Completing this collection are over 40 pages of never-before-seen developmental material such as character and layout sketches, sample script pages, sketches and more that provide a glimpse into the making of this contemporary classic.This volume collects Batman #404–407.

    As Maggie, Hopey, and the rest of the Locas prowl Los Angeles, the East Coast, and parts in between trying to recapture the carefree spirit of those early days. "Wigwam Bam" brings us up to date on all the members of Jaime's extensive cast of characters and then drops a narrative bomb on Hopey (and us) in the very last pages. Split up from Hopey yet again, Maggie bounces back and forth between a one-laundromat town in Texas (the "Chester Square" that serves as the title of two of the strongest stories in the book), where she has to contend with both her own inner demons and a murderous hooker, and Camp Vicki, where she has to fend off her aunt Vicki's attempts to make her a professional wrestler and the unwanted advances of the amorous wrestling champ-to-be, Gina. As usual, Jaime spotlights a wide range of headstrong female characters. And what's this about Maggie getting married?

    Friends: They are there when we just want to hang out, or need someone to listen. They make us laugh, and lend a shoulder to cry on. Comic artist Liz Climo captures the true spirit of friendship with this quirkily charming collection. Her animal kingdom is a place where sharks, otters, porcupines, and even crustaceans come together to show the best of what friends have to offer. This little book will remind you to appreciate your own friendships . . . and inspire you to share with a special pal.

    A weird buzzing noise on the other side of the wall has woken him up, and there, across the room, next to a huge hole torn out of the bricks, sits his beloved cat, Inky. Who died years ago. But who’s nonetheless slinking out through the hole, beckoning Doug to follow.What’s going on? To say any more would spoil the freaky, Burnsian fun, especially because X’ed Out, unlike Black Hole, has not been previously serialized, and every unnervingly meticulous panel will be more tantalizing than the last...

    Two years later, the USA responded with two monkeys, Able and Baker. These animals never returned. But, unbeknownst to everyone, they did not die in orbit…they were taken. And now they are coming home.

    For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the black pages of the first edition.

    Plagued with doubt, the artist is confronted by setbacks punctuated with occasional glimpses of recognition. Based on Haifisch’s own experiences as an illustrator in Germany and the US, The Artist has most recently run as a serialised comic in Vice Magazine to critical acclaim. Her work has also been published in the anthologies Two Fast Colour and Smoke Signal as well as the storytelling studio Narratively.

    streaming to follow soon thereafter). Originally released to critical and public acclaim in 2013, Charles Forsman’s graphic novel debut follows James and Alyssa, two teenagers living a seemingly typical teen experience as they face the fear of coming adulthood. Forsman tells their story through each character’s perspective, jumping between points of view with each chapter. But quickly, this somewhat familiar teenage experience takes a more nihilistic turn as James’s character exhibits a rapidly forming sociopathy that threatens both of their futures. He harbors violent fantasies and begins to act on them, while Alyssa remains as willfully ignorant for as long as she can, blinded by young love.

    It is only after a series of violent events occur that Ryan realizes he must set aside all he believes to be true in order to face his shocking and inevitable reality.

    'Don't Go Without Me' contains 3 individual stories: the titular 'Don't Go Without Me,' 'What Is Left,' and 'Con Temor, Con Ternura' (With Fear, With Tenderness). 'Don't Go Without Me': Two lovers sneak out for a night out on the town- a town where spirits and the supernatural exist as a realm within and alongside our world, with humans crossing over frequently. The lovers get separated, and must barter with stories in exchange for clues as to where the other may be. But, unknown to them, each time they gain a morsel of information, they lose something, too...'What Is Left': A ship that runs on the memories of one of its occupants malfunctions and collapses in on itself in the dead of space. Alive but trapped, an engineer who survives the wreckage finds herself inside the reservoir of memories, stranded alone in a patchwork dream of someone else's life.'Con Temor, Con Ternura': For years, the residents of a small, ocean-side town have been living in the shadow of the sleeping giant who is prophesised to one day wake up and lay their world to waste. As the foreseen date of their impending doom draws near, the town decides to put on a festival on that very same night, to celebrate their lives and face whatever fate awaits them together.

    Berkeley Breathed’s Bloom County burst onto the American comic scene in December 1980 and it soon became one of the most popular comic strips of all time. The endearing and quirky denizens of the strip included Milo Bloom, Steve Dallas, Michael Binkley, Cutter John, Bill the Cat, and Opus the Penguin. Bloom County was a strip that dealt with many issues relevant to the period. Occasional “Context comments” are added throughout this collection, giving the reader a greater understanding of the time. This is the first time Bloom County has been collected in a digital library. IDW will add more volumes, one year per volume. Each newspaper strip is reproduced in chronological order from first to last. Great effort has been made to ensure the highest production values are achieved.

    It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City.As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super’s dog before doing in the super as well.In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner’s own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck.Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents—the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans—whose faces changed yet whose lives presented an unending "story of life, death, and resurrection."The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner’' most poignant and enduring literary legacy.

    From icons like Confucius, Marie Curie, and Henry David Thoreau, to Presidents Theodore Roosevelt and Calvin Coolidge, to contemporary notables like Ira Glass, Neil deGrasse Tyson, and Neil Gaiman---their words are turned into sometimes heartwarming, sometimes sobering stories by cartoonist Gavin Aung Than. Be inspired, motivated, educated, and laugh as you read famous words as never before!

    Carré’s elegant short stories read like the gothic, family narratives of Flannery O’Connor or Carson McCullers, but told visually. Poetic rhythms — a coin flip, a circling ferris wheel — are punctuated by elements of melancholy fantasy pushed forward by character-driven, naturalistic dialogue. The stories in Heads Or Tails display a virtuosic breadth of visual styles and color palettes, each in perfect service of the story, and range from experimental one-pagers to short masterpieces like The Thing About Madeline (featured in The Best American Comics 2008), to graphic novellas like The Carnival (featured in David Sedaris and Dave Eggers’ 2010 Best American Nonrequired Reading, originally published in MOME).

    The story follows Marcus, a young expat artist from Paestum who works as an assistant to Flavius, a seemingly well-regarded painter. Aside from mixing paint, Marcus is entangled in the older artist's romantic deceptions, while stuck figuring out his own. Nicole Rudick wrote of this work in "The Comics Journal": "Santoro's drawings are wonderful; his reduction of figures to tone and line and shape recall illusionistic Roman frescoes and the drawings of Giacometti and Emile Bernard, but endowed with comic-strip dynamism. But if Pompeii were just a series of clever sight lines and intriguing artwork, it would not be as satisfying [ ] the story's physical structure is married to its themes, and to be aware of one is to be more appreciative of the other."