Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

    The boy asks for help because he thinks his older sister may be some kind of vigilante. Belinda, eighteen and way too sexy for her own good, has been missing for five months. The police are convinced that she’s just another runaway. Her bullheaded stepdad agrees.But the younger brother found Belinda’s secret stash of chatroom texts. They suggest she’s on a misguided mission to entrap and kill a sexual predator. If so, she’s in over her head and on a collision course with a first-degree murder indictment.Goodlove promises Belinda’s family that he’ll help her.But first, he has to find her.Missing Evidence may be enjoyed as a standalone book or as part of the Goodlove and Shek series.

     One family. A tiny flat in Notting Hill. A beautiful neighbour. A very angry dog. A horny Welshman. An enormous turkey. On the biggest day of the year. What could possibly go wrong? Meet Ben Canterbury, 29, single, lives in a poky flat in Notting Hill with horny Welshman, Rufus. His life has been one disappointment after another. What makes it worse is that his brother, Jamie, is the complete opposite - a Barrister to Ben’s Barista - with a family and a proper house in Twickenham. In an attempt to compete with his perfect brother, Ben insists he hosts the family Christmas, but it isn’t long before he realises he’s way out of his depth. Ben’s flat isn't big enough for everyone (including one very angry dog), the Christmas tree’s from the £1 shop, the decorations are hung with Blu-Tack, and the turkey might not fit in the oven. Ben’s definitely not feeling the Christmas spirit. But when beautiful new neighbour, Mhairi McGregor, appears at his door, Ben’s Christmas worries go out of the window and he begins to wonder if it might not be the worst Christmas in history after all. Amid all the drama, drinking and carnage of Christmas Day, will Ben find true love or will it be another disappointment to add to the list? A Notting Hill Christmas is a brilliantly funny, feel-good, festive novella perfect for fans of romantic comedies like Love Actually and Notting Hill.

    Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    At its core, the world of Tomorrowland is our own, though reflected off a funhouse mirror--revealing our hopes and deepest fears to comic, heartbreaking effect.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    Although she loves her children and husband, April is plagued by the growing doubt that she has not lived up to her mother's expectations for her--until one day when something terrible and unexpected happens, and April must face the truth about her own life and discover what really matters.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

    Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.

    Compulsively readable and always accessible, each story takes the reader into the mind and heart of its central character, whether a young boy suffering from Lawrence Welk damage and teetering precariously on the edge of puberty ("The Music of Your Life") or a not-so-young-anymore man for whom fantasy and reality have become a terrifying blur and who finds himself slipping over the edge toward total meltdown ("Wildlife of Coastal Carolina"). Nostalgia plays a part in these stories as a somewhat jaded New York film critic looks back on his life and the movies that shaped him ("Spectators in Love"), and an aging flower-shop owner ruefully assesses the love he found and lost when, as an eighteen-year-old, he embarked on a Hollywood career that never soared but did include one particularly memorable appearance on the I Love Lucy television show ("Who Loves You?") These stories all create entire worlds within which the characters live and struggle to find their way. Funny, touching, serious, and tender, the tales within The Music of Your Life are sure to appeal to anyone who has ever known the awkwardness of being "different," and while life is often harsh for the stories' characters, the bold determination with which they persevere offers inspiration to all.

    A boy who planned to be the next school shooter. A patient with OCD whose loved ones really did suffer every time he missed a ritual. A choir boy who claimed he was being molested -- not by a priest -- but by God Himself. A patient with PTSD who gave me nightmares. A husband and wife who accused each other of abuse, and only one of them was telling the truth.And how could I ever forget, Patient #220.The problem is, my patients have a habit of dying. Sometimes I wonder if I'm the common denominator. Or maybe that's just the cost of taking on exceptionally broken clients.Either way, I'll never stop trying to help.

    SeriesMr & Mrs. SehgalKabier and Aashi’s is a marriage of utmost convenience. Everything about the marriage is wrong yet Aashi falls for her tycoon husband who has no time for her. While Kabier is busy earning billions, Aashi battles her solitude until she decides to give up. Jealousy creeps in Kabier’s heart when his wife’s friend comes into the picture. Will Kabier realize Aashi’s worth? How will he woo her back? A romantic tale of arrogant Business Tycoon Kabier Sehgal and his Former Miss India Wife Aashi Sehgal with sparks of attraction, love, jealousy, and a happily-ever-after.

    Her handsome FBI Director ex lives in Manhattan. Then his fashion-model girlfriend is invited to walk in London Fashion Week, but it can only lead to trouble, right? A former marriage is tested to its limits when Michael's team puts a mobster behind bars and no one in his circle of colleagues or his family is safe.