Dinosty Warriors, fairy tale legends and more populate the abandoned park and only the Junkers are brave enough, or dumb enough, to go for a visit. Join Jake, Hailey, Kat, Savant, Mason and, of course, Glitch as they try to uncover the mystery of what they call The Tragic Kingdom.

    The film makes daring use of voice-over and rapidly shifting points of view and time frame, leaving conventional film language far behind.

    The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

    In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume.Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award.Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

    Included are the first three Big Nate comic compendiums: Big Nate: What Could Possibly Go Wrong?, Big Nate: Here Goes Nothing, and Big Nate: Genius Mode. Diary of a Wimpy Kid author Jeff Kinney says, "Big Nate is funny, big time!"

    His slow descent into semi-madness is chronicled here, in The Office, The Scripts volume 2. Following on from the phenomenal success of series 1 voted Comedy of the Year at the British Comedy Awards the second series averaged over 4 million viewers, with a 25% audience share. This book features the scripts from all six episodes and contains over 500 picture screengrabs taken from the broadcast masters and available exclusively in this BBC publication. Original and accurate and painfully funny: it will have every office in the country twitching with spasms of recognition This is a gem. The Times

    Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

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    Fortunately Greg's best mate Stu has come to the rescue. Now it's Stu's job to lead Greg down the path of enlightenment, where woman swarm by their hundreds and will pay for Greg's company. Welcome to the Meat Market, where everything has a price, even love.

    Because she and her husband, Brian, work together, they have little to talk about. And the heat between the sheets has definitely cooled. Her only diversion these days seems to be the usual neighborhood gossip. She likes to think she's inquisitive. Brian says she's a snoop.Lately, her nosy nature has escalated. She's gotten it into her head that a house down the road might be used to make adult films. Her clues? The blinds are always drawn, and there are never any garbage cans at the curb. She’s determined to get to the bottom of the mystery, but if her snooping keeps uncovering unexpected dirt, it may very well be the last thing she ever does.

    Tuesday started out like any other day – until my school became the target of a zombie attack! I tried to call my Dad, but he wouldn’t answer. So my school is about to be taken over by crazy zombies – but not if I can help it! This story is a funny adventure that is engaging for children, middle school students, and grown-ups.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times