Daumal's symbolic mountain represents a way to truth that "cannot not exist," and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality.

    Intrigued and unnerved, she turns to her neighbours: Vandoosler, an ex-cop, and three impecunious historians, Mathias, Marc and Lucien - the three evangelists. They agree to dig around the tree and see if something has been buried there. They find nothing but soil.A few weeks later, Sophia disappears and her body is found burned to ashes in a car. Who killed the opera singer? Her husband, her ex-lover, her best friend, her niece? They all seem to have a motive.Vandoosler and the three evangelists set out to find the truth.

    The wife of a top-ranking Parisian official, she suffers from amnesia and terrifying hallucinations -- a living nightmare made more horrifying when psychiatric testing reveals that Anna has undergone drastic cosmetic surgery . . . though she cannot recall when or why.In the tenth arrondissement of Paris, a rookie police inspector and a seasoned veteran called out of retirement investigate the horrific murders of three anonymous young women -- illegal Turkish aliens who could not have deserved such a brutal, inhuman death.From the murky night streets of clandestine Paris to the teeming fleshpot of Istanbul, two bizarre and terrible stories will become one -- as prey and predator, manipulated and manipulator come together in a storm of blood and fury . . . in the hideous shadow of the wolf.

    And another one under that.' Only very special people are chosen by children's author Laura White to join 'The Society', an elite group of writers in the small town of Rabbit Back. Now a tenth member has been selected: Ella, literature teacher and possessor of beautifully curving lips. But soon Ella discovers that the Society is not what it seems. What is its mysterious ritual, 'The Game'? What explains the strange disappearance that occurs at Laura's winter party, in a whirlwind of snow? Why are the words inside books starting to rearrange themselves? Was there once another tenth member, before her? Slowly, disturbing secrets that had been buried come to light... In this chilling, darkly funny novel, the uncanny brushes up against the everyday in the most beguiling and unexpected of ways.

    He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'Accuse. Wikipedia

    A woman returns early from a lovers' retreat to a bottle of pills at home. And how should you explain the nuances of contemporary Paris to your mother, twenty – five years dead? Valérie Mréjen 's Black Forest is a book of mourning that isn't morbid or sentimental, but rather an elegant and wryly humorous brace against the void. With a paradoxically detached intimacy, Mréjen follows death's dark and twisted path through the lives it touches, wringing out every possible meaning — or non–meaning — along the way. A writer at the height of her career who draws comparisons to Georges Perec and Nathalie Sarraute, Mréjen has cemented her status as an auteur with a singular voice, guiding us through the Black Forest of ghosts that populate her subconscious.

    Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the creole culture of Martinique and brilliantly translated by Linda Coverdale, this novel takes us on a unique and moving journey into the heart of Caribbean history.

    Rusty, ornery, and down at the heels, Zadoorian's characters have made the wrong choices, been worn down by bad news, or survived traumatic events, but like the city they live in, they are determined not to let tragedy and rotten luck define them. Rich with detail and brimming with feeling, Zadoorian's deceptively simple stories lead readers into the inner lives of those making the best of their flawed surroundings and their own imperfections.Zadoorian's stories are drawn from the everyday events that come to define his characters' lives. A woman responsible for putting down animals at a veterinary clinic travels to Mexico to stage a ritual for her victims, a veteran returns a flag stolen from a Japanese soldier he killed in World War II, an elderly couple takes a final road trip to a mystery spot out west, and a man spends his life waiting to inherit his parents' kitschy 1960s furniture but instead sells it all. Characters also find their lives shaped by seemingly random occurrences, like the junk shop owner who must stop the stranger with a vendetta against him, the woman who becomes obsessed with her in-laws' talking dog, and the urban spelunker who finds love and acceptance with a reader of his blog. Their close connection to Detroit also infuses Zadoorian's stories with themes significant to the city, including issues of racial tension, political unease, and economic hardship.Zadoorian's writing throughout this collection is clear and vivid, never getting in the way of his characters or their stories. The unique but relatable characters and unexpected stories in The Lost Tiki Palaces of Detroit will appeal to all readers of fiction.

    This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

    Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel.

    R. Sanders, whose name is printed on the cover of every installment of the wildly successful young adult adventure series? Or is it Daniel Roche, the enigmatic world traveler who disappears for months at a time? When Daniel’s great-niece, Hélène, moves to Paris to study archeology, she does not expect to be searching for answers to these questions. As rumors circulate, however, that the twenty-fourth volume of The Black Insignia series will be the last, Hélène and her friend Guillaume, a devoted fan of her great-uncle’s books, set out to discover more about the man whose life eludes her. In so doing, she uncovers an explosive secret dating back to the darkest days of the Occupation.In recounting the moment when one history began and another ended, The Travels of Daniel Ascher explores the true nature of fiction: is it a refuge, a lie, or a stand-in for mourning?

    But his success is built on a lie—he isn’t the person he pretends to be.Growing up a poor Tunisian immigrant, crammed inside the walls of a grimy Paris apartment tower, Samir Tahar seemed destined for life as either a drug dealer or a delivery man—until he decided “he was going to cut through the bars of his social jail cell, even if he had to do it with his teeth.” At law school in Montpelier, France, he became fast friends with Jewish student Samuel Baron. The two were inseparable until the irresistible Nina, torn between the men, ultimately chose Samuel. Samir fled to America, where he assumed Samuel’s identity and background while his former friend remained stuck in a French suburb, a failed, neurotic writer seething at Samir’s overseas triumphs.Decades later, the three meet again in this dark, powerful story of a deeply tangled love triangle that becomes subsumed by the war on terror. Called “a masterful novel...unquestionably one of the season’s best” (Paris Match) and “a work of great magnitude” (Le Figaro), The Age of Reinvention is an intriguing tale about the wonderful possibilities and terrible costs of remaking oneself.

    Both exasperating and moving, cherished by its readers, it has its origins in the author's attempt to come to terms with the death of his young wife Alix, whose presence both haunts and gives meaning to every page. Having failed to write his intended novel (The Great Fire of London), instead Roubaud creates a book that is about that failure, but in the process opens up the world of the creative process. This novel stands as a lyrical counterpart of the great postmodern masterpieces by fellow Oulipians Georges Perec and Italo Calvino. First published by Dalkey Archive Press in 1991, now available again.

    Now the basis for a hit underground film which was banned in France, Baise-Moi is a searing story of two women on a rampage that is part Thelma and Louise, part Viking conquest. Manu and Nadine have had all they can take. Manu has been brutally raped, and determines it's not worth leaving anything precious lying vulnerable -- including her very self. She teams up with Nadine, a nihilist who watches pornography incessantly, and they enact their own version of les vols et les viols (rape and pillage) -- they lure men sexually, use them up, then rob and kill them. Drawing from the spiky cadences of the Sex Pistols and the murderous eroticism of Georges Bataille or Dennis Cooper, Baise-Moi is a shocking, accomplished, and truly unforgettable novel.

    Preface by André Gide. Translated by Stuart Gilbert.