Risking her own health, she moved to Togo, West Africa-ranked by the United Nations as the least happy country in the world-to care for sick and suffering patients.Serving without pay in a mission hospital, she pondered the intersection of faith and medicine in her quest to help make the world "well."In the hospital wards, she witnessed death over and over again. In the outpatient clinic, she daily diagnosed patients with deadly diseases, many of which had simple but unavailable cures. She lived in austere conditions and nearly succumbed herself in a harrowing bout with malaria.She describes her experiences in gripping detail and reflects courageously about difficult and deep human connections-across race, culture, material circumstances, and medical access. Her experience exemplifies the triumph of surviving in order to share the stories that often go untold. In the end, WELL is an invitation to ask what happens when, instead of asking why God allows suffering to happen in the world, we ask, "Why do we?"

    Follow along in a three-part deconstruction of today's full-throttle existence to build the kind of life that Jesus modeled.

    Reich’s books -- The Function of the Orgasm, The Sexual Revolution, and others -- were burned by the U.S. Government in 1956.Having trained in Vienna with Sigmund Freud, Wilhelm Reich, MD (1897-1957), arrived in the U.S. in 1939, where his books and ideas about human sexuality gained a substantial audience. While summering on the pristine lakes of Rangeley, Maine he discovered what he called Cosmic Orgone Energy. Accumulated in small telephone both-size boxes, this Orgone Energy, he reported, was successful in healing wounds and restoring life energy. Yet another device, the Cloudbuster, appeared to control the weather...and flying saucers? For the Food and Drug Administration, Reich’s work was an easy target, and soon after his accumulators and books were burned, he was sentenced to two years in prison where he died in 1957, at age 60.For a pre-adolescent boy protected by his imaginary cavalry those 1950’s were, in retrospect, a grade B sci-fi movie with a sad ending. The book moves in a series of images, like a movie, between past and present, dream and reality. As the images interweave, after layers of defenses, fears, and uncertainties are stripped away, Peter is finally able to see both himself and his father with clear eyes and an open heart.“i enjoyed reich’s dreams very much” [sic] - John Lennon“My God, your book is beautiful!” - Ken Kesey“This autobiographical sketch of a boy’s early years, the genius loci of a remarkable setting, Orgonon, is a fascinating document. Nature offered a wonderland of sensory stimuli, parents allowed freedom and gave devoted care, and other visiting adults supported his physical playfulness with amused appreciation. But as his father’s ally, he became enmeshed in a star wars fantasy too ‘far out’ to be reconciled with reality. Love, loyalty, and the loss of father and his guiding purposes demanded resolution. … But the much-loved land and tensely experienced sensory memories have endured and are described with such authentic simplicity. If more of us could remember childhood with such clarity of recall, adulthood could be both enriched and clarified.” - Joan and Erik Erikson

    Collating classic music press and glossy magazine articles, Morrissey in Conversation describes the rocker's crazy-quilt career in his own words. It’s all here — how the Smiths created 1980s indie rock; the anti-rock credentials, feminist sympathies, and militant vegetarianism; Morrisey’s obsession with pop culture and girl groups, his (a)sexuality, and sardonic salvos against the mediocre. This is the story of how one man bewitched the ‘80s, peaked in the ‘90s, and triumphed in the new millennium.

    Despite what David Miliband might think

    *Includes Cagney's own quotes about his life and career. *Includes a bibliography for further reading. *Includes a table of contents. "You don't psych yourself up for these things, you do them...I'm acting for the audience, not for myself, and I do it as directly as I can." – James Cagney A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, one of the Top 10 was James Cagney, an actor whose acting and dancing talents spawned a stage and film career that spanned over 5 decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Indeed, his portrayal of “The Man Who Owns Broadway”, George M. Cohan, earned him an Academy Award in the musical Yankee Doodle Dandy, and as famed director Milos Forman once put it, "I think he's some kind of genius. His instinct, it's just unbelievable. I could just stay at home. One of the qualities of a brilliant actor is that things look better on the screen than the set. Jimmy has that quality." Ultimately, it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive Hollywood star, and they were the kind of roles he was literally born to play after growing up rough in Manhattan at the turn of the 20th century. In movies like The Public Enemy (which included the infamous “grapefruit scene”) and White Heat, Cagney convincingly played criminals that brought Warner to the forefront of Hollywood and the gangster genre. Cagney also helped pave the way for younger actors in the genre, like Humphrey Bogart, and he was so good that he found himself in danger of being typecast. While Cagney is no longer remembered as fondly or as well as Bogart, he was also crucial in helping establish the system in which actors worked as independent workers free from the constraints of studios. Refusing to be pushed around, Cagney was constantly involved in contract squabbles with Warner, and he often came out on top, bucking the conventional system that saw studios treat their stars as indentured servants who had to make several films a year. American Legends: The Life of James Cagney examines the life and career of one of Hollywood’s most iconic actors. Along with pictures of important people, places, and events, you will learn about Cagney like never before, in no time at all.

    a remarkable story—Leeza Gibbons, NBC-TV • Grippingly told ... a wonderful, powerful book—David Berner, Radio CKNW Vancouver • Reads with the pace of a taut thriller—George Henderson, Gloucestershire Citizen • Mesmerizing—Bob Stall, Vancouver Province. Now revised and updated. The amazing, true story of how medical authorities allow a family doctor to continue practising even after he begins living with a 15-year-old patient—and allegedly has sex with another girl in exchange for giving drugs to her father. The notorious doctor still carries on as before and a third patient complains about infamous conduct—until he silences her by putting out a contract for murder.

    In the rain.In this compelling memoir, comedian and actor Alan Davies recalls his boyhood with vivid insight and devastating humour. Shifting between his 1970s upbringing and his life today, Davies moves poignantly from innocence to experience to the clarity of hindsight, always with a keen sense of the absurd.From sibling dynamics, to his voiceless, misunderstood progression through school, sexuality and humiliating 'accidents', Davies inhabits his younger mind with spectacular accuracy, sharply evoking an era when Green Shield Stamps, Bob-a-Job week and Whizzer & Chips loomed large, a bus fare was 2p - and children had little power in the face of adult motivation. Here, there are often exquisitely tender recollections of the mother he lost at six years old, of a bereaved family struggling to find its way, and the kicks and confusion of adolescence.

    Photos & stories are a must read for all motorcycle riders" - "Sonny Barger " In the early 1960s, a young Navy vet, motorcyclist, amateur photographer, and rebel named Phil Cross joined a motorcycle club called the Hells Angels. It turned out to be a bogus chapter of the club that would soon find infamy, so he switched to another club called the Night Riders. Like the bogus chapter of the Hells Angels, this turned out to be a club whose brotherhood was run by a man Mr. Cross describes as a complete asshole. One day, Mr. Cross stuffed the leader in a ringer-type washing machine and joined a club called the Gypsy Jokers. He started a San Jose chapter of the Jokers and embarked on the most action-packed years of his life. The Jokers were in the midst of a shooting war with the real Hells Angels. The fighting became so intense that the Jokers posted snipers atop their clubhouse. This was a rough time, but it was also the height of the free-love hippie era, and as a young man, Phil enjoyed himself to the fullest. He never let anything as minor as a little jail time stop his fun. Once, while serving time for fighting and fleeing an officer, Phil broke out of jail, entered his bike in a bike show, won the bike show, and broke back into jail before anyone discovered he was missing. Though Phil was tough he was a certififed martial arts instructor the Angels proved a tough foe. After multiple beating-induced emergency room visits, Mr. Cross decided that if you can t beat em, join em, so he and most of his club brothers patched over to become the San Jose chapter of the Hells Angels. This book chronicles the life and wild times of Mr. Cross in words and photos.

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.

    

    N. Murthy Rao, caused a sensation in the literary world of Kannada, and won A. N. Murthy Rao admirers, enemies and the Pampa Award from the Karnataka Government. The thought provoking book gives expression to A. N. Murthy Rao's opinions about God, customs, rituals, traditions and Indian culture.

    Fast delivery through DHL/FedEx express.

    Crump being Crump he immediately set out to remedy the matter, and the result was "Bastards I Have Met", an ABC of Bastardry which when published in 1971 took the country by storm. Now due to popular demand Crump's original twenty-six prize bastards are presented for public enjoyment once again, together with another eight unlikely bastards he met while working down on the Coast a few years back. A whole new generation will enjoy this fresh collection of Crump tales, which are as hilarious as they are perceptive of the many quirks and oddities in the Kiwi character.

    This episodic novel is piloted by a young, anhedonic, gentle, slightly disassociated man. He has no money. He has a supportive but disintegrating family. He is trying hard to be better. He is painting a never-ending fence.Eamonn Marra’s debut novel occupies the precarious spaces in which many twenty-somethings find themselves, forced as they are to live in the present moment as late capitalism presses in from all sides. Mortifying subjects – loserdom, depression, unemployment, cam sex – are surveyed with dignity and stoicism. Beneath Marra’s precise, unemotive language and his character’s steadfast grip on the surface of things, something is stirring.