Arrogant, cold, but a brilliant soldier, FitzStephen commands a castle yet although his mother was a princess his father was a lowly steward. When a Welsh rebellion brings defeat and a crippling siege, his highborn comrades scorn him, betraying him to the enemy. A hostage of his cousin, Prince Rhys, FitzStephen is disgraced, seemingly doomed to a life of obscurity and shame.Then King Diarmait arrives ...Diarmait is the ambitious overlord of an Irish kingdom. Forced to flee by the High King of Ireland, he seeks to reclaim his lands by any means possible and that includes inviting the Normans in. With nothing left to lose and perhaps a great deal to gain FitzStephen agrees to lead the Irishman s armies, and to drive Diarmait s enemies from his kingdom. His price? Acceptance, perhaps ... or perhaps a kingdom of his own?

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    Aneirin's poem is a universal celebration of the undying theme of the ideal hero. O'Grady's belief that what Aneirin wrote of his war is true of all wars informs the purpose of his version, which is to give a `reading' of the poem as one way in which it might have been written today. With magnificent brush drawings by Louis Le Brocquy.

    The illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty.Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and that of those around her. Judith Arnopp has carried out lengthy research into the fragmented ninth century poems, Canu Llywarch Hen and Canu Heledd, and the history surrounding them to produce a fiction of what might have been.

    Amy Watkins and miner 'Big' Tom Kelly were in love. But can they keep their feelings secret or face the threat of death in a community torn apart by the miner's strike? Tonypandy, South Wales, 1911. Starving, striking miners fight soldiers and police on the picket lines for the right to earn a wage that will feed their families, while Irish labourers are brought in the take their place in the pits, for half their pay. Handsome 'Big' Tom Kelly, an Irish worker, comes to Wales looking for a better life and believes he has found it when he falls in love with Amy Watkins, the daughter of a strike leader. At night, the miners search out the Irish men, drag them from their beds, beat them and then hang them from the street lamp posts. Can Amy and Tom keep their love a secret forever? All they want is a future together. But in a world full of hatred, anger and violence, their dream seems impossible. Until another strike leader offers them a way out.

    In this superb anthology can be found the best of the English-speaking world’s inspirational and reassuring verse, including such classics as Rudyard Kipling’s ‘If’ and W.H. Davies’ ‘Leisure’. This beautifully illustrated collection of over 120 poems is sure to offer solace, hearten the soul and motivate the human spirit.

    They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Ford has endeavored to present a scholarly document in readable, modern English. Basing his criteria on the latest scholarship in myth, he includes only those stories that have remained unadulterated by the influence of the French Arthurian romances. These are, in addition to the "Four Branches," the tale of "Kulhwch and Olwen," which is rooted in the mythological origins of Arthur, seen here in his role of divine hunter in pursuit of the swine-god; "Lludd and Lleuelis," which reaches beyond its immediate Celtic sources into ancient Indo-European ideologies; and the long unavailable "Tale of Taliesin," which offers insights into Celtic concepts of the archetypal poet-seer and the acquisition of Divine Wisdom.

    Texts are in the original Middle English, and each has an introduction, detailed notes and a glossary. Selected titles are also available as CD recordings.

    these tales constitute a powerful work of the imagination, ranking with Tokien's Lord of the Rings novels and T.H. White's The Once and Future King. Evangeline Walton's compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family's epic struggle for the throne.The Mabinogion is internationally recognized as the world's finest arc of Celtic mythology; Walton's vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time.

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    The grown-ups fight, steal, get drunk, get arrested, and then give you a hard time for taking drugs.

    For fans of Nadine Dorries, Maeve Binchy, Freda Lightfoot and Dilly Court. Lives are on the line as the workers fight back in the Welsh countryside… 1829, Wales For centuries. generations of the Jenkins family have eked out a living from their Carmarthenshire hill farm. But when a fire destroys virtually all of their possessions the children witness their lives crumbling around them. Mary and William find they have barely enough land left to provide for their basic needs. Their only option is to take on more work, but William longs for action, and Mary begins to suspect that he has become embroiled with the Rebecca-ites, a shadowy group of nationalists pitted against the English landowners whose tolls have bankrupted so many Welshman. As tensions mount, Mary becomes ever more torn between her mistrust of the rebels’ violence and her growing attraction to Jac Tŷ Isha, one of their leaders. And when the British government decides to put a stop to the revolt, the danger to the men she loves increases a hundredfold… REBECCA’S CHILDREN is a poignant, beautifully crafted saga of love and betrayal, set against the background of Wales in mid-1800s – a country aflame with political and social unrest. "An accomplished first novel." - The Times "A well-handled tale of passion, social injustice and nationalist fervour in nineteenth century Wales." - The Liverpool Post “Kate Dunn is a fine storyteller.” - Ben Elton

    Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.