This novel may even take Zone's place in Christophe Claro's bold pronouncement that Énard's earlier work is "the novel of the decade, if not of the century."Mathias Énard studied Persian and Arabic and spent long periods in the Middle East. A professor of Arabic at the University of Barcelona, he received several awards for Zone—also available from Open Letter—including the Prix du Livre Inter and the Prix Décembre.Charlotte Mandell has translated works from a number of important French authors, including Marcel Proust, Gustave Flaubert, Jean Genet, Guy de Maupassant, and Maurice Blanchot, among others.

    Alfred Jarry's posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of 'Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry's unique and humorous philosophy. Though Daumal is better known for his unfinished novel Mount Analogue and his refusal to be adopted by the Surrealist movement, this newly translated volume of writings offers a glimpse of often overlooked Daumal: Daumal the pataphysician. Pataphysical Essays collects Daumal's overtly pataphysical writings from 1929 to 1941, from his landmark exposition on pataphysics and laughter to his late essay, "The Pataphysics of Ghosts." Daumal's "Treatise on Patagrams" offers the reader everything from a recipe for the disintegration of a photographer to instructions on how to drill a fount of knowledge in a public urinal. This volume also includes Daumal's column for the Nouvelle Revue Francaise, "Pataphysics This Month." Reading like a deranged encyclopedia, "Pataphysics This Month" describes a new mythology for the field of science, and amply demonstrates that the twentieth century had been a distinctly pataphysical era.Poet, philosopher, and self-taught Sanskrit scholar René Daumal (1908–1944) devoted himself to a lifelong attempt to think through death by means of what he called “experimental metaphysics”: an attempt to address metaphysical questions through scientific methodology. After co-founding the iconoclastic journal Le Grand Jeu and rejecting overtures from the Surrealist movement, he abandoned the literary path to become a disciple of the spiritual teacher George Gurdjieff.

    The essay was uniquely suited to Sartre because of its intrinsically provisional and open-ended character. It is the perfect form in which to dramatize the existential character of our deepest intellectual, artistic, and political commitments. This new selection of Sartre’s essays, the first in English to draw on the entire ten volumes of his collected essays as well as previously unpublished work, includes extraordinarily searching appreciations of such writers and artists as Faulkner, Bataille, and Giacometti; Sartre’s great address to the French people at the end of the occupation, “The Republic of Silence”; sketches of the United States from his visit in the 1940s; reflections on politics that are both incisive and incendiary; portraits of Camus and Merleau-Ponty; and a candid reckoning with his own career from one of the interviews that ill-health made his prime mode of communication late in life. Together they add up to an unequaled portrait of a revolutionary and sometimes reckless thinker and writer and his contentious, difficult but never less than interesting times.

    Characters appear and disappear at whim; they walk underwater and accept the most astounding coincidences with calm nonchalance. This crown jewel of Surrealist eroticism is part hymn to the erotic and part adventure story illumined by the shades of Lautreamont, Jack the Ripper and Sade. Desnos was famously lauded by Andre Breton--in his First Manifesto of Surrealism--for having come -closest to the Surrealist truth, - and his novel is a dream at once violent and tender--the perfect embodiment, in fact, of the Surrealist spirit: joyful and despairing, and effortlessly scandalous. This new hardback edition also includes Mourning for Mourning, Desnos' first book--his own selection of his early stories from the -period of sleeping fits- and automatic writing.

    Contributor: Frank Pearce Sturm Editor: Thomas Robert Smith

    

    Mendès was one of the key figures in the latter phases of that process of development, launching his literary career in the 1860s under the patronage of Théophile Gautier, whose daughter Judith he married—much against her father’s wishes—in 1866, and then becoming a leading figure among the “Parnassians” who attempted a renewal and revivification of Romantic ideals, before he entered wholeheartedly into the Decadent Movement launched in the 1880s. The stories in the present collection extend over a linear spectrum, moving by degrees from the affected sentimentality of Romanticism to a darker and somewhat jaundiced world-view that illustrates the Decadent sensibility very well, although all the stories were written in advance of the enormous fashionability that the sensibility in question achieved in the late 1880s.

    Among them were the seven soldiers who share their stories in this book. Some joined up out of patriotism, others for adventure or the prospect of a secure wage. They were fit, trained and proud to wear the armband of the British Expeditionary Forces.For many, the first months were strangely peaceful, but when the Germans invaded in May 1940 they advanced with shocking speed. The German armoured columns sliced through neutral Holland and Belgium. The French Army collapsed and within a week the soldiers of the BEF were forced to retreat. Fighting tough and bloody rearguard actions, they endured relentless shelling and fearsome dive-bomb attacks. Constantly on the move, and facing a German onslaught on three fronts, they were soon exhausted, hungry and low on ammunition. They headed finally to their one chance of salvation: the beaches of Dunkirk.Mike Rossiter tells the stories of seven veterans who went through a hellish baptism of fire in the first battles on the front line, and fought in the last-ditch defence of Dunkirk. They saw their comrades bombed and drowned off the beaches. Their accounts give us a fascinating and privileged insight into the reality of the war and what it was really like to face the German Blitzkrieg in 1940. They take us from the confident, idyllic days of the phoney war in the French countryside to the sudden shock of battle, from the fear and confusion of retreat to the wait for an uncertain rescue. These are the compelling stories of seven men who are proud to say I Fought at Dunkirk.